track #01 from an album "timoastocco" (2021-2022) by yamaoka yasuhiro.

timoastocco

tajimole

pseuzool

jitterbug

Anonymous Resident

More Deaths into More Lives

Star Seekers

1/2 after 5 (of Yamaoka Yasuhiro)

Push-Pull

Track #06 from "Arpeggiated Ensemble" (2018) by Yamaoka Yasuhiro.

Arpeggiated Ensemble (two pianos, marimba and vibraphone)

Arpeggiated Ensemble

Arpeggiated Ensemble (two pianos, marimba and vibraphone) - Movement one

Track #12 from "Elements for the Radio" (2010) by Yamaoka Yasuhiro.

Elements for the Radio

n_4_d3

track #02 from "Piano Sonata no.1, Latitude and four piano pieces" (2018)

Piano Sonata no.1, Latitude and four piano pieces

Piano Sonata no.1 - movement two

good arpeggiation 1c

track #1 from "impairment variations" (2020).

impairment variations

impairment variation iii

Around 1975, I taught myself how to play, in my own way, with the sound devices around me (musical instruments, turntables, tape recorders, furniture or anything). About 1981, I began to compile my work as an album on cassette tape, and loaned it to my friends. In 1986, I bought a synthesizer. From then, rather than creating sound collage work, my improvised playing increased, until around 1990, when my sound work slowed down. In 1994, I began to make DTM (DeskTop Music) with newly bought sequencer software and a PCM sound module for my Mac. I then made about one composition a day. In 1995, I got sound waveform editor software, and slowly changed the way I worked from DTM with MIDI signal to HDR (HardDisk Recording) with sound waveform edit. Around 2000, my old Mac began to frequently crash, so I started working with a friend's Windows software. This change pushed me to make music totally in PC without using any other music hardware.

YOWorks

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