Catchy voices on the beginning that leads to a creative progression. Well structured!

Nice and chilling sound 😎👍🏿. Sounds great 👍🏿

Inspring equilibrium between vocals and harmonies, could be a film soundtrack :)

very delightful, deep emotional expression.

10176 9801 9800 9701 9700 9601 9600 9001 9000 8888 8868 8720 8648 8468 8420 7772 7222 6370 6470 5555 5000 4555 4445 3455 3445 3345 3341 2333 2001 2000 1998 17 1772 1721 1127 1270 800 002,003 o0000oo05


I recommend using good headphones to this...


Production Yolisa
Mastered by Joel Ward

Winter Sun Remix

Here ends my adventure with the Tonnetz! This is the piece that closes the series of four works that I have composed based on it.


In the following links you will find the PDF files, where I explain it in detail with the theoretical presentation of the current piece.

Explanation in English language:

https://drive.google.com/file/d/1YbM9PspOSuMw0mqS46Eyzq1bCTQJEZUr/view?usp=sharing

Explicación en castellano:

https://drive.google.com/file/d/1ezUhGhdC13jp7eCEq1SnBujtXhLKryhK/view?usp=sharing

Explicació en català:

https://drive.google.com/file/d/1H1dI8ZNRwx9iVITabbns0v4bAok1bbgN/view?usp=sharing

I have also created an album where I have gathered the 5 pieces that I have composed following the pattern of the Tonnetz. Each of the first four pieces (all of them for piano) follow the scheme of a different Tonnetz, what differentiates each one of them is the certain number of notes that their chords have. The pieces are presented ordered according to this number of notes that their chords have: 2, 3, 4, 6 notes respectively. In the fifth piece (which is orchestral) the four Tonnetz intervene successively in their different parts.

https://soundcloud.com/ramon-capsada-blanch/sets/the-4-tonnetz-of-the-chromatic

Fifth chords chained with common notes

ALFONSO LLORENTE: VOCALS, ACOUSTIC GUITAR & STRINGS
MRS A: VOCALS

IF I WERE A CARPENTER (Tim Hardin)

Anahata foi uma das primeiras canções de Svayam, num momento em que os meus concertos meditativos começaram a incorporar cantigas, com letra e voz a cada concerto menos tímida e mais presente. É da era de 2018, mas quis ser fechada em 2022. Gravada na Start Up Cultural de Arruda dos Vinhos, em Dezembro de 2022.

João Svayam: guitarra, baixo, voz, bateria, mix e master.

Letra:

O meu coração não é só em mim
bate com outros que batem assim
Como um tambor que nunca tem fim
arde no peito e transforma-me aqui

O meu coração não é só em mim
brilha com outros que cantam assim
Soltam no vento um canto sem fim
abro o meu peito e transformo-me aqui

Volto ao meu peito agora e aqui
Abro o meu peito transformo-me aqui
Grato ao meu peito agora e aqui
Amor no peito bate um coração

(english)
Anahata was one of Svayam's first songs, at a time when my meditative concerts began to incorporate songs, with lyrics and voice at each concert less shy and more present. It's from the 2018 era, but I wanted to finish her process in 2022. Recorded at Start Up Cultural de Arruda dos Vinhos, in December 2022.

João Svayam: guitar, bass, vocals, drums, mix and master.

Lyrics

My heart doesn't live inside of me alone
beats with others who beat like it
Like a drum that never ends
it burns in my chest and transforms me here and now

My heart doesn't live inside of me alone
shines with others who sing like this
They release an endless song in the wind
I open my chest and become here and now

I return to my chest here and now
I open my chest, I transform myself here and now
Grateful to my heart here and now
My love, inside my chest beats a heart

Anahata

𝗤𝘂𝗲𝗶𝗺𝗮 𝗼 𝗳𝗼𝗴𝗼 𝗮 𝗹𝗲𝗻𝗵𝗮 nasce do contacto revisitado entre a minha música e a poesia do Nuno Mangas-Viegas, com quem tenho partilhado esta sincronia entre som e palavra de tantas formas e há tanto tempo.
Musicalmente este tema é uma expressão muito autêntica de "onde eu estou agora", no que toca à forma como oiço música, componho e toco.

O poema "Queima o fogo a lenha" faz parte do livro de poesia e fotografia "Súbito Silente" e pode ser comprado aqui: https://particularec.bandcamp.com/merch/s-bito-silente-poesia-e-fotografia 

João Svayam : percussão (darbuka, tadu, cajon, djembe)cordas (guitar, bass), voz cantada
Nuno Mangas-Viegas : poema e voz declamada

𝗤𝘂𝗲𝗶𝗺𝗮 𝗼 𝗳𝗼𝗴𝗼 𝗮 𝗹𝗲𝗻𝗵𝗮 is born from the revisited contact between my music and the poetry of Nuno Mangas-Viegas, with whom I have shared this synchrony between sound and word in so many ways and for so long.
Musically this theme is a very authentic expression of "where I am now", in terms of how I listen to music, compose and play.

The poem "Queima o fogo a lenha" is part of the poetry and photography book "Súbito Silente" and can be purchased here: https://particularec.bandcamp.com/merch/s-bito-silente-poesia-e-fotografia

Spotify

Queima O Fogo A Lenha

This song is about a gang that roams the streets of Old Montreal at night...the Spiders, they're called. Very dangerous, very scary.

Checkout the links to stay connected with Young Coconut.
(c) 2022 Exclusively licensed under Young Coconut..

Insufficient Funds

Spiders Of Old Montreal

8 The Stream

Release your soul you must be free
Come take a one-way trip with me
We’ll let our souls elope in love
The knowledge floating us above.

Just free your mind just free your mind
Leave it open now
Just free your mind just free your mind
Just free your mind just free your mind
You can do it now
Just free your mind Just free your mind

Just Free Your Mind

Athlone

inspired by Terence Malick's Days of Heaven

made with a Camac Big Blue 47 and Ableton

locusts dying in a midnight flame

overjoyed

Elisa Härmä 
Producer & Singer

https://linkr.bio/elisaharma

Elisa Härmä is a Producer and Singer coming from Helsinki, Finland. Elisa has a versatile and professional scene as a musician. 



Winter Sun Remix

Yolisa

Recent comments

Karin-Maria Brunner

👽🐰🤖LEPIDISOSCELES🤖🐰👽, om.floriser,ement alis

Material Possession

Funkle Ace

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