new vibes

Bacchanal

Three King Fishers

Analog Africa No.15 – ANGOLA SOUNDTRACK 2
*Hypnosis, Distortions & Other Sonic Innovations 1969-1978* 
Catalogue No. AACD 075 (1xCD)/AALP 075 (2xLP) 
CD with 44-Page Booklet / LP with 16-Page LP Size Booklet


In 2010, against all odds, Angola Soundtrack Vol.1 was awarded the German Record Critics’ Prize in the category "Black music". This victory was all the sweeter for its triumph over the predicted winner, Aloe Blacc´s multi platinium record, "Good Things".

Many were surprised that the award was handed to a compilation that covered obscure music, but it didn’t surprise the team behind Analog Africa who believed such award should have come much earlier. 

Since discovering the music of Angola 15 years ago, styles such Kazucuta, Rebita and Semba have become an addiction for Samy Ben Redjeb, the compiler, who proclaimed a serious warning in the first edition liner notes: 

"Listening to these tracks may cause addiction and provoke heavy rotation!"

The unique blend of incomparable musicianship, passionate delivery and regional rhythms that make these tracks so combustible are no accident.  An exceptional set of circumstances existed in the history of Angola before Independence that created the giant leap in the style and standard of bands and recordings of the time.

When Portuguese repressive measures prevented the small Turmas, street musician groups, from being able to perform in Carnaval celebrations in 1961, a Portuguese civil servant, entrepreneur and Angolan music fan named Luis Montês was already in a position to capitalise on Luanda’s need for a live music scene. His self-designed “Kutonocas”, Sunday afternoon live music festivals, delighted a Luandan population hungry for a communication between the city and musseques (townships). It also forced groups to adapt to a different style of playing that would accommodate large stages and broader audiences. They equipped themselves with electric guitars, and fed on the musical influences from Cape Verde, Congo and the Dominican Republic, while staying patriotically true to their own musical legacy and unique rhythms. 

The intimacy of those participating in this musical revolution meant they playfully and professionally wanted to trump each other’s style; communication between the groups was frequent as everyone studied each other’s records and concerts and players were under a lot of pressure to outdo each other due to the limited recording and performing opportunities.  Development of skill and ingenuity was a must, as well as addressing the highly politicised climate.  The optimism of Independence can be heard in these recordings; a common goal between the audience and musicians.

Upon reading the characteristically generous liner notes of this new Analog Africa release, you will be given more hints of the crucial melting pot that allowed this short period to have such an outstanding productivity.  Featuring 44 pages acquired in coordination with the National Library of Luanda and the art magazine “Note E Dia”, Analog Africa head honcho Samy Ben Redjeb has managed to collect newspaper clips, extremely rare pictures of the bands on stage and printed interviews from the 70s. 

The stunning pages of passionate photography and artistic design also include interviews with many of the original artists and their families, biographies of the three labels that made it all possible, and of Luis Montês, who was the pulse of the live music scene in Luanda.

This compilation represents the best of the short lived recording industry in Angola, a brief moment of history between 1969 and 1978, when three recording companies produced approximately 800 limited records, mostly singles. They are rare jewels, each song with a significant story and feel behind it. You will hear exciting music blazed with the anticipation of emancipation, tracks fuelled with a sense of unity, community, importance and immediacy.

This addictive, outlawed music from Angola shakes and grooves with the smoothness of staccato machine gun fire.  Do yourself a favor and submerge yourself  into some of the most the addictive music created by mankind! 

Avante Juventude - Os Anjos

Pre-order at iTunes here: http://georiot.co/williamonyeaborwhat
Follow Mr. Onyebaor on facebook: https://www.facebook.com/WilliamOnyeabor

"WHAT?! - William Onyeabor Remixed" will be dropping on vinyl only for Record Store Day, April 19. Made in collaboration with Moog, it features a series of fantastic Onyeabor covers and remixes by Hot Chip, JD Twitch (Optimo), Daphni, Joakim, Justin Strauss, The Vaccines, Scientist and many more.

Side A
Hot Chip - Atomic Bomb (cover)
The Vaccines - Do You Want A Man (Remix: John Hill, Rich Costey. Re-work of Heaven and Hell)

Side B 
Justin Strauss & Bryan Mette - Body and Soul (Whatever/Whatever remix)
Joakim ft. Akwetey (Dragons of Zynth) - Good Name (cover)

Side C
JD Twitch (Optimo) - Why Go To War? (cover)
Daphni - Ye Ye (Re- work of When The Going Is Smooth & Good; Courtesy of Merge Records & Daphni aka Caribou [Dan Snaith]) 
Javelin - Heave and Hell (remix)

Side D 
David Terranova - Body and Soul (remix)
Policy - Something You Will never Forget (remix)
Scientist - Body and Soul (remix)

iTunes Pre-Order

William Onyeabor vs. Hot Chip - Atomic Bomb

Pre-order links below:

iTunes: smarturl.it/projectionsit
Ninjashop: smarturl.it/projections
Amazon: smarturl.it/projectionslp

Motherless Child

micro chop front

ARBOU-Polaroid Dreams [DARK NATURE CONCEPT]

In this Darkness ( AlxxG UKG Remix )

Midnight Sun

12" Vinyl (4 tracks) released 16 March 2018.

Soundway Records presents the debut EP from The Mauskovic Dance Band – a heady, tropical blend of cumbia, Afro-Caribbean rhythms and space disco, culminating in a vibrant hypnotic groove destined for bustling dancefloors.

With each band member of varying heritage, the group draws inspiration from diverse genres: primarily Afro-Colombian styles such as champeta, palenque, cumbia and the picó soundsystem culture, as well as the Afro-Disco and No-Wave scenes in their current base of Amsterdam. The city’s hotbed of underground producers has also brought an electronic edge to the band, with vintage drum machines and synthesisers effortlessly melding with Afro-Latin rhythms and slick guitar riffs to create a contemporary sound rich with cultural influence.

Down In The Basement EP

The Mauskovic Dance Band - Down In the Basement

Get Nasty is a sexy nod to the early days of MTV, Prince, Sylvester.. from Newark's The Jack Moves.  It's the latest single from the forthcoming album Free Money out October 19th.

Nasty

The Jack Moves - Nasty

The Mauskovic Dance Band

Space Drum Machine

Buy or Stream

The Mauskovic Dance Band - Space Drum Machine

From the LP 'THE MAUSKOVIC DANCE BAND'
Release date : May 3rd
LP release date : May 24th

Soundway Records presents the eponymous debut LP from in-demand Amsterdam five piece The Mauskovic Dance Band – fusing no-wave dance punk, Afro-Caribbean rhythms and space disco in a “controlled explosion” (The Quietus). 

Artist : @soundcloud.com/mauskovic
www.facebook.com/TheMauskovicDanceBand/

Label : @soundcloud.com/soundway-records
www.facebook.com/SoundwayRecords
http://soundwayrecords.com/

Premiere :  The Mauskovic Dance Band - Late Night People [Soundway Records]

both songs are written and performed by 
Kees Berkers & Yves Lennertz
aka YĪN YĪN

One Inch Punch 
recorded by Gino Bombrini
mixed by Gino Bombrini
Mastered by Christian Bethge

The Grey Chamber of Hinachō Otome
Recorded at Rama Tonstudio by Christian Bethge
Mixed By Gino Bombrini
Mastered by Christian Bethge

The Grey Chamber of Hinachō Otome

YĪN YĪN

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