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I Got Hip Hop By: Cousin Cam (12-20-2013)
You see this hip hop is the reason I’m alive, we don’t have to have a ceremony or rings for hip hop to be my wife, all I know is our bond is way too tight, like the cun of someone who lived a nun’s life, or the bond of a man with his tool in his hand, ready to take aim at any job he can, just to feed his children or be able to pay rent again, you don’t know tight until your money’s been tight, so I turn on my music to make it seem alright, “It Was All a Dream” to “Keep Yo Head Up” while making it through the dark night, and the bad times, Pac saved my life when he dropped his rhymes, now I’m giving it back to hip hop one song at a time, they say hip hop is dead that it’s flat line, when all it needs is a stronger lifeline, maybe an inhaler, cause I hear her, sounding a bit too Weezy, but she isn’t “Ready to Die” this evening, no she has not stopped breathing, she will not go gently into that good night, cue Michael Buffer, she’s ready to rumble and down to fight.
(Hook) Every time I sense defeat I got hip hop. Even through my victories I got hip hop.
You see this hip hop music is in my veins, “Smile For Me Now” through all the “Joy and Pain,” Every time KRS rocked the microphone it was like an underground railroad to our soul, it was Michelangelo painting the Sistine when Rakim spit the illest 16, we fought for our right to let the Beastie Boys “No Sleep Til Brooklyn” while P.E. started to “Bring The noise,” we can’t forget about the OG’s out in the west, now e’rybody and they momma gotta wear a vest, you see “Today was a Good Day,” so we stopped to see the sunshine, we stopped to see the sunrays, but our mind was playing tricks on us cause those Geto Boys are never too far behind, this life is Too $hort to get caught on the firing line of a TechN9ne, today’s Youngbucks would rather shoot em up than put em up,  they don’t wanna fight so “Hot Ones Echo Through the Ghetto” all day and night, “Who Shot Ya,” “It’s Going Down Tonight” “Check Yo’self Before You Wreck Yo’self” in this “Thug Life,” They “Ready to Die” before taking their first breath, this isn’t The Game they are playing and there’s no guarantee of “Life After Death,” so they should “Step Back” to the lab and start “Thinking of a Masterplan,” to put the gun down and pick a book up, you think Pac lost his life for you to make music that sucks, what about “The Message” what about our fellow man, how we gonna make it to two-thousand-----twenty if nobody’s giving a crap about anything but Cash Money, no hope, no dreams, no music education, America’s poor still on a plantation.
(Hook) Every time I sense defeat I got hip hop. Even through my victories I got hip hop.
You see this hip hop is my heart and my soul, I’m gonna love this hip hop til I’m dead and cold, when I’m gone “Pour out a Lil Liquor” for the days of old, but please never let my story die or go untold, cause I got too much to say in this day and age, of “Bling Bling,” expensive cars, and gun rage, it’s time we “Walk this Way” and take the next step, conscious hip hop of the 90’s was ‘So So Def’, now what’s left? Yall should be Outkast, for putting salt on what was built in hip hop’s past, by true MC’s and thas something that you’ll never be, we don’t care about your house, cars or diamond rings, please tell us who’s doing the oppressing, so we can unite, revolt and finally start progressing, on a higher level, on another plain, it’s on you to be a true “Microphone Fiend.”

Cousin Cam -- I Got Hip Hop

DjTee2 Yonkaz Zoo York Mix June 14, 2009, 1:35:05 PM Yonkers Anthem Ft. Styles P,Sheek Louch & DMX King Phaze Sheek Louch-Respect Audio Narcotiks The Lox-Ya'll Done Fucked Up Audio Narcotiks Styles P-Gunz Up Audio Narcotiks Intro DMX Its Dark and Hell Is Hot The Lox-Lick Shots Audio Narcotiks The Lox-We Are The Streets Audio Narcotiks Styles P Ft.Bucky-Kill Niggaz Audio Narcotiks So Much Trouble (Feat. Beanie Sigel) D-Block Felony Niggas The Lox Ruff Ryders' Anthem DMX Brother's Keeper D-Block Jadakiss Ft.Lil Wayne-Death Wish Audio Narcotiks Styles P-Ghost Is Comin Audio Narcotiks Rape 'N U Records (Skit) Get At Me Dog DMX The Lox-Everybody Wanna Rat Audio Narcotiks Bring It On The Lox The Lox-Bust Your Gun Audio Narcotiks How's It Goin' Down DMX Can I Live The Lox The Lox-Whatup Audio Narcotiks Alot To Learn (Skit) DMX Scream L.O.X. www.myspace.com/djtee2

DjTee2 Yonkaz Mix 06.14.09

One of the more versatile rappers that emerged from the “Dirty South” school of hip-hop in the early 2000’s, multi Gold and Grammy nominated North Carolina native Petey Pablo has demonstrated the art of mixing poignancy with sharp lyrics that reach across age, race and social status. The gruff voiced emcee was born and raised in Greenville, NC and is best known for rap anthems “Raise Up,” “Freek-A-Leek” and “Carolina Colors” which became mainstays on urban radio and is sports stadiums across the country.

“Raise Up” peaked at #1 on the US Billboard Rap chart and #25 on the Billboard Top 100.  “Freek-A-Leek” climbed to #2.  In addition to his solo-career, Petey has collaborated with Ciara (“Goodies”), Timbaland (“Red Bone”), Chris Brown (“Drop Rap”), Lil Wayne (“Gangsta Shit”) and many others. Petey has demonstrated his versatility with roles in Drumline, Just Another Day and most recently on Empire, a guest appearance that included writing and performing “Snitch Bitch” alongside Terrance Howard on the episode. 

His albums Diary of A Sinner: 1st Entry (which was nominated for a Grammy for Best Rap Album and included production from Timbaland) and Still Writing In My Diary: 2nd Entry (which included production from Timbaland, Kanye West, Scott Storch, Mannie Fresh & Lil Jon) showcase diverse efforts from stereotypical Dirty South decadence to poignant, autobiographical material that reflect on the hardships and challenges he experienced growing up in the deep south.  

After a very lengthy hiatus, Petey Pablo returns with a new comeback album, Keep On Goin’, a self produced project which will be released on 9-14-2018.  Today, “back like he never left,” Petey releases his new single and title track “Keep On Goin’.’

For More Information:
https://twitter.com/DaRealPetey
https://www.instagram.com/bigpoppapetey/
https://www.facebook.com/peteypablomusic/
https://www.peteypablo.com/

Keep On Goin'

Petey Pablo- Keep On Goin'

The Suburban Orchestra takes on O'l Dirty Bastards song Shimmy Shimmy Ya.
Artist: O'l Dirty Bastard
Album: Return to the 36 Chambers: The Dirty Version
Songwriters: Russell Jones, Robert Diggs

Stort tack till Claes Carlsson för eminent saxofoninsats!

Shimmy Shimmy Ya

Shawn Corey Carter (born December 4, 1969),[1] better known by his stage name Jay-Z (sometimes stylized JAY Z),[2] is an American rapper, record producer, entrepreneur, and occasional actor. He is one of the most financially successful hip-hop artists and entrepreneurs in America. In 2012, Forbes estimated Carter's net worth at nearly $500 million.[3][4] He has sold approximately 50 million albums worldwide, while receiving seventeen Grammy Awards for his musical work, and numerous additional nominations.[5][6][7] Consistently ranked as one of the greatest rappers of all-time he was ranked #1 by MTV in their list of The Greatest MCs of All-Time in 2006.[8] Two of his albums, Reasonable Doubt (1996) and The Blueprint (2001) are considered landmarks in the genre with both of them being ranked in Rolling Stone magazine's list of the 500 greatest albums of all time.[9][10]

Jay-Z co-owns the 40/40 Club, is part-owner of the NBA's Brooklyn Nets and is also co-creator of the line Rocawear.[11] He is the former CEO of Def Jam Recordings, co-founder of Roc-A-Fella Records, and the founder of Roc Nation. As an artist, he holds the record for most number one albums by a solo artist on the Billboard 200 with twelve.[12][13] Jay-Z also has had four number ones on the Billboard Hot 100, one as lead artist. On December 11, 2009, Jay-Z was ranked as the 10th-most successful artist of the 2000s by Billboard and ranking as the 5th top solo male artist and as the 4th top rapper behind Eminem, Nelly, and 50 Cent.[14] He was also ranked the 88th-greatest artist of all time by Rolling Stone.[15] He married American R&B singer Beyoncé Knowles in 2008.[16] They have one daughter named Blue Ivy Carter, born in January 2012.
Contents

    1 Early life
        1.1 Early career
    2 Music career
        2.1 1995–97: Reasonable Doubt and In My Lifetime, Vol. 1
        2.2 1998–2000: Vol. 2..., criminal charges and mainstream success
        2.3 2001–02: Feud with Nas, The Blueprint and The Blueprint2
        2.4 2003–05: The Black Album, initial retirement and collaborative albums
        2.5 2005–07: "I Declare War", comeback with Kingdom Come and American Gangster
        2.6 2008–2011: Glastonbury, new record deal, The Blueprint 3 and Watch the Throne
        2.7 2012–present: Twelfth studio album and other ventures
    3 Musical style
        3.1 Influences
        3.2 Rapping technique
    4 Business ventures
    5 Personal life
        5.1 Relationship with Beyoncé
        5.2 Philanthropy
        5.3 Politics
    6 Discography
    7 Awards and nominations
    8 Filmography
    9 Bibliography
    10 References
    11 External links

Early life
Jay-Z (top) with a friend (left) in Trenton, New Jersey, circa 1988

Originally from Marcy Houses, a housing project in the Bedford-Stuyvesant neighborhood of Brooklyn in New York City,[17] the future "Jay-Z" then known as Shawn Carter, was raised by his mother, along with three other siblings who had been abandoned by their father. He claims in his lyrics that in 1982, at the age of 12, he shot his older brother in the shoulder for stealing his jewelry.[18][19] Carter attended Eli Whitney High School in Brooklyn, along with future rapper AZ, until it was closed down. After that he attended George Westinghouse Career and Technical Education High School in downtown Brooklyn, with fellow future rappers The Notorious B.I.G. and Busta Rhymes, and Trenton Central High School in Trenton, New Jersey, but did not graduate.[20] In his music he refers to having been involved in selling crack cocaine.[19] He has also said he had been shot at three times during this time in his life.[18]

According to his mother, Gloria Carter, her son Shawn used to wake his siblings up at night banging out drum patterns on the kitchen table. Eventually, she bought him a boom box for his birthday, sparking his interest in music. He began freestyling, writing lyrics, and followed the music of many artists popular at the time.[21] In his neighborhood, Carter was known as "Jazzy", a nickname that eventually developed into his showbiz/stage name, "Jay-Z". The moniker is also an homage to his musical mentor, Jaz-O, as well as to the J/Z subway lines that have a stop at Marcy Avenue in Brooklyn.[17]
Early career

Jay-Z can briefly be heard on several of Jaz-O's early recordings in the late 1980s and early 1990s, including "The Originators" and "Hawaiian Sophie".[22] Jay-Z was also involved in and won several battles with rapper LL Cool J in the early '90s as part of efforts to get a record deal.[23] He first became known to a wide audience by being featured on the posse cut'[clarification needed] "Show and Prove" on the 1994 Big Daddy Kane album Daddy's Home. Jay-Z has been referred to as Big Daddy Kane's hype man during this period,[24] although Kane explains that he didn't fill the traditional hype man role, instead "basically ma[king] cameo appearances on stage. When I would leave the stage to go change outfits, I would bring out Jay-Z and Positive K and let them freestyle until I came back to the stage".[25][26] The young Jay-Z made an appearance on a popular song by Big L, "Da Graveyard", and on Mic Geronimo's "Time to Build", which also featured early appearances by DMX, and Ja Rule in 1995. His first official rap single was called "In My Lifetime", for which he released a music video. An unreleased music video was also produced for the B-side, "I Can't Get With That."[27]
Music career
1995–97: Reasonable Doubt and In My Lifetime, Vol. 1

With no major label to give him a record deal, Jay-Z sold his CDs out of his car[18] and, with Damon Dash and Kareem Biggs, created Roc-A-Fella Records as their own independent label in 1995. After striking a deal with Priority to distribute his material, Jay-Z released his 1996 debut album Reasonable Doubt with beats from acclaimed producers such as DJ Premier and Super DJ Clark Kent and a notable appearance by The Notorious B.I.G.. The album reached number 23 on the Billboard 200, and was well received by critics.Template:Clairfy[17] This album would later be included in Rolling Stone's "500 Greatest Albums of All Time" as No.248 and eventually reach platinum status.[28]

After reaching a new distribution deal with Def Jam in 1997, Jay-Z released his follow-up In My Lifetime, Vol. 1. Executively produced by Sean "Puff Daddy" Combs, it sold better than his previous effort. Jay-Z later explained that the album was made during one of the worst periods of his life, he was reeling from the death of his close friend The Notorious B.I.G. The album was a personal revelation for Jay-Z as he spun the tale of his hard knock upbringing.[29] The album's glossy production stood as a contrast to his first release, and some dedicated fans felt he had "sold out". However, the album did feature some beats from producers who had worked with him on Reasonable Doubt, namely DJ Premier and Ski. Like its predecessor, In My Lifetime, Vol. 1 earned Platinum status in the United States.[28]
1998–2000: Vol. 2..., criminal charges and mainstream success

In 1998, Jay-Z released Vol. 2... Hard Knock Life which spawned the biggest hit of his career at the time, "Hard Knock Life (Ghetto Anthem)". He relied more on flow and wordplay, and he continued with his penchant for mining beats from the popular producers of the day such as Swizz Beatz, an upstart in-house producer for Ruff Ryders, and Timbaland. Other producers included DJ Premier, Erick Sermon, The 45 King, and Kid Capri. Charting hits from this album included "Can I Get A...", featuring Ja Rule and Amil, and "Nigga What, Nigga Who", also featuring Amil. Vol. 2 would eventually become Jay-Z's most commercially successful album; it was certified 5× Platinum in the United States and has to date sold over five million copies.[28] The album went on to win a Grammy Award, although Jay-Z boycotted the ceremony protesting DMX's failure to garner a Grammy nomination.[30] In 1999, Jay-Z dueted with Mariah Carey on "Heartbreaker", a song from her seventh album, Rainbow. In that same year, Jay-Z released Vol. 3... Life and Times of S. Carter, the album proved to be successful and sold over 3 million records.[28] Vol. 3's most successful single was "Big Pimpin'", featuring UGK. Around the same time, Jay-Z was accused of stabbing record executive Lance "Un" Rivera for what Jay-Z perceived was Rivera's bootlegging of Vol. 3... Life and Times of S. Carter. The stabbing allegedly occurred at the record release party for Q-Tip's debut solo album Amplified at the Kit Kat Klub, a now defunct night club in Times Square, New York City, on December 9. Jay-Z's associates at the party were accused of causing a commotion within the club, which Jay-Z allegedly used as cover when he supposedly stabbed Rivera in the stomach with a five-inch (127 mm) blade.[31] In his book Decoded, Jay-Z addresses his assault case. While he didn't apologize for his actions, he did express regret that the incident happened and attributed it to a loss of control, saying that there was no reason for him to get into a situation that put him and people who depended on him at risk. He also vowed to never get involved in a similar situation again.[citation needed]

Jay-Z initially denied the incident and pleaded not guilty when a grand jury returned the indictment. Jay-Z and his lawyers contended he was nowhere around Rivera during the incident and they had witnesses and videotape evidence from the club that showed Jay-Z's whereabouts during the disturbance. Nevertheless, he later pleaded guilty to a misdemeanor charge that resulted in a sentence of three years probation.[32] In 2000, Jay-Z released The Dynasty: Roc La Familia, which was originally intended to become a compilation album for Roc-A-Fella artists but somehow turned into a Jay-Z album.[33] The album helped to introduce newcomer producers The Neptunes, Just Blaze, Kanye West and Bink, which have all gone on to achieve notable success. This is also the first album where Jay-Z utilizes a more soulful sound than his previous albums. The Dynasty sold over two million units in the U.S. alone.[28]
2001–02: Feud with Nas, The Blueprint and The Blueprint2

In 2001, Jay-Z spoke out against Prodigy after he took an issue with a Jay-Z line from "Money, Cash, Hoes" that he felt were subliminal shots at Mobb Deep and referenced Mobb Deep's beef with Tupac Shakur, Snoop Dogg, and Death Row Records. He later performed the song "Takeover", at Summer Jam 2001, which initially attacked Prodigy and revealed photos of Prodigy dressed like Michael Jackson.[34] A line at the end of "Takeover" referenced Nas, who criticized him on "We Will Survive".[35] Nas responded with a diss track called "Ether" and almost instantly, Jay-Z added a verse to "Takeover" which dissed Nas and would start a feud between the two rappers. Jay-Z later released his sixth studio album The Blueprint which was later considered by many to be one of hip hop's "classic" albums, receiving the coveted 5 mic review from The Source magazine. Released during the wake of September 11 attacks, the album managed to debut at number one on the Billboard 200, selling more than 427,000 units;[36] the album's success was overshadowed by the tragic event. The Blueprint has been certified 2x Platinum in the United States.[28] The Blueprint was applauded for its production and the balance of "mainstream" and "hardcore" rap, receiving recognition from both audiences. The Blueprint was written in only two days.[37] Eminem was the only guest rapper on the album, producing and rapping on the song "Renegade". Four of the thirteen tracks on the album were produced by Kanye West and represents one of West's first major breaks in the industry. The Blueprint includes the popular songs "Izzo (H.O.V.A.)", "Girls, Girls, Girls", "Jigga That Nigga" and "Song Cry".

Jay-Z's next solo album was 2002's The Blueprint2: The Gift & the Curse, a double-album. The album debuted on the Billboard 200 at number one, selling over 3 million units in the U.S. alone[28] and surpassing The Blueprint.[38] It was later reissued in a single-disc version, The Blueprint 2.1, which retained half of the tracks from the original. The album spawned two massive hit singles, "Excuse Me Miss" and "'03 Bonnie & Clyde", which featured Jay-Z's future wife Beyoncé Knowles. "Guns & Roses", a track featuring rock musician Lenny Kravitz, and "Hovi Baby" were two successful radio singles as well. The album also contained the tracks "A Dream", featuring Faith Evans and the late The Notorious B.I.G.; and "The Bounce", featuring Kanye West. The Blueprint 2.1 featured tracks that do not appear on The Blueprint2: The Gift & the Curse, such as "Stop", "La La La (Excuse Me Again)", "What They Gonna Do, Part II" and "Beware" produced by and featuring Panjabi MC.[39]
2003–05: The Black Album, initial retirement and collaborative albums
Jay-Z in 2003

After returning from a trip in the south of France,[40] Jay-Z announced work on his 8th studio album The Black Album at the opening of the first the 40/40 Club.[41] He worked with several producers including Just Blaze, The Neptunes, Kanye West, Timbaland, Eminem, DJ Quik, 9th Wonder, The Buchanans and Rick Rubin. Notable songs on the album included "What More Can I Say", "Dirt Off Your Shoulder", "Change Clothes", and "99 Problems". The Black Album has sold 3 million copies in the US.[28] Jay-Z collaborated with R. Kelly and released a collaborative studio album, The Best of Both Worlds.

On November 25, 2003, Jay-Z held a concert at Madison Square Garden, which would later be the focus of his film Fade to Black. This concert was his "retirement party". All proceed

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