such a bliss... lost in time, everytime I hear this :)

Lagori is an eclectic group of musicians with varied musical influences, who have come together to dish out foot tapping, soul stirring music.

The debut album of Lagori is now available worldwide on iTunes, Amazon and oklisten.com
itunes.apple.com/in/album/lag...
www.oklisten.com/album/lagori

You can subscribe us at - 
www.facebook.com/LagoriIndia
reverbnation.com/lagori
twitter.com/lagoriindia
lagori.in

Lagori - Kashmir Song (official audio)

In this song, Kabir asks us to burn down our house. Only then will a new house arise. And the promise of a new house is 'Raam ras' - the amazingly sweet nectar of Raam, our actual self. Words and translation at http://cityoffeeling.blogspot.com/2014/12/raam-ras-meetho-ghano.html

Raam Ras Meetho Ghano

A classic Kabir song, Haman hain describes his state of utter freedom and aloofness from attachments to the world. He doesn't need to keep it happy anymore, he doesn't need to be in bed with it anymore. He has banished duality from his heart. The composition is by the wonderful Bindhumalini and Vedanth Bharadwaj. Words and translation at https://sayskabir.wordpress.com/2017/04/26/haman-hain-ishq-mastaana/

Haman Hain Ishq Mastaana

Connor Charles steps back into the golden era of soul with Electric Heart – The Motown Sessions.
A three-volume journey through the sounds of Detroit — from smooth harmonies to powerhouse duets, glittering brass, and heart-stopping rhythm.
Re-imagined with warmth, spirit, and groove, each song pays tribute to the timeless energy of Motown’s finest — where hope, soul, love, and neon lights meet analog magic.

A Brand New Day - Swinging 60's

In ancient times Among the legends about Tansen are stories of his bringing down the rains with Raga "Megh Malhar" and starting fires with the legendary "Raga Deepak".
This one is "Megh Malhar" by Pandit Bhimsen -an Indian vocalist in the Hindustani classical tradition.. 
Megh Malhar is a Hindustani classical raga. The name derives from the Sanskrit word Megh, meaning cloud. Legends say that this raga has the power to bring out rains in the area where it is sung. 


Mian Ki Malhar-Pandit Bhimsen Joshi-Megh Malhar

Mir Mukhtiyar Ali was born on the 1st of August 1972 in a small village called Pugal on the North West frontier of India in the state of Rajasthan. He is from the semi-nomadic Mirasi Community which hails from the Thar Desert. Mukhtiyar represents the 26th generation of this humble community which has successfully kept alive the oral tradition of Sufiana Qalam.

Contact Details of Mukhtiyar Ali :
Mir Mukhtiyar ali
S/O Vasaye khan,
W.No.10, Mirasiyon ka
mohlla,
Pugal, Bikaner District,
Rajasthan
Mobile: +91 9413106911, +91 9636694964
Email: mirmukhtiyar@gmail.com

Chadariya Jheeni Re Jheeni - Mukhtiyar Ali

Holi - Gulabo

In a radical departure from the norm of pursuing wealth and success, in this song the poet Kabir celebrates the joy of poverty, and the beauty of simplicity. Kabir claims that this joy is far greater than the joys afforded by material comfort or luxury. This audio is from a live performance at Lamakaan in Hyderabad. With Venkataraman Ramachandran on the kanjira.

Words and a translation at: https://cityoffeeling.blogspot.com/2018/02/mann-laago-yaar-fakiri-mein.html

Mann Laago Yaar Fakiri Mein | Kabir

The first album. 

Kaushik Ramachandran - Vocals
Aamir Ismail Shaikh - Drums and percussion
Chinmay Agharkar - Guitars
Ariel Samson - Bass Guitar
Nikhil Nandkumar - Violin
 
Produced, mixed and mastered by Vishal J Singh

Engineered by Ariel Samson
Recorded at 802STudios.
 
Artwork and Logo by R. Venkatraman
Inlay content by Rahul Sharma
 
Featuring Artists
Vishal J Singh - “Sapna”
Nikhil Warrier - “Coalescence”
Vinay Venkatesh - “Batlaado”
 
Lyrics
Kaushik Ramachandran
Aamir Ismail Shaikh and Bhagesh Rathod for ‘Sapna’
Vinay Venkatesh for ‘Batlaado’
 
Songwriting
Paradigm Shift
Vishal J Singh
 
Album concept by Kaushik Ramachandran.
 
Artist Management
​Karan Patil – paradigmshift.raaga@gmail.com


facebook.com/paradigmshiftraaga

Sapna Feat. Vishal J. Singh

Safa is a song that talks about washing yourself of yourself and shedding the weight brought upon your being by your ego beyond which you'll find that life is so short and so precious that it must be celebrated with everyone else at each little opportunity and that there is more than enough reason to believe in co-existence and sharing of joy beyond reservations.

"Kesariya ho ya hara ho baalam!
Ya ho kaala, ya gora, ya neela ya peela!
Jab dil se dil ka taar juda ho,
tu saara jag rangeela!
Phir aaye nahi koi raaste!
Na aam-aavaam, na tere saam-dhaam!
Jab dil se dil ka taar juda ho,
Koi rok sake hai kya?

Par is baat pe mai.n tay hoo.n
Tu hai to mai.n hoo.n
Tu hai to mai.n hoon

Jo boyega, seenchega wahi
Dil jo jakde, kyu.n pakde wahi?
Dil pe bojha liye dhhoye tu hi!
Ismei.n jo khoya lautega nahi.n

Karei.n rehmat aa mil kar
Tu aazaad dil kar
Aham se, badi se,
Safa kar khud ko khudi se

Chhorho ab ye ranjishei.n, dil saaf karei.n
Jo bhi giley-shikwe hai.n, sab maaf karei.n
Chal manfi hataei.n!
Aa nafrat mitaei.n!
Bhula kar, dua kar,
Safa kar khud ko khudi se

Humsaaye hum saare, saare hum saaye hai.n
Koi na kisi se bada, urooj pe inkesaari hai

Humsaaye hum saare, saare hum saaye hai.n
Saare hum saaye hai.n, humsaaye hum saare"

Track Credits:
Mixed, Mastered and Co-produced by Aman Arakh
Performed and Co-produced by Samar Mehdi
Album Art by Farah Ahmed

Urooj

Safa

The story of Kalbeliyas is an example of how the changes in society and culture influence traditional musicians and their lifestyle. From a region of Barmer in Rajasthan origins a nomad tribe of Gypsies called Kalbeliyas, which were traditionally known as snake charmers. They used to remove serpents from houses and trade snake venom. Women used to accompany men on their way of trade from house to house, as they begged for alms while dancing and singing. They used to give public shows as well, which included various snake tricks. Indian Wildlife Protection Act of 1972 brought a ban on snake performances so Kalbeliyas had to transform their shows – girls replaced snakes.
Mohini Devi group – representative of nowadays Kalbeliyas is an ensemble of about seven musicians who did not receive any formal education, but were instead learning music from an early age from their guru Kalunath Kalbeliya. They have gained international recognition and many of the dancers lived, performed and even taught this style abroad. In India Kalbeliyas are invited mostly for weddings, cultural programs and festivals. Mohini Devi group is also proficient at many other dances like Bhavai, Chari, Ghummar, Terah Taali and add on elements of fire shows and acrobatics in their performance.
Spheres of Kalbeliyas act are divided: men plays instruments and women dance. The main instrument is Been – an Indian woodwind instrument originally used to hypnotize snakes. It’s both plaintive and seductive tones are accompanied by beats of Dhap and Dafli, creating very energetic and compelling rhythms. Dancers wear traditional black ankle-length skirt and top. Both are richly embellished with colorful strips and complemented with beautiful jewelry made from tiny pearls and silver hangings. Outfit completes a dupatta – a long loose flowing stole pinned to dancers’ heads. Kalbeliya dancers spinning fast, swaying their hips, swirling tassels and shawl can mesmerize viewer for long hours

Holi - Gulabo

YoGuess

Recent comments

Abhishek Gahlot

deepakmathur13

Related tracks