ALO BREEEEE IZACI CE MI NA NOS SVE!!!!!! WE CANT DAVAI DAVAI ANY MORE....

The Prodigy - Breathe (𝕊𝕊 𝟠𝟟 edit)

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23/10/21

https://djmagnit.bandcamp.com/track/inside-the-mind

INSIDE THE MIND

Every day this month, for three minutes before midnight, some of the giant electronic billboards in Times Square flicker violently in rectangular sequences of black and white. This is not a glitch. It's test pattern [times square], an electronic piece by Paris-based Japanese artist Ryoji Ikeda, reworked for 47 screens across five blocks of one of the most iconic and irritating places in the world. This is the soundtrack that was played on October 16 as part of the installation.

Ryoji Ikeda - test pattern [times square]

The instrumental was all done with KARAN! @karanzera newest sample pack, go check it out on https://payhip.com/b/9kGzF

*The vocals are not included

THIS TRACK IS FREE DOWNLOAD ALSO!

Comprem o Sample Pack

M4CHVCA

BERIMBAU MAFIOSO - DJ DELAZARI

Ryoji Ikeda - data.superhelix

Ryoji Ikeda  - Data.Vertex

«Our favorite grime tech duo from Russia is back with a heavy load of fresh fresh tracks! This lengthy EP feels like they emptied the toy box of electronic music and made some new toys putting together parts unknown with a poisonous glue gun. Where most of these hybrid attempts by others get stuck in pretentious dabble and unlistenable music, this is something that takes it to the next level. Blending bounce's vocal chops and pop esthetic with a hip hop background and modern bass production. And then adding a thick layer of experimental techno cream on top.

A fierce hybrid between grime, experimental electronics, techno and bass music. You better check these guys out and hear the new sound they are crafting. Music for the next millennium!» — New York Haunted @psychicwarfare

Yungkilla

ДЭКА

2Т3Т

Artist: Grow (Pip Williams Remix)
Track: Below Heaven 
Label: None
Release: Unreleased

Grow - Below Heaven (Pip Williams Remix)

http://shop.raster-noton.net/?pid=275

with kuopio, we release the second full length album by vladislav delay aka sasu ripatti. the record features eight new songs which allow the listener to dive into delay’s cosmos of deep and likewise organic sounds. subtle yet complex electronic manipulations are used, resulting in a high degree of variation within every single track and a nearly imperceptible intensification of their density.

progressive and energetic rhythms play an important role as already indicated in his recent release espoo (r-n141), the EP which forms a bridge between his former album vantaa (r-n136) and kuopio, best illustrated by the track “kulkee”, meaning “to move forward”.

kuopio clearly represents a further attempt to depict the finnish landscape as well as its isolated charm, which is also obvious from its design and conceptional approach by referring to the city of kuopio.


vladislav delay. hitto (excerpt). taken from vladislav delay. kuopio

Reboot w/ Negative Datura @ TESTFM — 31/07/2020

influx

@thegurinbabayeu is a producer, DJ and a founder of local community and label @minsk0 , he is also resident of our project.
Over the next hour you will hear his live set.
Experimental techno, variously complemented by assertive breakbeat-sketches.

Axxidcast w/ Ilya Gurin-Babayeu - Live 27.10.2020

with RV8, the osaka-based producer and musician AOKI takamasa continues his long- term project that focuses on the modulation of rhythms and grooves. it began with his first ep ‚rhythm variations‘ in 2009, released as part three of the unun-series. besides his collaboration with raster-noton, he released records on several labels like commmons, progressive form and op.disc, produced remixes for well-known musicians like ryuichi sakamoto or yoshihiro hanno and played performances at, for example, elektra/montreal and club transmediale/ berlin, all in all making him a renowned producer in japan and beyond.

starting with a firework of bleeps and bops, already the very first minutes of his new record reveal aoki‘s preference for vibrating beats and likewise his playful approach to music, generating a sound that is aiming at the dance floor.

like the first ones, almost all tracks of the record are characterized by a constant modulation of chords and lines that sometimes appears somehow hyperactive, but nevertheless results in a natural flow that perfectly reflects AOKI‘s laid-back attitude combined with his will to produce danceable and funky music.

the fluent arrangement is only interrupted by the third track which forms a caesura by being more reduced and slower. in contrast to this, the following tracks present a faster tempo and an increased intensity; and whereas the first tracks reflect downbeat and r‘n‘b influences due to their broken beats and chunky sound, the later songs are characterized by a more sleek and technoid style, incorporating dribbling basses, clappy sounding snares and modulated voice snippets.

although all of the musical components are constantly broken down, modulated, and rearranged, the overall sound of the record is dense and compact, featuring a groove made up of numerous elements that are complexly intertwined. the eight tracks of the record fit seamlessly together and create a composition that nearly functions like a dj set.

the album was mastered by yoshinori sunahara. needless to say that RV8 will be released as cd and lp.

AOKI takamasa. rhythm variation 06 (excerpt). taken from AOKI takamasa. RV8

electronic duet from Kazan

@get_buzi

booking am@fields.agency

Yungkilla

yung acid

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