from Martina Bertoni's forthcoming album "Hypnagogia", out on 20th january 2023 as LP / tape / DL

Hypnagogia

MARTINA BERTONI - Inversion

His last mix for Ben Ufo's show was insane. The Wizard is back for one more mission. No tracklisting so the "discogs kids with fat wallets" can have a nice little crying session. Testify!!!!!!!

http://chindon.blogspot.co.uk

Japan Blues mix for Berceuse Heroique

From a series of (almost) daily ocean glimpses. The music is composed to a video of the sea (photons captured fresh every day). You can experience the full video version here: https://youtu.be/iZL-s8csVXs

Glimpse 947

Glimpse 947 (May 3 2024)

Taken off the forthcoming album 'Both Lines Will Be Blue' out July 12th on Smalltown Supersound. Produced and mixed by Carmen Villain. Flute performed by Johanna Scheie Orellana. Mastered by Matt Colton.

Type

Sam Mallet could have pursued a career as a French literature professor in Paris, but decided his true calling was to remain in Australia, dedicate himself to his music and find the plateau; a word he used to describe the sensory worlds residing in music. Under the influence of Eno, Jon Hassell, Arvo Pärt, John Coltrane and Robert Fripp, Sam explored a wide variety of musical styles and put them to service soundtracking the time-based works of his peers. He crafted spatial ambience, somber jazz, and drum computer driven rockers for short films and experimental video works, television shows (including the original Australian Wilfred series), feature films and live theatre. The avant garde Anthill Theatre, known for its departure from conventional staging practices and having a keen eye for talent, enlisted Mallet to provide soundtracks for approximately 40 productions throughout the 1980s and early 1990s.

Sadly, Sam passed away in 2014. A crucial piece of his legacy is undoubtedly the body of work he produced during his life, and the archive of recorded works is vast and deep. Sam seemingly saved everything, from fragments to finished pieces; and often repurposed previously released tracks by collaging them into new pieces. He self-released a small number of cassettes and CDs from the mid 1980s onward, the contents of which were culled from soundtrack work and original pieces, but the majority of his music was experienced only within the ephemeral live performances.

Wetlands is the product of countless hours spent with this archive by Rowan Mason (Sanpo Disco/Recurring Dream) and Tony Remple (Musique Plastique), offering a dynamic survey of Sam’s work, and housed in a jacket evoking the minimal design and colour palette of his earliest cassette releases. Two selections of Sam Mallet’s music were featured on the compilation Midday Moon (also produced by Rowan), released last year by Bedroom Suck Records. Along with Left Ear Records’ Antipodean Anomalies, Midday Moon has served to highlight outlier musics and scenes from Australia and New Zealand, and Wetlands plunges deeper into the catalog of this obscure yet groundbreaking artist.

Release by Musique Plastique / Recurring Dream

PRE-ORDER HERE: www.seance-centre.com/other-releases…allet-wetlands

For EU distribution contact: info@rushhour.nl
For NA distribution contact: info@seance-centre.com

Release date October 11th 2019

Wetlands

Sam Mallet - Wetlands (MP006/RD01)

Taken from the album 'Microphone Permission' released as LP and digital.

Microphone Permission

Jasmine Guffond 'Forever Listening' (EMEGO 273)

Released on Longforms Editions March 2019
The title Stereo'frogi'ic is a play on the word stereophonic – to play with the illusion of multi-directional audible perspective – in this case presenting a quasi-bioacoustic sound piece, crafted from found recordings of frogs, insects, a recording of an animal scattering in the bushes and other 'vocal' animals wavering about in a stereo field. This piece was recorded and edited in the summer of 2019.

I have used slightly modified animals sounds to create aural illusions, morphing the perception of animal and machine generated sounds or raw recordings and digitally effected sounds. I wanted to create a tempo that would mimic something similar to the meditative sense you can experience from the flow or sound of the wind and other elements, when you are sitting in an open field while recording.

Stereo'frog'ic (Longforms Editions 2019)

Schleswig-Holstein is a thin land bridge between the mighty hull of the North German lowlands and the long pointed head of the Jutland peninsula, with the gentle Baltic Sea on one side, and the rough North Sea on the other. Numerous lakes, deciduous forests and wide corridors have shaped this region since its formation during the last ice age. The varied landscape, covered with fertile clay and littered with countless large and small granite blocks, is the legacy of the glaciers.

Fascinated by the cultural and geographical history of his homeland, Phil Struck recorded sonic impressions after hikes, wanderings, daydreams, historical readings and childhood memories. Schleswig-Holstein Aufnahmen is the distillation of these diaristic recordings, made between 2017 and 2019, using a sampler, synthesizer, and worn flea market records. Much like the cyclical musings of W.G. Sebald, or Cluster’s pastoral electronic miniatures, these works are intrinsically tied to the landscape of which they were born. The wobble and crackle of the samples is evocative of the craggy scenery of the lowlands, and also describes the patinated atmosphere of memory, found in the work of Vladislav Delay, Pole, Caretaker, Philip Jeck, Ken Jacobs, and Bill Morrison. The painting adorning the album cover was done by Struck’s great grandfather who was also seduced by this meandering windswept land.

Limited edition of 100 LPs with risograph printed artwork.

Tracklist:

A1 Horizonte (Intro) (2:12)
A2 Baizubai (5:41)
A3 Speckenbeck (2:05)
A4 Grube (7:00)
A5 Feuermachen (2:52)
A6 Weiher (3:30)

B1 Sommertage (6:45)
B2 Wogen (11:24)
B3 Jens (3:49)

Buy Limited Edition LP: www.seance-centre.com/shop/phil-stru…tein-aufnahmen

Buy Digital: philstruck.bandcamp.com/album/schlesw…ein-aufnahmen

Phil Struck -  Sommertage (21SC)

snf09 : mark templeton "ocean front property" part 1

"Erik K Skodvin's first solo film score evokes otherwordly dreamscapes that capture the atmosphere of the film Anbessa (2019), shot in Ethiopia by director Mo Scarpelli." 

Listen to the title track from the LP here. Pre-order in link.

As a "creative" documentary the film follows Asalif, a 10 year old imaginative boy caught between the ancient and the new, navigating modernization on his own terms. Asalif tries to make sense of things while living in a shed on the outskirts of Addis Ababa with his mom. A place where capitalism and “progress” is closing in on all fronts, and threatening their lifestyle. By becoming a lion (anbessa) he can fight back against the forces outside of his control.

Watch the film on MUBI from August 26th (for one month). Also available for rent or purchase through Video on demand.

Anbessa

Erik K Skodvin - Anbessa

https://soundcloud.com/muzaneditions

https://muzaneditions.bandcamp.com/album/the-sound-of-mountains

Dream on the Retina - yolabmi (from The Sound of Mountains)

yolabmi24（at）gmail.com
https://soundcloud.com/recfeel

Dream on the Retina - yolabmi (from The Sound of Mountains)

yolabmi

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