I love how where others hear noise you hear music. Amazing

b e a t

Residency show broadcasted live at Radio Tempo Não Pára (06.07.2024)

Artist: @lomadoom

Helter Skelter w/ Loma Doom @ Radio TNP 06.07.2024

FUSE044 Frunk29 - Сказки Леса

Bandcamp: https://fuselab.bandcamp.com/album/--9

Our longtime friend, resident of Fuselab, Marat Shainsky aka Frunk29, returns with a new 7-track psychedelic pop EP recorded with his daughter Karina.
Over the past 10 years since the last release, Marat has developed and changed his sound having released music on labels such as Jungle Gym and Not Not Fun.

Frunk29 said:
“Really love the way my Docha sings and I've been wanting to do some material with her for a long time.
Watching her grow up, I remembered myself at that age, a time of change, when every step seems important and every feeling is incredibly deep. Love, insecurity, vulnerability, uncertainty, sadness and joy, that's what I wanted to express. That's how, track by track, this album came together.”

Vocals - Karina
Cover art - Maka

Сказки Леса

bandcamp

Frunk29 - Невесёлое Пати

Artist: @winterfamily 
Track: "Black Sun"
Title: "On Beautiful Days"
Label: @murailles-music + Hublotone Records + Sub Rosa
Format: 12" + CD + DL
Release date: September 27, 2024
Pre-order: https://hublotone-records.bandcamp.com/album/on-beautiful-days

written, composed, played, mixed by Winter Family (Rosenthal/Klaine)
mastering by Patrick Klem, Klem Sound, USA
Ruth Rosenthal : voice, drums, machines, iPhone
Xavier Klaine : organs, piano, harmoniums, synths, celesta, voice
Saralei Klaine : flute, voice
Field Recordings by WF at Bab a-Zawiya Checkpoint, Hebron
& City Hall Square, Jerusalem

artwork by Winter Family
diamond painting by Emmanuelle Klaine
graphic design by Olivier Perola
© & ℗ Winter Family, Murailles Music, Sub Rosa, Hublotone

Premiere: Winter Family - Black Sun [HUBLO001 / MM036 / SR571]

Track selection from the forthcoming Noir Age release by Skisserna, Monument (NA063)

Skisserna - Monument IV

KURS radio — некоммерческое онлайн-радио с еженедельным вещанием и комьюнити, базирующееся в Москве, внутри Kultura Record Store. 

SUPPORT US: https://boosty.to/kurs_radio/donate

Архив эфиров: https://on.soundcloud.com/NS1UFvCms5yVxHuf8
Предложить шоу: https://forms.gle/NZoTpVkEFHSZ38v6A
Сотрудничество: hello.kurs@gmail.com

Social
TG: https://t.me/kurs_radio
IG: https://www.instagram.com/kurs.radio

Nikolay Kozlov @ KURS radio 13.09.24

Taken from the album 'Modern Methods For Ancient Rituals' released as 2LP and download

Modern Methods For Ancient Rituals

The Transcendence Orchestra 'Upper Windrush' (EMEGO 246)

LR127 Josiah Steinbrick - Meeting of Waters
leavingrecords.bandcamp.com/album/meeti…g-of-waters

Following the debut release of his minimal-music ensemble BANANA earlier this year, Josiah Steinbrick, the Los Angeles-based multi-instrumentalist, producer, and composer returns with his first collection of solo works titled Meeting Of Waters, available October 27th on LEAVING Records. The album shares some of that ensemble’s concerns, notably in its interest in pattern based music, but here the emphasis is placed on subtle explorations of percussive tones and creating interior or imagined worlds.

The works on Meeting of Waters stem from Steinbrick's childhood fascination with anthropology and travel tales and almost operates like a cartography of some indeterminate landscape. Each piece has a palette of one to five elements that work in harmony together -- with synthesizers, marimbaphones, tuned wood, idiophones, bells, and gongs providing resonant tones that slowly accrete in detail. There's a measured yet thoroughly engaging pace throughout, that, much like Malaysian Temiar Dream Music, seems to "interpret the heart of reality".

As in the work of David Toop, Toshi Tsuchitori, Walter Maioli, or Luis Pérez Ixoneztli (whom Steinbrick recently collaborated with), the pre-historic and hyper-modern are effortlessly intertwined. If - as famed French Structural Anthropologist Claude Lévi-Strauss believed - myths, music, and dreams are "machines for the suppression of time", then "Meeting of Waters" features nine ingeniously and exquisitely crafted examples of that theory in action.
- Michael Klausman 
---- ---- ----

Composed and Performed by Josiah Steinbrick 
Produced by Cate Le Bon

DL & LTD CS

4. (Vibraphone, Marimbaphone, Malleted Wood, Two Synthesizers)

Métron Records are delighted to present a preview from 'Moment (Selected Works 2015-2017)' our debut label release from Osaka based producer 7FO (@mado-4). Having previously released a cassette on RVNG International, and a 7’’ single on Bokeh Versions in 2017, this is the Japanese producer‘s debut full length vinyl release. The tracks, recorded between 2012 and 2017, have been tweaked, remastered and recorded to vinyl for the first time.

Listen to the title track here and pre-order the record below:
metronrecords.bandcamp.com/
www.rushhour.nl/store_detailed.php?item=102778

You can also check out the beautiful music video directed by George Kountouras here:
www.youtube.com/watch?v=XvxG_F1w3Hg

7FO - Moment (Selected Works 2012-2017)[MTR001] - PREVIEW

"Bubbles" from EP "Wandering" OUT NOW.
from First Word Records.

bandcamp
http://yosihorikawa.bandcamp.com/album/wandering-ep

iTunes
http://itunes.apple.com/gb/album/wandering-ep/id530796489

Bubbles

Sample from a deep forest in Nagano-Japan

"Wandering" from EP "Wandering" OUT NOW.
from First Word Records.

bandcamp
http://yosihorikawa.bandcamp.com/album/wandering-ep

iTunes
http://itunes.apple.com/gb/album/wandering-ep/id530796489

Wandering

CD Available in Japan
JETSET - http://www.jetsetrecords.net/p/421004577752
WENOD - http://www.wenod.com/?pid=56449794


Skipping

Cook from south

"Letter" from EP "Wandering" OUT NOW.
from First Word Records.

bandcamp
http://yosihorikawa.bandcamp.com/album/wandering-ep

iTunes
http://itunes.apple.com/gb/album/wandering-ep/id530796489

Letter

MARIA W HORN, Epistasis, LP

Release date - Oct 25th 2019 
Catalogue nr. - HG1904
Format - Vinyl/digital

https://hallowground.bandcamp.com

Tracklist:
A1) Interlocked Cycles I 	(10:45)
A2) Epistasis 			(09:31)
B1) Konvektion 			(13:16)
B2) Interlocked Cycles II 	(09:46)

Credits:
All music composed, recorded and mixed by Maria W Horn
Linnea Hällqvist - violin
Knapp Brita Pettersson - violin
Maria Jonsson - viola
Natalia Goldmann - cello
Johanna Niederbacher - cello
Mats Erlandsson - electric guitar
David Granström - electric guitar
Johannes Landgren - organ 
Fredrik Lundqvist - organ

Mastering by Lawrence English
Design by Ruth Stofer

Promotion by Dense Promotion, ed@dense.de 
Distribution by Cargo Records and a-Musik
Released by Hallow Ground

///
Following the success of her 2018 solo debut album »Kontrapoetik,« the Swedish composer Maria W Horn returns with »Epistasis,« her most ambitious record to date. The title track, »Konvektion« and the two parts of »Interlocked Cycles« see the XKatedral co-founder explore radical approaches to composition that combine avantgarde methods with electronic means. While »Kontrapoetik« highlighted Horn’s strength as a conceptual and political artist, »Epistasis« is to be understood as an advanced statement by a forward-thinking composer who throughout four pieces channels her influences, ranging from black metal to minimal music, through state-of-the-art technology. 
Originally composed as an audiovisual piece for synchronised multichannel sound and lights and premiered in 2018 at the Royal College of Music in Stockholm, »Interlocked Cycles« is a series of pieces exploring a gradual increase in tempo and density using various instruments. It was written to be performed by a computer-controlled upright Disklavier piano while the electronic part was generated within the Supercollider framework using phase modulation synthesis. Navigating between acoustic and electronic sounds, the two parts of »Interlocked Cycles« create a frame for the album by respectively serving as an introduction and coda to Horn’s musical exploration of the notions of authenticity and artificiality.
The nine and a half minute long title track was composed for an eight-voice double string quartet and draws on evolving progressions in F minor that were inspired by the sound and harmonic structures of early nineties doom and black metal music. During the performance of »Epistasis,« which was commissioned by Konstmusiksystrar and premiered by Malvakvartetten at Konserthuset in Stockholm 2018, four parts are played by the string quartet and four parts are played back electronically. Using various amplification techniques, the spectral characteristics of the string instruments are enhanced and distorted and were later on complemented by feedbacking electric guitar overdubs while mixing the piece. The result are densely layered drones that are most unsettling when they are the quietest and reveal their anthemic qualities in their most forceful moments.
The structure of »Konvektion« however takes its cues from a very different field of the musical world. The composition progresses in a way that was inspired by Arvo Pärt’s »Tintinnabuli« technique, where step-by-step diatonic movement interplays with triads to form a complex harmonic function that is still rooted in tonality. Based around four-note chords articulated as dyads and performed by two organists on the same instrument, the duration of each dyad is measured by the individual breaths of the two performers while pitches are predetermined in the score of the piece. The alternating breathing cycles of the performers slowly move the piece forward at a glacial pace. Simultaneously, an electronic part composed of interference tones creating high and low frequency beating patterns gradually unfolds, making »Konvektion« an exercise in minimalism that combines the subtle gravity of Phill Niblock’s work with the visceral theatrality of Anna von Hausswolff’s organ pieces.

-

Cook from south

Yosi Horikawa

Recent comments

Sandrino

strong and good and warm

Lore Eye

Kunstrux

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