The song's composition, which makes use of 8-bit synths, intricate synths, and arpeggios, was amazing!

Great contrast between hot crunch and smooth coldness. And then the overall A-B-A2 structure.

Love the artwork too. Looks great  on mobile

Fantastic synthetic sounds interwoven with magnificent classical brass instruments... really cool... You're showing courage!💪🏻🤓

Daily Drops

(No AI Gen involved - I use my voice and Vst Instruments)
Traduit plus bas
-----
I walk the streets with my head down, fleeting shadow
I do not see you face passing slow
lost in my phone’s glow

And I feel sad, I don't know why the silence stays
I don’t see the time slipping through the haze
In this empty days

In these silent days

Many time, many miles, many left behind
for the single one, once in you life, closer to your mind
Anyone, anytime, may reshape your day
Cause everything, everywhere connects in a way

To change my eyes, to feel the wide, I'll dig inside
A single word can turn the tide
Your smile is the guide

Forget the screens, embrace what's real, I miss my friends,
The path goes on, but never ends
Till the darkness bends

Till the darkness bends

Many time, many miles, many left behind
for the single one, once in you life, closer to your mind
Anyone, anytime, may reshape your day
Cause everything, everywhere connects in a way

Everybody needs to believe
Everybody needs to find someone somewhere
----
Je marche dans les rues, la tête baissée, ombre fugitive.
Je ne vois pas ton visage passer lentement,
perdu dans la lueur de mon téléphone.

Et je me sens triste, je ne sais pas pourquoi le silence persiste.
Je ne vois pas le temps s'écouler à travers la brume,
dans ces jours vides.

Dans ces jours silencieux.

Beaucoup de temps, beaucoup de kilomètres, beaucoup de personnes laissées derrière
Pour cette seule personne, une fois dans ta vie, plus proche de ton esprit
N'importe qui, n'importe quand, peut remodeler ta journée
Car tout, partout, est connecté d'une certaine manière

Pour changer mon regard, pour ressentir l'immensité, je vais creuser en moi
Un seul mot peut changer le cours des choses
Ton sourire est le guide

Oublie les écrans, embrasse ce qui est réel, mes amis me manquent,
Le chemin continue, mais ne finit jamais
Jusqu'à ce que l'obscurité s'incline

Jusqu'à ce que l'obscurité s'incline

Beaucoup de temps, beaucoup de kilomètres, beaucoup de personnes laissées derrière
Pour cette seule personne, une fois dans ta vie, plus proche de ton esprit
N'importe qui, n'importe quand, peut remodeler ta journée
Car tout, partout, est connecté d'une certaine manière

Tout le monde a besoin de croire
Tout le monde a besoin de trouver quelqu'un quelque part

Reshape Your Day

Lyrics: @user-264930040 (poet Peter)
Piano and composition for piano: Debra Buesking https://soundcloud.com/debra_buesking
Vocals, and vocal composition : Oddrun Eikli
Trumpet, studiowork and mix: Arne Hiorth


Debbies`s words about the piano composition:
"This piano composition takes its cues from Beethoven's Bagatelle "Für Elise". It seemed a bit of fun to give Beethoven's famous piece a new twist and so we have."

Thank you to my dear Debbie, Arne, and Peter, for this marvelous and joyful experience of working together. It brings so much JOY:)

An Autumn Pastorale

The year’s getting late, now summer’s sleeping
I contemplate how autumn’s creeping in.
Berries shining for the birds
As they harmonise each others’ words In a chorus like the angels heard.

The year’s getting late, for carefree living

Lazy times, with honest give and take.
Simple joys like baby smiles
And climbing hills to see for miles
The evening star switching on…year’s getting late

The year’s getting late, memories clinging
Better times, that sweet hope’s bringing in
The last of this year’s butterflies
Mother nature’s neat surprise

Can’t those days come back please? … year’s getting late.

Autumn Pastorale. Debra B. Oddrun E. Poet Peter. Arne H.

Second "piano post card", inspired by the view of a castle above a lake. The left hand stubbornly  repeats the same patterns over which the melody unfolds.

Le chateau sur le lac

Piano Post Cards II - Le chateau sur le lac

'Shadows In Fallen Clouds' Chemtrails are covering our skies worldwide daily. These chemtrails contain a mixture of chemicals and heavy metals. Most of the worlds population appear to think that these chemtrails are clouds or contrails and some are even oblivious to their very existence. However I am not and am well aware that what is being sprayed artificially in the upper atmosphere, won't stay there for long and will soon succumb to gravity. So then these chemtrails start to fall to earth, with their pollutant toxins. We are then breathing these in and eating the food produced from the contaminated ground and drinking the water. 
My track then 'Shadows In Fallen Clouds' is my protest to this assault on the earth and every living thing on it.
Alan

CON-FUSION

Shadows In Fallen Clouds

DRUMAX No. 70 // AUTUMNAL // Warm Colours in the Air ...
@joerxworx // Composition, Instruments, Arrangement, Tenor Saxophone, Mix
@docfritz // Rhythm Design, Awesome Drums & Percussion, Tracktitel & Cover
© 2025 | DRUMAX PROJECT | All Rights Reserved

DRUMAX // AUTUMNAL

💥C'est une histoire vieille comme le monde, un homme convoite deux femmes mais n'est amoureux que d'une seule. La maitresse lui clame sa détresse et met un terme à la relation. Malgré la douleur, elle en ressort victorieuse, car elle se débarrasse de l'emprise que cet homme à sur elle. Merci à Nadja.K de s'être prêtée au jeu, une correction de la voix avec Melodyne et autotune pour un résultat presque naturel.🎶 J'espère que vous apprécierez ce titre autant que nous avons eu plaisir à le travailler.🤍
💥This is a story as old as time: a man desires two women but is truly in love with only one. The mistress voices her despair and ends the relationship. Despite the pain, she emerges victorious, freeing herself from his hold. Special thanks to Nadja.K for joining in this project. A touch of Melodyne and Autotune helped refine the vocals for an almost natural result.🎶 We hope you’ll enjoy this track as much as we enjoyed creating it.🤍

Extrait :
[Verse 1]
Tu m’appelles juste parce qu’elle t’a laissé en plan
Tu aimes venir me prendre et faire semblant
Dans la tête, t’as encore les courbes de mon corps
et sous tes mains, des caresses qui me jettent un sort (ugh)
[pré-chorus]
Ouais, maintenant je vois clair dans ton jeu… je vois clair dans ton jeu…
Tu aimes, me mettre en feu et me laisser seule au pieu 
et j’ai le seum, j’ai le seum.
[Chorus 1]
Dis-moi, où est Luna ce soir ?
Tu sais, c’est l’amour de ta vie
Cheveux noirs, yeux bruns
Un corps plus beau que le mien
Alors, Où est Luna ce soir ?
Je sais qu’elle squatte tes pensées
Comme si elle hante les miennes
Elle est ta lune, je n'suis rien pour toi,
Pourquoi tu perds ton temps dans mes draps ?
Tes mains glissent sur mes cuisses
Et moi je me demande pourquoi,
Alors, qu'au fond, elle est ton supplice  :
Alors « Où est Luna ce soir ? »

Où est Luna ce soir ?

I used a phrase from a comment I received from Stars Mighty Fine as the title.
First, I see a chaotic array of tones, and then I try to create some kind of structure from that chaos. I think the process of composing is simply trying to control the song and sound with all my might.

We Control with All My Might (357)

Symphony in E Flat Minor - Conflictus 
I have attempted to create a potent emotional and technical foundation in this composition by using E-flat minor, to portray two critical intervals to define conflicting characters,  the minor second and the minor seventh.

To create an emotional profound darkness I have used cello melody in (E-flat minor) to immediately establishes a somber, monumental, and deeply introspective mood, setting the stage for a serious dramatic work that follows.

Acute Tension (Minor Second) has been deliberately used to injects the music with sharp dissonance and anguish. This abrasive, element drives conflict, often suggesting the intensity of the E-flat Phrygian mode.

Somber Depth (Minor Seventh) strings provide the essential melancholic color and stability of the minor key to allow for broad, cohesive irritating melodies to define chaos and conflict.

The use of alchemy pads & strings in between the abrasive, close tension of the minor second and the deep has successfully created a reflective sorrowful mood of the minor seventh.

Produced in the
ARAPA Music Studio
Sydney - Australia

Artwork:  #azcreativestudiosydney

Symphony in E - Flat Minor, Conflictus

Was discussing The Replacements with a friend and had the urge to write a tune in that vein, and, gosh, there was inspiration right there in the daily news.  This was a quick & dirty one day write &  record, but then quick & dirty seems to be the order of the day.

hey mr tangerine man you're not fooling me
I'm not stupid and we all know what you're trying to do
hey mr tangerine man you're not fooling me
and you know we won't be mourning when they're burying you

you rake the air incessantly with your heinous flapping lips
while your golf shirt hides your tits
and your tiny grey hands twitch
all the citizens feel gypped
we're all waiting for a massive stroke to do you in
i'm ready to move anywhere I want to emigrate
but come back for the parade past the golf course where you're laid
i'll fight the urge to urinate

Mr Tangerine Man

Composition and Sampling collage by Synline.
Photo by Eyeem Mobile GmbH

Ride or Die

Recording sessions from  26/12/2024 - 18/10/2025.
presets, mixing, processing and editing: Pier WILL.
________________________________________________________________________
🛠 - Made with MOOG & Modular / Multi-tracks / No I.A. / No samples.
🎹 - Composed, arranged, performed, produced by Pier WILL & 4H09
🔲 - Cover art - Pier WILL
🙏 - Acknowledgements - Ableton, AKG, Arturia, Audacity, Cantabile,
Focusrite, Hewlett Packard, Korg, Logitech, Marantz, M-Audio, MSI, 
Samsung, Sony, SoundCloud, Teac, Techniks, Yamaha.
________________________________________________________________________

⚙️ - #Ambient #Movies #Experimental

Toxic friend

Toxic friend... 🙏

No Moonlight Tonight

Everything Is Everything

Dive into the depths of a cyberpunk city 🌃🖤. This instrumental track blends dark synths 🌌, glitchy percussion ⚡, and mysterious atmospheres 🌫️ for an immersive, hypnotic experience 🔊✨. Perfect for wandering neon-lit alleys 🌆, exploring digital worlds 💻, or hacking your imagination 👤💡. #Cyberpunk #Underground #Instrumental

Silent Hack

KROMATIK A is the follow-up to the album “STARGAZR” written, performed and produced by JunoMusik. Randy (aka “JunoMusik”) continues his exploration of 90’s synth soundscapes, and this time out the themes are earthly delights and wonders, both large and small, filtered through a colorful chromatic lens. Put those earbuds in, turn up the volume and let yourself melt into the sonic dreamworld that is KROMATIK A. 

PARTIKAL B - love this life, and live in a higher state of mind.

PARTIKAL B

The current music scene is great because of the places where music is made and the experiments that are repeated by each personality. For individual creators, it is much more valuable to have an environment where they can come into contact with a large number of personalities than to be spread.

⚡ Synthwave energy unleashed! ⚡ Shock the Algorithm returns with a brand NEW album — Ultraviolet Cosmos.
https://shockthealgorithm.bandcamp.com/album/ultraviolet-cosmos

🌌 Available NOW on Bandcamp — grab your digital copy today and step into the neon! 🌌

We Control with All My Might (357)

Amekaze Hanako-syokudo

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