King James Version (KJV)👑

Proverbs 18:22

King James Version

22 Whoso findeth a wife findeth a good thing, and obtaineth favour of the Lord.

Listen to Workin' feat. Xotic (Prod. CashMoney AP) by FONZOOO #np on #SoundCloud
https://soundcloud.com/alfonso-gibson/workin

RAR!!! Exclusive Yo Gotti interview on EP.5 https://soundcloud.com/itssister/sister-episode5

https://soundcloud.com/hondowmusic1/hondow-x-young-sam-all-the-way

Dropped a remix here- https://soundcloud.com/nameisfresh/yo-gotti

Check out the full lyrics here: https://docs.google.com/document/d/1qNY2jXMjRBWDnzewV4nFUUEdTosjkz6XewlxZmIQTts/edit?usp=sharing

Check out the full, 10 or so minute song here: https://soundcloud.com/spiffyspitz/get-loose

The first half of Get Loose establishes a near-future dystopia where technology and escapism blur reality. Opening with the club as a “warzone,” the lyrics weaponize sensory overload—bass “hittin’ like a fight,” neon freezing time—to depict a generation using sound and substance to mute inner turmoil. Verses oscillate between bravado (“Midnight flexin’, Tesla tints”) and vulnerability (“Heart’s been broke, but I’m still out here glowin’”). The bridge’s surreal imagery (“Colors swirl, lose my mind in the sound”) contrasts with stark admissions of emotional stagnation (“memories in the cloud” that refuse deletion). References to “moonrock” highs and “dopamine rushes” frame drug use as both rebellion and self-medication, while holographic relationships (“Shawty’s holographic, but her kiss got a heartbeat”) critique the emptiness of digital intimacy. The pre-chorus’s nod to an “afterparty” in death underscores the fatalistic undertones: joy here is performative, a distraction from unresolved grief and systemic alienation.

Down In the DM (Remix) [feat. Nicki Minaj]

YoGottiKOM

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Amiel

Cheyenne Lawton

MC Fresh [Hip-Hop/Rap]

hondow

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