me gusta como la energia crece por aqui, bien hecho!

ya rock art - very apt tag. Captivating in its interesting arrangement and excellent production.

terapia creativa completa, sinfonía de felicidad sónica

Y ahora? Ponete comodo, comoda.
Descruza las piernas. Descruza los brazos. Relaja el cuello.
Ahora. Necesito. Que abras los ojos. Comenzamos a respirar.
Y de los mas profundo de tu ser emerge una voz que te suplica.
"Ah, anestésienme. Ah, anestésienme"  tranquilo...
Con cada inspiración que hagas vas a sentir como el aire frio entra por tu nariz y llena de calma tu interior.
Con cada exhalación notaras como una nube de fuego sale por tu boca y la angustia te abandona. "бувай мій любий друже" (ukrainian)
 Comencemos?
El aire frio entra por tu nariz. Una nube de fuego sale por tu boca.

Terapia Animal

On a dark October  night when the clock strikes 12:00 And it's time for the Hallow Queen Masquerade !  such an enchanting and bewitching  time for all.
I asked Gina to join me on this dark haunting Piano & Strings & Bass adventure .
Thanks G . \m/
so check her page if you haven't already
https://soundcloud.com/gina-wood-837506330
Cheers Mike

Hallow Queen Masquerade - Unguided Express & Gina Wood

This is a re-imagining of one of my old tunes.  Here's the link: https://soundcloud.com/madrigalmusick/nowhere-to-go

Photo by Alesia Kozik at www.pexels.com

Composed and arranged by obcb with Fl Studio

Somewhere to Go

The Vociferous Mapping Of Your Unlikely Future
https://nomatesensemble.bandcamp.com/album/the-vociferous-mapping-of-your-unlikely-future

So after 18 months, 50 musicians, artists and poets, 100’s of files, several innocent bystanders and of course some beautiful dogs and cats and I am proud to announce the debut album from Then She Reaches For The Gun. 
It’s been an immense pleasure to work with all this amazing talent! 
The album is titled The Vociferous Mapping Of Your Unlikely Future and features 10 tracks with the final track featuring every single one of the contributors somewhere in its 21 minutes : ) 
Here is the full credit list:
Adam Meredith - Voice
Anita Hustas - Double Bass
Agnostura Elwar - Electronica/Guitar/Piano
Antonella Eye Porcelluzzi - Voice 
Ariad Music- Clarinet/Percussion/Piano
Axel Weiß- Guitar 
Bellai Pelegrim - Electronica
Brendan Corey Benson - Guitar
Carolyn Wigston -Voice
Chicago Word Brigade - Synth/Noise/Poetry/Voice/Voice Guitar
Dane Renshaw - Drums
Dani Kirby - Piano/Voice
Dough Factory - Electronica
ElectroTrek - Vibes Synth/Voice
Fake Stereo Machine - Field Recordings
Frank Wilke - Trombone/Trumpet/Voice
Garbage Truck Disco - Guitar/Pixies Tribute
Gary Rees - Voice
Glenn Ward - Beats/Guitar/Voice
Gonzalo Serrano - Acoustic/Electronic Drums
Holy Shitshow - Digital Strings
Hverheij - Electronica/Guitar/Nursery Rhyme Glockenspiel/Voice
Ilaria Boffa - Poetry/Voice
Juan A Miñana - Electronics/Noise
Life in The Movies - Electronic Percussion/Synths
MatVee - Beats
Martin Pozdrowicz - Organ/Pad
Muterial -Electronica
My Nocturnal Twin - Guitar
Nosensend - Synths
Paolo D’Emilio - Poetry/Voice
Paul Miller - Beats/Keyboards/Synth Bass/Voice
Phil Bywater - Tenor Saxophone
Primaloop -Drums
PuppetXeno- Guitar/Synths
Raöulfr Maganhar - Field Recordings/Voice
TexMex Shaman - Guitar/Talkbox
The Windscale Blues Experiment - Saxophones
Thomas Bergheim - Bass/Guitar/Keyboard
Timothy Korstad - Electronica/Poetry/Voice
Tuonela - Drones/Electronica
Widar’s Spiritual Front - Electronica/Percussion
W:I:L-o’ the-wisp - Double Bass/Guitar/Keyboards
Wüst - Electronica
Vartch - Disco/Noise/Synths/Voice
Yui Nikaido- Voice

Hacho, Lola, Neska, Senna, and Yoda - Barks/Hisses/Meows/Purrs/Howls and Heavy Breathing

Mat Ward - Arrangements/Beats/Bass/Digital Orchestration//Field Recordings/Intonarumori/Noise/Percussion/Piano/Voice

Mark Rothko Sex Toys Pt 2(Current Tasmanian Business Speak Mix)

swing with me

Swing With Me

■概要(overview)
★バランス調整中
今日はうさ子さんとぴょん助さんのデートの日。
とても紳士的なぴょん助さん。
でも、うさ子さんは何だか不満がありそうです。
なぜなのでしょうか？
・・・・そんな感じの曲です。
うさ子さんの気持ちを想像して歌詞を書いてみました。う～ん、気難しい人！
※この歌詞はうさ子さんの感情です・・私ではありません！

soundcloudの波形が四角くなりました。ギターのせい？
無難なコード進行にしました。


★Balance adjustment in progress
Today is Usako and Pyonsuke's date.
Pyonsuke is a very gentleman.
However, Usako seems to be dissatisfied for some reason.
why is it?
・・・It's a song like that.
I wrote the lyrics imagining Usako's feelings. Hmm, grumpy person!
*These lyrics are Usako's feelings...not mine!

The soundcloud waveform is now square.Is it because of the guitar? 
I made a safe chord progression.

■歌詞
「スピードを上げて」
臆病な人じゃ　物足りないのよ
あなたさっきから安全なチョイスをしているわ
タ・イ・ク・ツ・ね！

優しい　言葉で　ごまかしている
紳士的な態度では　白々しいわ

車道側を歩いて見せたり
マニュアル通りのエスコートじゃ
タ・イ・ク・ツ

あなたのハートが見えないわ
もっと私　おどろかせてよ
むき出しのハート
ワイルドに踊って見せて
恋が始まるように
だけどあなたスピードが足りていないわ


制限速度　ぎりぎりを狙っている
あなたそれじゃ　まるで
結末が見えちゃう　ミステリー
タ・イ・ク・ツ・ね！

無難な言葉が　悲しくさせる
紳士的にされるほど
寂しくなるわ

ヘアスタイルにコメントくれたり
そういう事は　嬉しいけれど
ズ・レ・テ・ル

あなたの　ゲームを　終わらせて
もっと　私　困らせてみて
スペードのカード
ハートのクイーンが　救う
ような恋がしたいわ
だけどあなた　ダイヤに　執着してるわ
　
本当に大事なのは　スピードじゃなくて　行先だけど
待ちくたびれて　ほら　次の春がすぐ　そこに見えたから・・

あなたのハートが見えないわ
もっと私つかまえていて
四葉のクローバー
ワイルドにかじってみせて
恋が始まるように
だけど時間が無いわ　スピードを上げて


■ lyrics
"speed up"

A cowardly person is not enough
You've been making safe choices all along
Boring!

deceiving with kind words
Even your gentlemanly attitude feels artificial

Walking on the road side and showing
Your escort according to the manual is boring

i can't see your heart
Surprise me more
bare heart
I want you to dance wildly, so that love can begin
But you're not fast enough


I know you're aiming for the speed limit
But you, it's like a mystery with a known ending.
Boring!

Safe words make me sad
The more you treat me like a gentleman, the more I miss you

Comments on hairstyles, that kind of thing makes me happy
But that's not what I want

finish your own game
and bother me more
I want a love where the queen of hearts saves the card of spades
But you're obsessed with diamonds
　
What's really important is not the speed, but the destination
Tired of waiting, look, I could see the next spring right there...

i can't see your heart
hold me more
four leaf clover
let me bite wild
as love begins
But I don't have time Speed ​​up

Speed_Wo_Agete(speed up)

[ Albums ]
https://negativeheadphone.bandcamp.com

[ Youtube ]
https://www.youtube.com/c/negativeheadphone

[ Spotify ]
https://open.spotify.com/artist/6yptVqiGbvP3HpQNz2XTyQ

[ Facebook Page ]
https://www.facebook.com/negativeheadphone

[ Twitter ]
https://twitter.com/NegaPhone

Spotify

Surface Tension

We’re praying for peace
Never losing hope
My faith I keep very close
Dancin out my grave
Seen a Holy Ghost
Yeah I’m on some drugs
But there not even close
See what I use to do is get really high
Then drink enough so I would black out and die
Thought the universe needed me
Well maybe she does
Are you seeing things different like I was
Love can fuck you up
And I can promise you that
There’s never enough
Nope I don’t have the answers
That’s exactly why I keep on dancing.

praying for peace w/ a Sandman07 intro

Kirk (Kirk's Trax on SC https://soundcloud.com/kirk-evans-604267716) has created some wonderful compositions which I discovered recently. A few e-mails were exchanged, ideas were explored, and a process was set into motion, all leading to the smooth jazz song that is presented here - Love Is.  

My starting point for inquiring about collaborations is simply the answer to the question, "Does the music make me feel like singing?"  Kirk's music ticked that box and so we began the process of getting to know each other, and learning to trust each other's sense of next steps.  I asked about Smoke Rings (https://soundcloud.com/kirk-evans-604267716/smokerings) as a song I'd like to explore vocals and lyrics with. Kirk sent a pre-mixed lo-res file for me to do what I do: hear how it needs to go for a vocal-friendly structure. So, after a little cut and paste and adding some vocal melody ideas, I sent a mix to Kirk. At this point, you never know what the other musician's reaction is going to be, so you have to be prepared for the plug to be pulled after a, "What did you do to my perfectly good song?" reaction.  I was pleasantly surprised that Kirk wanted to work on his bed tracks and facilitate a smoother final integration of voice and music. So, he edited his original tracks and sent along individual instrument tracks, which I placed into my working file, with additional instrumental flourishes and a vocal from me resulting in the song below. This is just another example of the joy and work involved in a collaboration. The joy is hearing a song through someone else's eyes (or ears). The work is finding a pathway that is agreeable to everyone involved, and going through iteration after iteration so everyone is satisfied and pleased with the result. Kirk was easy to work with, and that always bodes well :)

The lyrics, which usually, for me, come from an open mic, pressing record as the song plays, and trusting that intuition to get the ball rolling. The final form is seldom far off the mark from the original improvisation, and that was the case here. Once the vocal melody was established, the form of the message was relatively easy - 2 verses, each with a focus on a three-syllable rhythm to demonstrate the contrasting qualities of Love (Elusive and Effusive - I love alliteration). 

* note - the art for the song reflects the elusive quality  as a scrabble tile game of chance, while the roses in the background relate to the effusive quality of romantic expressions ;)

Smoke rings, the instrumental, became, Love Is - a lounge lizard,  crooner song. 

Kirk Evans - music
Terry Wigmore - additional synth, strings, lyrics, vocals and production.

 Lyrics:

V1
Oh love, love is so elusive,
So hard to see in a heart,
that's been battered and bruised by the dark

Oh love, love is so elusive,
Like water that flows through your fingers then  it's gone,
All gone, all gone

Instrumental

V2
Oh, love, love is so effusive,
It can bubble and glow
doesn't care who knows,
Playfully smitten, carefree and driven

Oh love, love is so effusive
It begins to take hold and won't ever let go
Of your heart -

Love Is

Modern Graces

Composition, Production, Mixing/Mastering -  @justvera
Composition: Lyrics/Vocal Melody - Black Runs
Sax (bariton and tenor) - MDK (Sven-Martin Keil) 
Drums - Bill Ray

LYRICS 

Clever 
We are so clever 
This ain’t forever 
Are we in heaven 
Religion
Believe in fiction 
4000 scriptures 
Love is ignition 

Selfish 
Why are we so selfish 
It is compelling 
The fear is telling 
Are we just
Does that make us any good?

If we are always fight or flight 
The right order of the mind 
Would we make a city right 
If we just felt the love inside 

Analyse 
Your every thought 
Pay for your hope 
Get on that phone 

Mix it all up
spiritual shit
In a material world 
We sell eudaemonia 
Get us a booster shot 

This ain’t aronia 
When all we are
Is polka dots
Dots 
This ain’t an omen 
Until the fat lady sings
And walks 

You know my troubles
Are very little in my life 
When I look next to me 
And I see my humans die
Are we alright ? 

If we are always fight or flight 
The right order of the mind 
Would we make a city right 
If we just felt the love inside 

Psychic health 
A balanced soul 
An astral city 
Of no God 
When we are universe in every star
I see the clouds and I laugh 
 
If we are always fight or flight 
The right order of the mind 
Would we make a city right 
If we just felt the love inside

Terapia Animal

Yum Yum Rico

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