three aspects

something is wrong

feather

Radiant Raindrops Decay

TRAMPELFÂD
Laboratory for Contemporary Electronic Experimental Music

Rec.name : TRAMPELFÂD  LIVE  KESSELHAUS FACTORY October 2025 " Part 2  LASER SYNTHESIZER "
credit : LIGHTwaves 2025
date : 11-10-2025

Video:
www.youtube.com/watch?v=w3_yn4gVTek

Full Concert :

https://trampelfad.bandcamp.com/album/kesselhaus-factory-2025

Live COCO
https://soundcloud.com/neoilsomgroup/coco-laborant-03-music-by-trampelfad

TRAMPELFÂD  LIVE  KESSELHAUS FACTORY October 2025

My submission for Naviar Haiku Challenge #615. More on Naviar Haiku here: https://www.naviarrecords.com/haiku-music-challenge/

Field recordings by Felix Blume via freesound.org under Creative Commons 0 license.

Elixir of Memory Toad - naviarhaiku615

TRAMPELFÂD
Laboratory for Contemporary Electronic Experimental Music

Rec.name : " Coast Wood "
credit : digitakt 1,ipad9

date : 23-10-2025
Credit to Gordon Mumma:
https://www.youtube.com/watch?v=4e-OzKSmZX0

quote:

...I think the concept of "worth listening to" depends on the listener.
In my opinion, you can listen to any sound, no matter what it is.
I haven't heard any sounds yet that I didn't like, except when
they become too musical. I think I have problems when music tries
to steer me in a certain direction. To live well, you have to hear what there is to hear,and not what you expect to hear. Listeners should be ready for a new experience,and therefore it's best if they are attentive and empty. By empty, I mean open.In other words, there should be no ego reservations—whether positive or negative...
                                                   John Cage

Beach Metal

A reworking for this track in my archive originally created in autumn 2024, after a few versions in the last year i  find it fits well with the context of Haiku Music Challenge Naviarhaiku 617



an autumn nightfall
the skeleton of a huge fish
drawn back by the sea.

by: Saitō Sanki



Saitō Sanki (1900 – 1962) was a dentist who discovered his passion for haiku poetry in his mid-thirties, when his colleagues at the hospital in Soto Kanda convinced him to write a haiku for a collection. Later, he became one of the most important exponents of wartime haiku: he was imprisoned in 1940 during the government’s World War II persecution of controversial artists, and was officially forbidden to write until the end of the war.

haiku by Saitō Sanki

Picture by John Jason

more info here: https://www.naviarrecords.com/

an autumn nightfall (Naviarhaiku#617)

Dawn reveals the serene truth of connection: how two souls can remain separate and yet move under the same nascent light. Between solitude and unity, the heart writes its own script, luminous and fragile, unfolding across unseen distances. In this early radiance, shadows soften, origins shine, and the boundaries between solitude and union dissolve into a single radiant pulse. Love becomes a horizon without direction, a moment where presence is enough and silence speaks for both.

Inner Monument

AJHXDARHA (SUBMARINE)

Experimental instrumental album, filled with ambient and industrial vibes. Every song is a journey from beginning to end, and most of all I hope this is nothing like anything you have heard before!

feather

yoshinori takezawa

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