Où planquer son produit, comment se jouer des frontières, comment semer les flics en filature… Né dans une famille de bandits corses, Milou a passé sa vie au sommet de la voyoucratie. De son enfance pauvre à la Belle de Mai jusqu'à ses années dans la French Connection, il raconte tout. 8 épisodes à suivre pour un récit puissant et addictif. 

Milou, le dernier survivant de la French Connection
Une gouaille exceptionnelle, un carnet d'adresses aussi fourni que les fichiers du grand banditisme… Émile Diaz, dit « Milou », 78 ans, est une mémoire du Milieu marseillais : l’un des derniers survivants de la French Connection, du temps où la voyoucratie avait placé les Corses de Marseille au sommet du trafic de drogue mondial. Milou nous emmène sur les routes de la blanche, des souks d’Istanbul aux labos marseillais, et dresse son autoportrait sans complaisance. Dans sa voix, les charmes du Midi se mêlent à l’âpreté du Milieu, à sa violence et son amoralité. Retraité tranquille, rangé des voitures depuis une quinzaine d’années, il accepte de lever le voile sur les chapitres les plus sombres de sa vie. Milou a publié, avec Thierry Collombié, son autobiographie chez Robert Laffont "Truand" en 2015.

Épisode 4 :
À la suite de l’assassinat d’un de ses oncles, Milou est rattrapé par la vendetta. Comme on dit en Corse, "le sang appelle le sang". Son instinct de survie l’amène à commettre l’irréparable.

Une série documentaire de Hugo Lemonier - Réalisation : Thomas Loupias et Charlie Marcelet - Musique originale : Thomas Loupias - Illustration : Chez Gertrud - Production : ARTE Radio

La trafiquant

Le Trafiquant (4/8)

Il Folle volo

Pfffft (Rough instrumental clip)

prova

SONG タイムスリップ #1 (ミュージカル「あの空をこえて」より)

Sorry for abrubt ending..finger slipped.BUT!! Im sure you will enjoy it(: ((3rd transition is blah)

EPFAWKEP - BANGER!

The promo single for Tranny's upcoming debut album, coming soon.

Turkey

Hall Of The Slain

임재범 - 비상 (cover)

Fear

A circle forms around two lads
Circle of boys 
Circle of boys
There's gonna be a fight in the playground
Sleeves rolled up
Socks pulled down
Blood flows from one kids nose
But the older boys want more
They want strips torn from uniforms
It's a test of strength
Two boys rolling around in the dust
In the dust...
Embrace

And when a boy grows up he's still the same
He's still the same
But he's a man
And a man is physical
And a man has to put his physical
Body to the test
Body to the test
Against another man
Do you measure up?
Or do ya still have work to do?
Still have work to do...
Embrace

It's hard to trust somebody
It's hard to believe in love
How do you measure love?
But you can trust your body
Push / rip / taste / touch / work your body
And if you work that body
Don't need to trust nobody
Pull the trigger
Run the race
Beat the man
Chase the clock
Aware to God
That's His that was
Throw the spear
Take the glory
Embrace

A man can meet another man
In a bar
On the sportsfield
At his place of work
Or in his own apartment
Or on the internet right now

So Turn / Face / Connect
Embrace

You gotta prove yourself
Understand yourself
Show your strength
Embrace

Now Flex
Look your best
Eye to eye
Embrace

Turn / Face
Man & Woman
Embrace

Embrace, come on 
Embrace, come on
Embrace

The body is real

You gotta love one another


Embracism

Kirin J Callinan - Embracism

Sound is not isolated or autonomous.
It transcends boundaries.
The sound that is hidden in the heart acquires a will of its own
and goes forth crossing borders, entering new frontiers.

After some independent study, I completed my first composition at age ten, and from age fifteen,
I started writing music in earnest.

I enrolled in university for further music study, majoring in digital media content. While still in school,
I won a prize in an audition event held by Recruit Co., Ltd. I also started composing music for TV
shows, commercials, video packages, events, etc.

After graduation, I landed a job at a game software company. I got involved in the project management
side of the music production and game development area, and as a result was initiated into the
entertainment industry.

In September 2007, I established myself as an independent music composer. In addition, building on
my university background in digital media content creation and production for public interest, I became
involved in project planning, production and management in a “creativist” capacity.

fmi: http://yosukeikeda.com/biography

SONG タイムスリップ #1 (ミュージカル「あの空をこえて」より)

Yosuke Ikeda

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