Our joint voice against war. Against all wars! This is a very important release for me, created with the help of old friends and new acquaintances. In forced emigration. Peace to everyone and all over the world!

Ni! - composer, synyhs, woodwinds
Texter - lyric, vocal
Alex Nekrasov (Lazy Killer) - bass
Dyroplane - scratch
Andy Cool - mixed, produced

Cover by Kochneva Daria, Ni!

War Zone ( feat Texter)

"I Liked Science Fiction More When It Was Only Fiction" It's a track from the FFA album "A Straight Line is an Infinite Circle"
https://famousforgottenartists.bandcamp.com/album/a-straight-line-is-an-infinite-circle

Be careful what we wish for, it could become reality. And maybe we don't like it anymore.

I Liked Science Fiction More When It Was Only Fiction

Music for Gourd is a composition commissioned jointly by the Hong Kong Chinese Orchestra and the Taipei Chinese Orchestra. It was completed in July 2012 in Taipei and later re-orchestrated for the Western orchestra in 2019. The entire piece, approximately 16 minutes long, is structured as a single-movement concerto divided into three closely connected sections: fast, slow, and fast. The solo instrument featured is the 36-reed modernized Sheng.
The first section is characterized by a tranquil introduction followed by a rhythmically intense dance. The harmonic language in this section is characterized by sharp dissonances, exploiting the unique playing techniques and utilizing the diverse modern soundscape of the Sheng.
The second section presents a graceful Hmong Qeej Dance featuring the traditional Hmong wind instrument also known as Lusheng. The Hmong Qeej Dance is later transformed into continuous rapid 32nd note scale passages, presenting a formidable challenge to the soloist. The Lusheng, made of bamboo pipes with free reeds, is central to the musical traditions of the Hmong ethnic group and is often used in their rituals, ceremonies, and traditional music.
In the third section of "Music for Gourd," the influence of Thai Khaen solo music is evident. The Khaen, a traditional free-reed mouth organ from Thailand, contributes to this section's lively and playful melody, characterized by rapid repetitions of single notes or chords. Incorporating the Khaen music adds a distinctive Southeast Asian flavor to the composition, enriching its cultural tapestry.
The composition concludes with a brilliant solo Sheng passage accompanied by the woodwind and percussion sections of the orchestra, showcasing the rugged aspects of "Gourd Music" and culminating in a climax of heightened intensity. This juxtaposition of traditional Chinese, Hmong, and Thai musical elements not only reflects the multicultural landscape of contemporary music but also highlights the versatility and adaptability of traditional instruments in modern compositions.
In summary, Music for Gourd is a compelling exploration of cultural intersections, featuring the distinctive timbres and expressive capabilities of traditional Chinese, Hmong, and Thai instruments. Through its innovative blending of musical traditions, this composition offers a captivating sonic journey that transcends cultural boundaries, celebrating the richness and diversity of Asian musical heritage.
This track is the live recording of the world premiere took place on September 1ST, 2019. Jipo Yang and the Taipei Symphony Orchestra, Zhongshan Hall, Taipei. Conductor: Yiu Kwong Chung

MUSIC FOR GOURD Concerto for Sheng and Orchestra (2nd Section)

... on the road to discovery with both lightness and power.

In coral caves underwater, hundreds of mermaids wag their tails in sync with a music that is submarine and green, whilst phosphorescent lights from abyssal creatures are reflected and blink on their tails' scales.

Music and production by fectoper and https://soundcloud.com/tatiana-korkach
Vocals by https://soundcloud.com/tatiana-korkach and her mermaids
Mixing and mastering by fectoper
Cover art by Valeria Yudina

Wagging Tails

Wind chime, electric guitar, effect pedals, unsynchronized loops, two tube amps. All sounds, mixing and production: VSS. Image: miniature installation, photo (VSS). 
Listen to a  Remix of this Track: https://soundcloud.com/velvetsomethingsuperdark/deeper

Download

Doomsday Clock

2 tracks!

Phoenix Down 00:00
Lodestar2 05:47

phoenix down/lodestar2

I Can't Remember

Chapter 229 of 266

This chapter was written and produced with one ear. Working through getting my right ear back to normal. The show must go on.

Enter the enigmatic world of "TAFFETA," a musical tapestry woven from the threads of dreams and tragedy. Born from a single night of profound dreaming, this ambitious project embarks on an exploration of the human psyche through the language of instrumental music.

This is a five-year project, comprising of what will eventually end at 266 chapters, each is a standalone piece of sonic artistry, "TAFFETA" unfolds like a novel, with each composition serving as a chapter in a larger narrative. Crafted with meticulous care and creative fervor, every piece is birthed within the span of a week, capturing the essence of inspiration in its purest form.

But "TAFFETA" is more than just a collection of songs; it's a journey of the soul. Set against the backdrop of loss and longing, the project follows the story of a woman who slips into a coma following the untimely death of her husband. Through the evocative power of music, listeners are transported into her world, where emotions ebb and flow like the tides of a restless sea.

Week by week, each chapter of "TAFFETA" unfolds on SoundCloud, inviting audiences to immerse themselves in its haunting beauty. From cinematic compositions to haunting electronic soundscapes, each piece adds a layer to the intricate tapestry of sound, weaving a narrative that transcends the boundaries of language.

As listeners embark on this sonic voyage, they are invited to ponder the mysteries of existence, to confront the depths of sorrow and the resilience of the human spirit. "TAFFETA" is not merely a musical project; it's an experience—a testament to the transformative power of music to touch hearts, stir souls, and awaken the imagination.

If you wish to take a dive into everything that has come before:
The TAFFETA Albums each contain 15 consecutive tracks and are available for free, exclusively on Bandcamp.

TAFFETA VOL. 15 releases on May 8th, exclusively on Bandcamp.

TAFFETA VOL. 14 is now available: https://belialpelegrim.bandcamp.com/album/taffeta-vol-14

TAFFETA VOLUMES 1-13 are all available on Bandcamp
https://belialpelegrim.bandcamp.com/

COVER YOUR TORSO WITH TAFFETA! Check out the official TAFFETA t-shirt!
https://belialpelegrim.bandcamp.com/merch/belial-pelegrim-official-taffeta-design

The TAFFETA Playlist is always kept up to date:
soundcloud.com/belial-pelegrim/sets/taffeta-a-266-part-musical?si=d46fc7ad1b50446dadc7ce3ffe1a1b02&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

TAFFETA | 229

Priya

Andag

dual world on Bandcamp

silver highway

ommm

Having been a Universal Edition composer since April 2022, Yiu-Kwong Chung is one of Taiwan’s best-known and most sought-after composers. He was a Professor of Music at the National Taiwan University of Arts until 2022 and was the General Director of the Taipei Chinese Orchestra (TCO) from 2007 to 2015. During his tenure with TCO, he has written concerti for numerous top-class soloists, including percussionist Evelyn Glennie, trombonist Christian Lindberg, saxophonist Claude Delangle, cellist Mischa Maisky and Anssi Karttunen, flutists Pierre-Yves Artaud and Sharon Bezaly, in addition to renowned Kronos Quartet; all were world-premiered by the TCO. In June 2012, he conducted the orchestra’s European Tour (with soloist Evelyn Glennie). He staged performances in Bridgewater Hall in Manchester and Le Théâtre du Châtelet in Paris that brought immediate international fame to the Orchestra. From 2009 to 2015, he produced six CDs released worldwide by Swedish BIS Records.

MUSIC FOR GOURD Concerto for Sheng and Orchestra (2nd Section)

Yiu-kwong Chung

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