cheeky summer all wax bumpty bumpty
90s digs, some 2ks, new music by friends
forthcoming (no idea when) JT track rmx by Jamie BIGZ Enns
lots of djm900 echo dubbs n backspins
out 2 all crews
miss sweating w everyone!

DrainoMIXjun.22.2021

A Po(i)etics of the Disembodied Voice is a work which focuses on the sonic potential of the voice as a phenomenon in its own right, separated from the body.
It is a 47 min composition made using my voice elaborated through spectral processing and granular synthesis techniques – originally composed fo PARA, Parasitic radio takeover and digital sound exhibition on Radio 80000.

Pre-Listening via Radio 80000: March 1 - 25, 2021
Radio takeover & opening weekend: March 26 - 28, 2021
Digital sound exhibition: March 29 - April 30, 2021
The project is funded by the City of Munich Department of Art and Culture & the Goethe-Institut.
Further information: https://paraparapara.org/

A Po(i)etics of the Disembodied Voice is a work which focuses on the sonic potential of the voice as a phenomenon in its own right, separated from the body. In all ancient cultures and traditions, voice and orality have always played a fundamental role in the transmission of culture, and of course in the act of communication among living species.
With the advent of the Gutenberg era, with the introduction of printing, sight took over from hearing: there was a shift from an oral culture to a visual, ocular-centric culture, in which the sense of seeing acquired greater weight and importance than the sense of hearing.
Although this, the hearing has always occupied an important place in modern society through the reinvigoration of media such as radio. In recent years, especially if we see at the past year, when it was physically impossible to move,
see and meet with each other, the voice through radio, podcasts, web platforms of various kinds, vocal messages etcetera has managed to overcome the barriers of the real world to connect people with each other. It has achieved a level of awareness that was previously missing or taken for granted.
If we jump back in history, before the invention of electronic and electroacoustic devices for recording and transmitting sounds, every sound was original and inextricably linked to the source that produced it. This separation of the original
sound from its source and its recording was first discussed by R. Murray Schaefer who conceived this condition of separation as a phenomenon called “Schizophonia”.
Following the operating mechanism of Schizophonia, a similar separation also occurs between the voice and the body: there is a partition of one from the other through the fragmentation and omnipresence of new media and technologies. The voice thus becomes an unknown, mysterious territory, a fluctuating and ethereal phenomenon.
There is a liberation of the voice from the signifying words, from metrical and grammatical structures of discourse through the destruction and fragmentation of the discourse itself, of the words themselves, preferring to the semantic aspect the sound aspect, which is full of expressive and communicative power. Indeed, properties such as voice modulation, tonality, expressiveness, quality, vocabulary, cadence, rhythm, accente, volume etcetera carry a subtext of cultural meanings that are lost with the written text, which is marginalised, as opposed to the evanescence of the voice.
All this provokes an emotional response different from the meaning of the words themselves. Hence, the audio is the text, a sound text in which words act together with sounds and silences creating a dramaturgy of voices without a body.
On the basis of this, I like to think this work can increase and extend the awareness of having a voice, physically and metaphorically speaking, and using it in the most diverse and unconventional ways to explore hidden or seemingly meaningless cultural levels.

A Po(i)etics Of The Disembodied Voice (2021)

Jonathan Castro invites @aimeetheriot for an hour of unreleased sounds, cello improvs, binaural soundscapes, and EMF recordings. 

Aimée Theriot (MX) is a musician interested in understanding the world through sound and vibration. Her music draws from free improvisation, ambient, ASMR, and soundscape recordings, with a heavy dose of experimentation using live electronics, cello, guitar, and voice. 

Tracklist:

1. Aimée Theriot - Untitled
2. Jonathan Castro Alejos - Swimming at the Broken Circle (earthwork by Robert Smithson)

@lyl_radio

More shows on https://lyl.live/show/the-locus

LYL Radio – The Locus w/ Aimée Theriot & Jonathan Castro

Streamed live on Noods radio, 13.8.23

Tracklist:
Perila - Memory Latency
Forest Management - Seven Years Ago
Sophia Zhuravkova & yusk - jk5
Ribbons - Which Direction They Went 
Igor Len - Here...
Ciaran Jacob & Flora Yin-Wong - Dome C
Abandoned Bees - Monuments
Ian William Craig - Sentimental Drift
Orchid Dealer - Night Fragments
sicu - piano rain
k.m.k. - untitled unreleased

VACAST 14 // k.m.k.

info + tracklist: https://radio.syg.ma/episodes/guests-182-past-palms
https://pastpalms.bandcamp.com

GUESTS

GUESTS 182 – Past Palms

Nairobi based sound artist KMRU dropping in some more selections. 
https://www.nts.live/shows/guests/episodes/kmru-25th-september-2023

KMRU 250923

Alive, alive, alive in the sea of ears

Master by Ludwig Wandinger 

With musical contributions by:
Moua Dimension
Lulu Hacke
Marcel Zöttl
Ludwig Wandinger

Alive @ forestlimit, Tokio

2023 09 22 Exploring with Banishsh

https://soundcloud.com/corellmusic is a project dedicated to exploring music and sound in their abstract forms, free from conventional, utilitarian and functional qualities.
 


“What was a crucial sound experience in your life?”
Listening to Animal Collective on acid when I was a teen, haha. But seriously, there were many - from Soviet rock music when I was a small kid to 90’s experimental electronics/IDM stuff, mid-20th century avant-guard music and noise concerts in my teenage years, or playing pieces by Cornelius Cardew and other contemporary composers later. Most recently I found it terrific to listen to sounds of jungle in Indonesia. So many incredible noises there, it’s unbelievable. I’m not really into new age, nature and blah-blah-blah kind of stuff, for me jungle sounds interesting purely from the sound perspective.

Links:
https://www.instagram.com/corel_l_
https://soundcloud.com/corellmusic

Tracklist
Field rec 2017-01-29
Field rec 2020-08-24
Animal Collective - De Soto De Son
Jan Jelinek - Fragments One
Field rec 2022-02-16
Corell & Igor Dyachenko - Untitled
Igor Dyachenko & Dessin Bizarre - The Purest of Tones
Eli Keszler - Flying Floor for U.S. Airways
Jan Jelinek - Slavoj Zizek, What Signs Were There of the Imminent Dissolution of Yugoslavia
Flying Saucer Attack - Feedback Song
Perila – Choreography of Presence
TIBSLC - Extended Stay Of Blue Sky
Broadcast - Echo’s Answer
Pontiac Streator - Om Ne Ud
Field rec 2023-05-07
Corell & Igor Dyachenko - Untitled
Field rec 2019-09-03
Corell - Fragility
Ulla Straus-Smile
Oval - Textuell
yab; yvanko - Aube
Field rec 2021–06-25

MNEMOSYNE #055 - CORELL

Advertising transversality in his music, @giorgipipia's sets are purposefully multi-cultural - rich and catchy, the tracks he selects come from diverse horizons, from Arabic electro to Turkish beatmakers, and much more. Catch Giorgi Pipia every 3rd Tuesday of the month from 00h to 02h [CET] on rinse.fr !

Rinse France Podcast

Giorgi Pipia invites phil in a maze - 19 Décembre 2023

"The Mind is not talking to us but by means of us. Its narrative passes though us and its sorrow infuses us irrationally." Philip K. Dick, 'Valis';

Artificial Dreams w/ Nonlocal Research (10/01/24)

feedbacks to simulate emotions from the past & presence. 

Inspire ur beloved ones - we all learn from each other 
°!°

Alive @ forestlimit, Tokio

Yo9o Tatara

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