Beirut’s Bachir Salloum continues a prolific run of high-quality releases and label debuts, joining Akbal Music with four-tracker ‘Everything Is Now’. The rising talent hasn’t looked back since early support from Black Coffee, Damian Lazarus, Patrice Bäumel, Henry Saiz and more launched his international career.
The EP has a deliberately varied range of moods. ‘I wanted to create a variety of choices from intro tracks to bridge and peak time slots,’ says Bachir, whose sets deftly balance melody with emotion. 
‘Everything Is Now’ has an intriguing, slow start with mingling elements scattering impressions, picking up the pace with thoughtful piano fragments introduced during the extended breakdown. A more ambient contribution to the EP. 
‘Eclipse’ lays down a relentless percussive groove riffing on the central melody, with some growling synths and menacing horns in the background, gradually gaining in speed and force.  
‘Sunflower Fields’ starts with shaking maraccas and light bongo percussion, giving a sunny feel, before a complex bass riff kicks in, followed by a melody on pizzicato strings from the breakdown onwards. More of a rollocking pace to this one, a versatile track for your feet as much as your ears. The LADS remix brings humming, melancholic synth chords to the fore, with distant voices of children at play juxtaposed with them in the extended breakdown. 
‘I used the moog Sub 37 to write the main melodies for ‘Everything Is Now’ including omnisphere supporting pads and TR8 for drums. With ‘Sunflower Fields’ I used the TR8 to focus more on the groove. With ‘Eclipse’ I had the melody playing in my head one night in quarantine while I was sleeping; I woke up and wrote it straight away, then built the track around it.’
An alumnus of Beirut’s famous club scene, Salloum’s new EP is a worthy successor to his 3rd Avenue debut, joining imprints like Balance and Juicebox Music in his impressive back catalogue. Several more exciting releases are planned for this summer too, as his relentless rise continues.

Bachir Salloum - Eclipse [Akbal Music]

'The new Monaberry compilation is here just in time for the Autumn season. Hertberts chose to showcase music from Sebjak & Fahlberg, Ian Ludwig, Skala and Keene...'

Read More: https://whenwedip.com/2021/10/premiere-skala-cloudless/

Follow: @skalared // @monaberry

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Premiere: SKALA - Cloudless [Monaberry]

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Celestial / DTZ152

Beatport

Johan Mila - Celestial - DTZ152

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Artist: V.A.
Title: Steyoyoke Perception Vol.03
Label: Steyoyoke
Format: Digital
Release Date: May 31th, 2018

Cat No: SYYKPERC003


Steyoyoke returns with another unforgettable edition of our romantic Perception compilation. This remarkable 13 track gem will take you through the world of subtle emotions and profound feelings. Featuring six new tracks from the likes of Miguel Payda, Roberto Aluigi, Fec, Frezel & Luis M, TH;EN & Starkato and White Bone. Perception Vol. 03 is a skilfully assembled collection of heartwarming pieces, which will surely bring forth uplifting and nostalgic energy. This is a must have for all of you Deep House and Melodic techno lovers.

TRACKLIST:
01. Fec - Camellia (Original Mix)
02. Miguel Payda - Now Is The Moment (Original Mix)
03. Synästhesie - Lotus (Clawz SG Remix)
04. Kris Davis - Hang Room (Original Mix)
05. Soul Button & Nick Devon - Sage (Original Mix)
06. Frezel & Luis M - Waiting In the Dark (Original Mix)
07. Roberto Aluigi - Tatis Nodo (Original Mix)
08. Clawz SG - Whispering (Original Mix)
09. White Bone - Soaring Skyward (Original Mix)
10. Clawz SG - Sentience (Original Mix)
11. Soul Button - Ojas (Original Mix)
12. Romrez - Techmond (TH;EN & Starkato Remix)
13. Mashk - Dichotomie (Original Mix)
14. Clawz SG - Perennial (Teho Remix)
15. Rustboy - Infinity Artifact (Original Mix)
16. Mashk - Sunset's Gleam (Rustboy Remix)

Steyoyoke Perception Vol.03

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Miguel Payda - Now Is The Moment (Original Mix)

Artist: Mulya
Title: Orikono
EP: Various Artists - Path Integral II
Label: Sum Over Histories
Release date: June 14th
Pre-order: https://digital.mutingthenoise.com/release/131916-various-artists-path-integral-ii

Photography by Blank City: www.instagram.com/_blank.city_/

The second part of 'Path Integral' paves the way for six new tracks, ready to be discovered, ready to be played out, ready to hit the zeitgeist and ready to give a set an advanced whiff without sounding pretentious.

'Mulya', whose track "Orinoko" flows naturally through arpeggiated synth-veins like the Venezuelian river it was named after. The track depicts a harmony, or the path between Earth and a far away galaxy by combining earthly elements with futuristic soundscapes that ride the heavy bassline wave.

Path Integral II

PREMIERE: Mulya - Orinoko [Sum Over Histories]

Transmoderna EP

Transmoderna

Pre-Order

IVTM1 - Âme feat. Mathew Jonson - Transmoderna - Transmoderna EP

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Get Metrika's remix on OROOM here: 
➟ Beatport: https://bit.ly/345XVZg

Just over a year following the release of their tenth studio album Lies Are More Flexible, @gusgus is rounding out the year with the first instalment of their two-part remix EP series, "Remixes Are More Flexible". Their latest features contributions from CPI, David Alvarado, @metrika, and Henry Cullen accompanied by a brand-new original single, "Backlit", and a reimagining of the album’s titular track, aptly called "Came Back To Life". The 7-track EP is out now on GusGus’ label OROOM.

🎧 More Music in our Playlists on Spotify ⤵
💃 Dance: https://spoti.fi/2FjcR9k
⚡ Deep House: https://spoti.fi/2JVCgJH
🌃 Disco: https://spoti.fi/2qMavuY
🍍 Downtempo: https://spoti.fi/2K0w7vN
 👯‍♀️ Electronica: https://spoti.fi/2qJt0A9
💥 Tech House: https://spoti.fi/2vrVN0W
🌌 Techno: https://spoti.fi/2qMRUOy

🐧 trndmsk's weekly Spotify charts: https://spoti.fi/2sgrlms

Remixes are more flexible - Part 1 (mp3)

GusGus - Lifetime (Métrika Remix)

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Get @fulltone's EP on @klassifiedrecords here: 
➟  Beatport: https://bit.ly/35pPyHL

trndmsk: What inspired you to produce the EP?

Fulltone: I got inspired to produce “C’est bon” during my last visit to Paris, "C’est bon" was one of the sentences I kept hearing while walking through the beautiful streets of Paris, surrounded by the beautiful architecture and history. When I got back to the studio I had an idea of making a track that would capture the vibes I was getting during my trip. 

The idea of “Mahe’” came to me during my trip to Seychelles and got inspired by the mesmerizing out of this world nature, Mahe’ is the name of the Capital of Seychelles and I wanted to make a music piece that breathes and reflects the beauty I was in during my trip. 

Where did you record it? And how?

The whole EP was recorded at my studio in Cairo using all my beloved gear! 

With "Mahe" I used a Charango (South American stringed instrument), a kalimba and a classical guitar for the main melodies, all recorded using an AKG C414 Mic and SSL preamp going to a universal audio Apollo interface. For the beats I used my Elektron analog rytm and some field recording I did with my iPhone. For the bass I went for my go to synth for bass the Moog sub37 and also used bass guitar for the baseline during the first part of the song. I remember also using a Gibson J45 acoustic guitar to play the main riff.

“C’est bon” I started with the groove and struggled for a while to find a nice hook for it, then one day my step sister was at the studio and she has a beautiful voice, I had an idea of recording some vocal pads playing the chords of the track, so we recorded each note of each chord of the whole chord progression and I still felt something was missing, so I tried a trick I had read about a while ago, I side-chained a gate on the vocal pads triggered by a programmed hihat pattern and instantly got that stuttering effect you hear on the vocals on the drop, the rest was all fine crafting to finalize the track.

How did you get in contact with the record label?

Klassified label owners (Julien and Thomas AKA Parallells) are very close friends of mine that I consider family. When we decided to release a Fulltone EP on their label I sent them some tracks but highlighted that C’est bon and Mahe were my favorites, they agreed and here we are now :)) EP is about to go out with fantastic remixes from Audiofly & Jonas Saalbach 

What’s up next after the release? Are you working on any other projects? 

I have a few releases in the pipe line, I have an EP coming out early next year on Keller Berlin with an amazing remix from Powel, a podcast for All Day I Dream, a remix for my dear friends ElMundo & PHCK coming out on Earthly Delights and finally a collab track with “a surprise” coming out on “another surprise”.

🎧 More Music in our Playlists on Spotify ⤵
💃 Dance: https://spoti.fi/2FjcR9k
⚡ Deep House: https://spoti.fi/2JVCgJH
🌃 Disco: https://spoti.fi/2qMavuY
🍍 Downtempo: https://spoti.fi/2K0w7vN
 👯‍♀️ Electronica: https://spoti.fi/2qJt0A9
💥 Tech House: https://spoti.fi/2vrVN0W
🌌 Techno: https://spoti.fi/2qMRUOy

🥁🌪🤖🐧 trndmsk's weekly Spotify charts: https://spoti.fi/2sgrlms

Fulltone - C'est Bon (Audiofly Remix)

Buy/stream: https://kompakt.fm/releases/synchronicity_ii

“We have always been very fortunate to meet and know many talented producers. In recent years, we have been exploring those relationships with different remixes and collaborations, and every time something exciting came out. That’s why we started our Synchronicity project. To challenge ourselves making inspiring, fun and beautiful music.

‘Synchronicity’ means "the simultaneous occurrence of events which appear significantly related but have no discernible causal connection.

This very well describes how our path led to the place we are now – somewhere between the club and indie scenes.” – WhoMadeWho

KOMPAKT welcomes back three dear friends – Copenhagen’s WhoMadeWho. Tomas Barfod’s penchant for electronic music poetically juxtaposed with Tomas Høffding and Jeppe Kjellberg’s respective backgrounds in rock and jazz, gives their music an electrifying combination of sounds, merging a variety of influences to produce a unique sonic fingerprint that is emotive, irresistible and immensely satisfying.

Though we both have yet to strike a note together since the release of their 2012 full length “Brighter” (KOM 254), WhoMadeWho have been remarkably productive. With two full lengths, a DJ mix for Watergate’s series and releasing two of 2019’s most played out club tracks together with Rampa (Innervisions) and Artbat (Watergate Records), the trio have found themselves diving more and more into the world of electronic music, tapping into their goldmine of connections within the scene to spearhead an array of collaborations.

The result is Synchronicity – a series of 3 EP’s then a full length album to be released throughout 2020 on KOMPAKT.

We start things off with a collaboration with Ireland’s finest dance music export, Mano Le Tough. “Oblivion” is a dream matrimony which is blissfully charged by an emotional beat and swaying vocals. Barcelona’s Marc Piñol has been an extended part of the Kompakt family thanks to his connections to the Nitsa family and our adoration for his DJing and releases on labels such as Hivern Discs and Black Money. Laid back and severely sexy, “Sooner” sways the soul with its disco flared passion. Another artist we cannot get enough of is Berlin’s Perel – she brings her singular vision of Neue Deutsche Welle to a classic WhoMadeWho beat on “Der Abend Birgt Keine Ruh”. It’s a duet like none other. Last but not least, Frank Wiedemann is famed for his work as half of Âme and also as a member of The Howling. Thanks to a pre-lockdown recording session in Berlin, they all came up with two singles – the first we can share is “Peter Pan Me" where they take pull and restraint approach that lets Tomas and Jeppe’s vocals cry with a forcefulness and passion which is set to remain in your head forever after.

KOMPAKT PREMIERE: WhoMadeWho / Mano Le Tough - Oblivion

We are living strange, particular times and, as we go through it all, music is still our best ally. The Nazcas, the ones that live through art and beauty and the Viracochas, beings from a distant world that blend and solidarize with us, know this. They´ve come once more to inspire the artists at Nazca Records to write history through electronic beats.
This next release is a reflection of our current days. The world on lock-down has pushed our characters and artists to move forward and define their destiny. Through hard work, Los Suruba have managed to put together a new EP inspired by one of the last authentic corners in Ibiza, Las Dalias. 
Our characters, the Nazcas and Viracochas, have discovered another emblematic corner of the world. Las Dalias is the oldest venue in Ibiza, summing up 76 years of making history. In the 70s Pink Floyd used to throw is parties there making it, to this day a venue on the island to remember. Every Sunday, throughout the summer, people from Ibiza as well as our beloved characters have enjoyed the music delivered by Los Suruba, founders of the mystic label Nazca Records. 
The ‘En Las Dalias, the remixes part 1’ counts with the extraordinary participation of Sandhog, a new face in the label and Wild Dark, who has been an active members of this label. 
 This two remixes are an avant-garde work of sound, a mix of organic and synthetic-like sounds that symbolize the strong relation and actual conflict between human creations and nature. 
‘En Las Dalias, the remixes part 1’ is an ode to this new world we are experiencing, a reflection about the present, a firm memory from the future.
Nazca Records, Recuerdos del future.

Tracklist:
1. Los Suruba – En las Dalias (Sandhog Reinterpretation) 
2. Los Suruba – En las Dalias (Wild Dark remix)

Los Suruba - En Las Dalias (Sandhog Reinterpretation)

Douglas Greed - "Numbers" feat. Odd Beholder (youANDme Remix) / 3000Grad

● DJ | Producer | Music Lover
● Labels: Ornaments, Drumpoet, Mule, Rekids, Pokerflat, Cocoon, Desolat, Rotary Cocktail, Cutz #, Compost, Nervous Rec., Rebirth, Rejected, Deeplabs Detroit

Douglas Greed - "Numbers" feat. Odd Beholder (youANDme Remix) / 3000Grad

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