Funk

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I Believe In Miracles-Jackson Sisters -SanFranDisko Re - Edit -  #FreeDownload

The Sunshine Band - Black Water Gold 
Simple DJ Edit By Petko Turner
https://hypeddit.com/track/lflb3v

The seeds of KC & The Sunshine Band were planted when two South Florida boys, Harry Wayne Casey and Richard Finch met while working at the attic studio of T.K. Records, above the warehouse of Tones Distributors. Rick had worked his way up to assisting producers, while Harry's duties included processing returns and boxing up records, and sometimes playing keyboards in recording sessions.

It was Casey’s idea for him and Finch to pool their skills. "Everybody else had a team together already", says Rick. "He found out I played bass and drums, and I found out he played keyboards, and when the studio was empty in the evenings, we would go up there and find out what kind of music would happen. A lot of people would throw tape away because they couldn’t figure out how to make the machine erase properly, Rick recalls. It was expensive, so I would take it out of the trash can, wind it up on the reel, clean it up, and use that for recording".

Not only were the boys thrifty, but, thanks to the sessions they had already played in the studio, they were also fast. It didn’t take much experimenting for the two to get their own eclectic sound together. KC & The Sunshine Band released two singles from their first album, "Do It Good" and hit the R&B charts when "Blow Your Whistle" went to #27 in the fall of ’73 and "Sound Your Funky Horn" made it to #21 in early ’74.

The first real sign that the Casey/Finch sound was really clicking came in September of 1974, when "Queen Of Clubs" reached the U.K. Top 10, and the Sunshine Band was in demand for live gigs all around the country. This was good news, of course. But the best news was yet to come courtesy of one George McCrae and a song he wrote called "Rock Your Baby".

As studio musicians, Casey and Finch recorded the rhythm track in just 45 minutes, with just one additional player, Jerome Smith, on guitar. Company brass, Henry Stone and Steve Alaimo felt the song had potential and offered it to Gwen McCrae, who passed on it. Then, George McCrae, who happened into the studio, heard the instrumental and in a mere two takes, put down his own vocals. The song was released, and George McCrae had a number one hit on his hands. 



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The Sunshine Band - Black Water Gold (Petko Turner Edit) Funk Monster

exclusive track for lifesupportmachine.co.uk  click here @lifesupportmachine-co-uk  to get the FREE DOWNLOAD

Stretch // Why Did You Do It? (Frictional Heroes Edit) *LSM EXCLUSIVE TRACK**

Betty Davis - Anti Love Song (Nati regroove)

FREE DOWNLOAD

Edwin Starr - War (TWOGOOD Remix) - 10K FOLLOWERS GIVEAWAY

Fatback Band - Backstrockin' 
Edit By Petko Turner

The Fatback Band (later, simply Fatback) is an American funk and disco band. Most popular in the 1970s and 1980s, The Fatback Band is most known for their R&B hits, "(Do The) Spanish Hustle", "I Like Girls", "Gotta Get My Hands on Some (Money)", "Backstrokin'" and "I Found Lovin". Their 1979 single "King Tim III (Personality Jock)" is sometimes considered the first hip hop single.

Formed in New York City in 1970, The Fatback Band was the concept of Bill Curtis, an experienced session drummer, inspired to merge the "fatback" jazz beat of New Orleans into a funk band. In addition to Curtis, the band's initial line-up included guitarist Johnny King, bassist Johnny Flippin, trumpet player George Williams, saxophonist Earl Shelton, flautist George Adams, and keyboardist Gerry Thomas. The band specialized in playing "street funk". The group also later included conga player Wayne Woolford, vocalists Jayne and Gerry, Deborah Cooper saxophonist Fred Demerey, guitarist Louis Wright and George Victory.

The Fatback Band signed to Perception Records and had a hit single that summer with "Street Dance". The single reached the Top 30 on the US Billboard R&B chart, but failed to cross over to the pop chart, a pattern the group would follow for the rest of their career. The band released the albums Let's Do It Again, People Music, and Feel My Soul before signing to Event Records in 1974.

In the mid-1970s, the band incorporated jazz elements and moved more towards a disco sound resulting in the singles, "Keep On Steppin'", "Yum, Yum (Give Me Some)", and "(Are You Ready) Do The Bus Stop". The singles proved popular in dance clubs, but did not do as well on R&B chart until the spring of 1976 when "(Do The) Spanish Hustle" came close to the Top Ten. "(Are You Ready) Do The Bus Stop" birthed the development of line dancing.[citation needed]

Now recording for Spring/Polydor, the group continued with the singles, "Party Time", "The Booty", and "Double Dutch". Late 1977 brought a name change to Fatback, and in 1978 they found their first Top Ten single with "I Like Girls". The song "King Tim III (Personality Jock)" is often considered to be the first commercially released rap single, having shipped just a week before The Sugarhill Gang's "Rapper's Delight" in October 1979.[2]

In 1980, Fatback had a pair of their biggest hits with "Gotta Get My Hands On Some (Money)" and "Backstrokin'". Also finding the charts in the 1980s were "Take It Any Way You Can't It", "I Found Lovin'", and "Spread Love", with singer Evelyn Thomas, in 1985. Whilst American pop success proved elusive, the group made regular appearances in the UK Singles Chart, including the Top Ten twice with "(Do The) Spanish Hustle" and "I Found Lovin'".[3]

Keyboardist Gerry Thomas was simultaneously a member of The Jimmy Castor Bunch, so the band elected to remain close to the New York area instead of extensive touring. They had substantial success in South America, especially in Brazil (with "Money", and "Backstrokin'").

Petko Turner Edit

Fatback - Backstrokin' (Petko Turner Edit)

Download Here

Chuck Brown & The Soul Searchers - Bustin Loose (Pecoe 2016 Flip)

Hope you enjoy my edit of Let's Get it On! 

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Marvin Gaye - Let's Get It On (X-Ray Tedit)

Hot on the heels of her well received second single, Izo FitzRoy returns with the brand new track ‘Say Something’ taken from her debut album 'Skyline'.

This catchy song is an itchy-fingered, piano led slice of high tempo soul and blues and it’s got pride of place as the opener of the latest instalment of the Jalapeno Records annual Jalapeno Funk compilation series.

Download: https://izofitzroy.lnk.to/SaySomething
Taken from 'Skyline' on LP/CD/Digital: IzoFitzRoy.lnk.to/Skyline
Jalapeno Funk Vol. 8: http://va.lnk.to/JalapenoFunkVol8

Say Something

VINYL/CD

What's up world? Here's an edit of Bar-Kays' Humpin'. The drumbreak has been used for classic Hip Hop Joints like Black Sheep - The Choice Is Yours, Ice Cube - AmeriKKKa's Most Wanted and Cypress Hill - Real Estate.
The track has been warped and boosted specially for mixing DJ's. Check out my other edits on www.beatjunkies.com

The Bar-Kays - Humpin' (Deejay Irie Edit)              FREE DOWNLOAD

as played on BBC Radio 6 by Craig Charles on his Funk and Soul Show : http://www.bbc.co.uk/programmes/b08h8258

and again.. THANKS for all plays, likes and follows everyone.. 
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I did.. FEEL THE GROOVE.. in this 2006 Japanese Nu-Funker by Osaka Monaurail & soul queen Marva Whitney (R.I.P.) !!!

OSAKA MONAURAIL SOUNDCLOUD @ https://soundcloud.com/osaka-monaurail/01-i-am-what-i-am-parts-1-2

BUY ORIGINAL @ https://www.discogs.com/Marva-Whitney-With-Osaka-Monaurail-I-Am-What-I-Am/release/1013711

FREE DOWNLOAD.. hit "THE RE-GROOVE BUTTON" above (hypeddit)
.. or @ the Artist Union : https://theartistunion.com/tracks/0ff58e ..

Have it your way.. ENJOY..

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THE RE-GROOVE BUTTON

Marva Whitney & Osaka Monaurail ‎– I Am What I Am (Ronny Hammond Feelin' The Re-Groove) (FREE DL)

Download Full Album (all 14 tracks) here : https://thatsnotanedit.bandcamp.com/

DJ Meem has a long and storied career within the Australian music scene, going back to the 1990s. One of the most versatile DJ’s and producers in the country, he is constantly in demand in Sydney, and beyond, playing his eclectic sounds, ranging from disco, jazz, rhythm and blues, funk, soul and electronica. He also is currently host of Australia’s longest running dance music programs, “Back to Funk”, on 2ser out of Sydney. 
Meem.org
Soundcloud.com/
https://soundcloud.com/m-104

That's Not An Edit Vol.5

Son Of Slide (Meem's Son Of Tribe Edit)

A tight net piece of music sampling one of the most famous breakbeats around. I hope ya dig ! :-)

Pecoe - Apache Champ

Originaly out on DiscoDat in 2013, but I decided to give it away. Follow the link: http://hypeddit.com/track/sc/rb5xub 

High quality wav-file available here: http://jmmstr.bandcamp.com/track/its-got-to-be-funky-jmmstr

It's Got To Be Funky - JMMSTR **free download click 'buy' link**

Syl Johnson - Different Strokes (Pecoe Edit)

Wilson Pickett is the newest edition in the #Regrooved series. I found this track on one of his later albums and felt that it needed some extra love. Dancefloor ready! Enjoy :)

FREE DOWNLOAD

Funky Situation (Charlie Beale Regrooved Edit)

Decided to fix this really groovy and melodic tune.
Fixed timing, added some drums and bass.

<a href='https://theartistunion.com/tracks/3a0cfb'>Download for free on The Artist Union</a>

Galt MacDermot - Hair (Arteo Fix) [FREE DL]

"Ready Go Get Funky (DC's Finest Remix)"
by Fort Knox Five

THE BIG BOOM returns to DC
Monday July 3rd, 2017
at U Street Music Hall with
SkiiTour, Fort Knox Five, DJ Phil Dice & Raptorstein

RSVP & Invite your friends on Facebook:
https://www.facebook.com/events/1059492474150552/

Buy $10 Advance Tix here:
http://www.ustreetmusichall.com/event/1494998

Ready Go Get Funky (DC's Finest Remix)

Some Funky Breakbeat business for you, FREE Wav file this time !

Lyn Collins - Think (Pecoe Edit) - FREE Wav

JunoDownload Review:

Jayl Funk's delightful approach to edits and vintage reincarnations has just got a new groove on thanks to this little beauty of a two-tracker for the Honkey Phonk imprint, and it's hard to have a smile on your face when listening to this gear on a Friday morning. Featuring the Tarzan Bros, "Funkin Your Soul" offers a chunky boogie bass that drops like a mother****** on the speakers, leaving absolutely no laggers standing awkwardly in the corners. The Soul mix is a little more elegant in its approach, but still carries the original's tight groove, hummable vocals and utterly funked-out bass.

Funk

ASD-78