Stream/Download Here: https://lnk.to/hmrabbithole
Written, Produced & Mixed by Edward Macdonald & Paul Mac
Additional Mix & Master by Cirrus
Artwork by Bradley Pinkerton

Rabbit Hole

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Human Movement & Paul Mac - Rabbit Hole

Having kicked off in Galway and then quickly on to Brisbane, we travel across the pond to Durham, to pick the brains of one dance music’s freshest minds and most exciting talents, Tommy 2000, for the all encompassing GTOWN 003 - ‘2K Musik’.

5 tracks that will travel the length and breadth of your brain; from the epic opener and lead single, ‘Whales’, to the algebraic break sequences of ‘T-2000’, Tommy’s follow up to his debut EP on DJ Haus’ Dance Trax is about as mature a sound you could expect from any artist, let alone an 18 year old just dipping his toes in the water.
‘Whales’ leads the way as an almost orchestral breakbeat builder-style track that reaches its peak gradually and really takes us for a ride as we step into the world of 2K Musik. Following on from that, is the most classically-conventional track of the lot, ‘Baff’. The four to the floor backbone lulls the listener to be sucked into what is an entirely unique club track they’ve never even come close to hearing before. That is then spun on its head entirely when Tommy’s almost bookmark sound comes into play on the title track, ‘2K Musik’. Hammering us with breaks and unapologetic bass, this marriage of old school sounds with entirely dynamic arrangement and all around ingenuity tells us exactly what 2K Musik is all about.

We swap over to the B side then, without much of a break for air, and kick off with the ever-nautically themed ‘Tuna’. At this point, it’s more than evident that Tommy 2000 is entirely worthy of his placement
as an artist that’s here to stay, as if he’s pulled us underwater to listen to what the sea creatures have to say to us. Totally transforming even more modern sounding breakbeat drum patterns and bending them to his will, GTOWN003 is almost like a portal into the mind of a music genius, not just an EP you sit down and listen to; this is an immersive exhibition into the world of Tommy 2000. The final stop on the line is ‘T-2000’. You want to stop and get off, but you can’t. Everytime you think you’ve got this track figured out, you haven’t. Snares coming crashing down and attacking the breaks just as you’ve began to comprehend the synth lines and pads that eb and flow off of each other as this crescendo takes us home and back to reality, as the needle lifts on what is only the beginning for one of dance music’s brightest stars on one of its realest labels.

Tommy 2000 - Baff

Raredub And KiNK - Scrambler

The Limit (Original Mix)

Pre-order: https://umay.bandcamp.com/album/maktub

Nene H (@nenetreat) launches her own label UMAY (@umay_works), aimed at representing SWANA and QTBIPOC artists. Inaugurated by Munich based trans activist BASHKKA (@bashkka), the EP titled 'Maktub' (Arabic for ”it's written”) materializes the artist's solo debut, and its trail blazes for queer club bangers. As BASHKKA states, ”Maktub is an idiosyncratic love letter to myself, my heritage and my community. My songs reflect the expedition of the past year and a half up until now and all the emotions that I gave myself space and fortitude to deal with and to also to relish in''.

BASHKKA, trained singer and songwriter, was born in Munich, but came of age amid the New York Ballroom scene, which offered a different kind of family to the traditional Turkish one she grew up in. This dichotomy has been equally important in shaping BASHKKA’s identity as an artist—and is echoed throughout her solo debut which blends uptempo dance floor music with Kurdish vocal samples, alongside a Chicago-influenced bounce house piece featuring BASHKKA’s own vocals. The artwork by Copenhagen based Noah Umur Kanber complements these influences impressively, taking inspiration from Sumerian mythology and the non-binary goddesses Ishtar and Ereshkigal which can be seen in the motif. It's these two figures that BASHKKA has found most interesting in reflecting on her inner conflicts in regards to her personal history. Ishtar as the goddess of love and sexuality and Ereshkigal, representing the underworld. That is why BASHKKA’s debut EP turns out to be an intensely personal project, a love letter towards her foremost defining influences: her Turkish heritage and the queer community. She says, ”my sound hasn’t been as much of a thought through process and rather an echo of feelings passing through different margins, styles and all underrepresented communities..”

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Techno groovy, acid & trance vibes. Inspiré par Body Clinic, Kichta et Wigs. Yoann cherche à provoquer la transe collective, entre rythmes percussifs et nappes hallucinées. Un voyage sonore où chaque track est une invitation à lâcher prise.

Déjà programmé dans des lieux comme 
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