Ryokuin_2024

track done in collaboration with Noémi Büchi for Biodiversità compilation. Symbiotic Chants 2022

photo: Jean-Marc Avila [ https://jeanmarcavila.com ]
Mixing and Mastering: Suoni Speziali

Symbiotic Chants

Feldermelder & Noémi Büchi - Chasing Crispr Variants

https://soundcloud.com/matildatjader

https://www.retreatradio.net/scaling

Unknown Album

Scaling #4 w/ Matilda Tjäder (11/12/22)

Releases Dec 1st 2023.
Distribution by Rubadub

12thisle.bandcamp.com/album/of-no-fixed-abode

Miradasvacas - VI

void bless chereshenkaa and all living human beings

Memos of Balkanika

withurhelpbaby

Sky Split Open

Sky Split Open (feat. Rosa Anschütz)

mastering by @bswalk
cover by ratx.cc

@mx-tune

k1nd4

mxtune - bswalking

Billy Bultheel - Two Cycles
Label: PAN
Cat.No.: PAN 138
Release Date: 08 March 2024
Purchase: pan.lnk.to/TwoCycles

Billy Bultheel's debut solo album is an ambitious distillation of the composer's,' sprawling litany of influences and his unique approach to site-specific composition. A compilation of pieces created between 2016 and 2023, the album is a forceful testament to Bultheel's expansive performance practice and collaborations with cutting-edge visual artists like Anne Imhof and James Richards.

Drawing inspiration from industrial music and metal as well as medieval and baroque polyphony, Bultheel devised a way to present this collection of works side-by-side. The record is split into two distinct cycles: the Snow Cycle, which collects Bultheel's electro-acoustic and compositional work, and the Game Cycle, which assembles his electronic productions. These two suites have unmistakable symmetry; Bultheel's traditional compositions are bolstered by his understanding of electronic production, while his electronic pieces are moulded by his knowledge of classical and traditional music. "Two Cycles" is an album that exhibits duality, embodying the dichotomy of Bultheel's roles as both an ensemble composer and an electronic producer.

The haunting opening track of the 'Snow Cycle', 'The Arcades Project', — named after the unfinished compendium of architectural contemplations penned by the eminent German philosopher, Walter Benjamin - places four tubas in strategic towers surrounding the audience, creating an immersive auditory experience. Conversely, 'The Snows of Venice' — named after Alexander Kluge and Ben Lerner collection of short stories and poems — was conceived for two flautists directed to intertwine their melodies as they traversed through knee-high water.

The 'Game Cycle' meanwhile places a strong emphasis on rhythm, crafting a sonic landscape that resonates with overdriven metallic clanks and sharp stabs. Drawing upon his extensive experience in composing for choreography, Bultheel envisions a series of jittery dances that purposefully deviate from conventional timelines. 'Decreation' infuses techno with the visceral qualities of noise music and 'Game Theory' offers an unsettling skeletal barrage of saturated, precisely tuned percussive hits. Bultheel brings 'Two Cycles' to a close with 'Gigue,' a reference to the 6/8 baroque court dance that traditionally marked the conclusion of a dance suite; by merging marching rhythms performed by two percussionists on a single drum set with chaotic and evocative synth leads, he establishes a tantalizing counterpoint.

'Two Cycles' is a musical compilation that explores the themes of locale and landscape, elucidating the intricate dynamics that arise between the musicians and their audience, the ears and the architecture. Considering timbre, density and the psycho-acoustic qualities of communal spaces, from the warehouse to the cathedral, Bultheel draws indelible lines between seemingly distant concepts, merging the celestial with the terrestrial.

The double album cover, one for each side and cycle on the record, features a collage created by the Welsh video artist James Richards that merges medieval iconography with snippets of queer memorabilia.

All tracks written by Billy Bultheel
Mixed by James Ginsburg
Mastered by Enyang Urbicks

Billy Bultheel - 9ssp (Game Cycle) (PAN 138)

info: https://radio.syg.ma/episodes/guests-190-mvrgn-anything-pointless
https://www.anythingpointless.com

GUESTS

GUESTS 190 – MVRGN / Anything Pointless

smooothhhhhhhhh

Sian’s CHAOS album is a sonic maelstrom that shatters the status quo of electronic music—a visceral descent into a fractured soundscape where dark disco collides with techno. From the opening salvos, the Miami-based alchemist conjures a tempest of snarling basslines, crystalline pads, and ghostly, dissonant vocals.
Featuring a wide range of talented collaborators from around the world, the production shakes speakers and penetrates the mind. Gigantic sub-frequencies rattle subwoofers, while polyrhythmic patterns spiral into a vortex of 808 drums. This is music for a world on the brink—like dancing on the edge of oblivion. Sian’s darkwave DNA pulses beneath the surface, infusing the record with intoxicating cinematic force. CHAOS strikes straight at the raw, beating heart of dance music.

@djsian 

#Sian #indiedance #techno #melodictechno #octopusrecordings

Chaos

Dark Strobe

Tape loops are a closed path, a cyclic river, a ring around a far planet. They’re similar to our memory, continuously reenacting an artefact that belongs to a precise point in time, brought back in a process of recall where that artifact slightly and slowly becomes imprecise and shifted. An unrested repetition carved into an old pavement, in a city where every generation leaves a new mark, a new incision and maintains an endless process of birth and deterioration. Sonus Ruinae’s synthesizers sounds are gently laid on that closed path, put in a locked repetition and engaged into that eternal dance.
While growing up with computer music influences, ranging from glitch to the new century Roman electronic scene, Marta De Pascalis developed her musician skills under the spell of the Italian sound labs sphere, from Gruppo di Improvvisazione to Battiato and other masters that influenced the global movement of sound designers. Her earliest Live performances already showed a special character of improvisation and structure, reduced slowly to become essence, made of synthesis and magnetic tape. Her album Sonus Ruinae is a canvas of harmonics and a sublime place where things are whole, where your first listen is engraved just like that ancient city’s pavement, and Marta endlessly writes beauty on top of it, layer after layer.

All music by Marta De Pascalis
Recorded at WORM Sound Studios in Rotterdam, artist's studio and Big Snuff Studio in Berlin, between 2019 and 2020. Mastered by Giuseppe Ielasi. Artwork by Lorenzo Mazon Studio.
All rights reserved to the respective owners.
doser039LP 
© + ℗ Morphine Records 2020.

Marta De Pascalis - Sonus Ruinae Part 1

‘Feeling’ is taken from Leila’s uber-classic debut album ‘Like Weather’, originally released on Aphex Twin and Grant Wilson-Claridge's Rephlex label in 1998 and -  for our money - one of the most quietly influential records of the late 20th century. Newly remastered by Rashad Becker and available for the first time ever on any digital platform, 'Feeling’ is impossibly contemporary, landing somewhere between the asymmetric soul of Mica Levi/Tirzah and the squashed, fluorescent pop of Yves Tumor. The re-mastered reissue of Like Weather will be available Nov 20th on Vinyl, CD and Download formats.

Like Weather

Leila - Feeling (Rashad Becker Remaster)

Paralaxe Editions is based in Barcelona, and Ylia (a.k.a. Susana Hernández) has long been one of the city's most well-regarded musicians. A classically trained pianist who came of age DJing breakbeat raves in Andalucia, she easily maneuvers between disparate scenes and styles; she's as comfortable dropping electro and techno records as she is performing alongside experimental flamenco artist Niño de Elche (she's a member of his touring band).

Following her appearances on labels such as Lapsus and Hivern Discs, Dulce Rendición is Ylia's first full-length effort, a cinematic collection of meditative and richly melodic tracks that largely grew out of her intimate live sets. Weaving together analog synths, field recordings and fragments of her own voice, much of the music was directly inspired by her dreams—and more specifically, the seemingly impossible sights and sounds that populated them. Working to recreate their lingering silhouettes in the light of day, Ylia oscillated between moments of deep introspection and playful fantasy as she settled into the hazy space between sleep and consciousness.

Music by Ylia.
Mastered by Rupert Clervaux.
Artwork by Oficina de Disseny.
Printing by L'automatica, Barcelona.
Words by Shawn Reynaldo.

Dulce Rendición

YLIA - El Agua Original

Title : 
12 Connectedness / Yosuke Tokunaga (LP)

Label: 
Second Sleep

First work in 2021 ,,,,, 
LP will be released from Italy from the product "Second Sleep" by Matteo Castro. 

"As far as I know,,,,,,
the label has been releasing great releases 
& 
I feel this is inevitable.....!

"the Distance
is forcibly cut ,,,,,

the Time
is repeated ,,,,,

the Speed
is stretched ,,,,,

Some material "something" uses concepts to repeatedly connect and divide. "

Vinyl version.......

Purchase Page : http://www.secondsleep.org/releases/yt.html

Second Sleep : http://www.secondsleep.org

Co nnectedness

mail:tost.contact@gmail.com
bandcamp : http://tost.bandcamp.com/
STORE : https://tost.stores.jp/

Co nnectedness

Yosuke Tokunaga

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