Viola da Gamba

UPDATE (20 Aug 2015): What made the comet sing? Scientists working on Rosetta's RPC instrument have found out why 67P/C-G was singing. Via http://wp.me/p46DHN-1nN
==
ORIGINAL Citation (Oct 2014): Rosetta’s Plasma Consortium (RPC) has uncovered a mysterious ‘song’ that Comet 67P/Churyumov-Gerasimenko is singing into space. The comet seems to be emitting a ‘song’ in the form of oscillations in the magnetic field in the comet’s environment. It is being sung at 40-50 millihertz, far below human hearing, which typically picks up sound between 20 Hz and 20 kHz. To make the music audible to the human ear, the frequencies have been increased in this recording. This sonification of the RPC-Mag data was compiled by German composer Manuel Senfft (www.tagirijus.de).  Read full details in ESA's Rosetta blog: http://wp.me/p46DHN-Li 

Copyright Notice

Original Data Credit: ESA/Rosetta/RPC/RPC-MAG
Sonification: TU Braunschweig/IGEP/Manuel Senfft, CC-BY-NC-SA 4.0 http://creativecommons.org/licenses/by-nc-sa/4.0/

Thumbnail image credit: ESA/Rosetta/NAVCAM – CC BY-SA IGO 3.0

A Singing Comet

Maurice Duruflé: Prélude, Adagio et Choral varié sur le thème du "Veni Creator" 
Stefan Fred : orgeln

Maurice Duruflé: Prélude, Adagio et Choral varié sur le thème du "Veni Creator"

Incantation for tenor viola da gamba and electronics

Viola da gamba: Steuart Pincombe
Performed LIVE in Fairchild Chapel, Oberlin Conservatory 2010.

NOTE: I apologise for the incessant camera clicking...the reporter there was a bit too enthusiastic the entire time but this movement has less of it... 

Sonata V In E Minor For Viola Da Gamba, Mvt. 1

From the 2010 monologue performance "Hamlet - Prins av Danmark" with actor Adam Pålsson and director Saskia Husberg at Stockholm Academy for Dramatic Arts.

HAMLET - "Etude"

From the ongoing collaboration with modern dancer Josefin Gladh. A sketch version was shown at the performing art festival Paradiso in the south of Stockholm, August 2011.
Video coming up!
www.josefingladh.com

project: tunes/moves - "It's because we're on a bridge"

made for this: http://remix-contest.berliner-philharmoniker.de/  it's 90,46 BPM....don't ask me why.......

Loalue - Erste ( for Berliner Philarmoniker's Mahler contest )

1. kvittot i påsen / the reciept in the bag
2. cigaretten efteråt / the cigarett afterwards
3. du är besviken / you're disappointed 

Renaissance Lute: Peter Söderberg
Viola da Gamba: Louise Agnani

Composer: Ylva Fred

Performed at Reaktorhallen, Stockholm in April 2016


Three parenthesis for Lute & Viola da Gamba - Live @ Reaktorhallen

Title Music for the ten-part radio fiction "Pedro Paramo" on Radio France! Starting June 2012

Francoise Daudin-Clavaud, Flute
Arnaud Dumond, Guitar
Florent Jodelet, Percussion
Sebastien Surel, Violin
Philippe Foulon, Viola da Gamba

Bolero - for Flute, Guitar, Perc.,Violin and Viola da Gamba

(Structures, 1996, excerpt). Hedi Viisma (kannel). 

Struktuurid

En specialpodd om Clara Schumann och kvinnors musikskapande nu & då av Svan Sessions i samarbete med Konstmusiksystrar och Musikaliska. Podden är inspelad live för publik på Musikaliska 7/9-19. Medverkar gör Terés Löf, Madeleine Jonsson Gille, Ylva Fred och Anna Jakobsson. 

Svan Sessions är en produktion av Moa Svan i samarbete med Sabina Wärme.

Svan Session Konstmusiksystrar Special - Live på Musikaliska 7/9-19

COUNTERPOINT on the original harp solo Just Passing By 

viola da gamba recording  = www.ernststolz.com
harp recording = ANNE = www.harpandsoul.com
mix = THIJS =  www.teejay.nl

viola da gamba/harp

Rehearsal for the premiere in March, 2013 at the Muziekgebouw, Amsterdam. Ere Lievonen, Fokker (31-tone) organ; Mikko Perkola, viola da gamba.

The introductory fanfare uses a 9-note scale (3+4+3+4+3+4+3+4+3=31 steps) in the so called Orwell temperament. The toccata is in extended meantone, making much use of septimal and neutral intervals, 1/5-tones, as well as commas that 31EDO tempers out, such as 176/175.

The viola da gamba is tuned as follows: The 7 strings are tuned to the standard A1-D-G-c-e-a-d1 (with meantone fourths). The seven frets are placed so that the pitches on the A strings are as follows: (A) Bb B C C# Cx D# E (= 3-2-3-2-2-3-3 steps of 31), enabling 21 pitches out of 31.

Fanfare en toccata voor Fokker-orgel & viola da gamba

www.ylvafred.com

Composer from Sweden. 

I have some almost ancient work uploaded here. Keeping them for nostalgia:)

Three parenthesis for Lute & Viola da Gamba - Live @ Reaktorhallen

Ylva Fred

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