Piano cover of "Glassworks Opening" composed by Phil Glass. Performed & recorded by Dominique Charpentier aka The Piano Lover.

Phil Glass - Glassworks Opening

Waltz in F Minor

New album by Fabrizio Paterlini. Out November 2025. 

Simpler

🔥 Embers of the Forgotten 🔥

In a world long silenced by war and whispered legacy, "Embers of the Forgotten" breathes myth back into memory. This dark fantasy concept album fuses cinematic folk, ritual ambient, and gothic symphonics into a sweeping saga of fading oaths, hollow thrones, and ancestral rage. Each track unfolds like a lost chapter, steeped in chantwork, spectral strings, and cavernous echoes.

Through its haunting soundscapes and lyrical incantations, the album traverses forgotten battlegrounds, broken bloodlines, and cosmic trials. It beckons listeners to confront the remnants of power—who deserves to wield it, and what sacrifices remain in the ash.

🔗 Themes woven throughout:

The decay of dynasties

Memory as ritual

Fire as rebirth and judgment

The duality of silence vs legacy

The gods we shape through grief

This album doesn’t ask to be heard—it demands witness.

Elegy of the Wanderers

Searching for Home

Official Visualizer: https://youtu.be/j8TP3VuZQxk
Hey, it’s me again.

CON PED began with a single gesture — pressing the sustain pedal and letting everything unfold.
Each of the twelve pieces rests in a different key, played on my 1908 upright Bechstein, “Madame Bechstein,” without felt and without control beyond that one quiet decision to hold.
What followed was not performance, but resonance — overtones, vibrations, the gentle mechanics of wood and string breathing into each other.

The pieces move almost nowhere.
They simply exist — suspended between sound and silence, like rooms of air that remember being touched.
I think of it as awareness music: a space to listen without expectation, to notice how time behaves when nothing needs to happen.

All visuals were created in TouchDesigner, translating tone into light through the piano’s own MIDI signal.
CON PED is less an album than an act of listening — an open invitation to pause, to share in stillness, and to find the quiet moments that continue to resonate within.
It is, in a way, music for the quietest moments — a dialogue with Madame Bechstein, and with the silence between us.

→ Listen / Download / Explore: https://linktr.ee/sebastianmorawietz

Yours truly,
Sebastian

con PED

>> Video <<

Quiet Gift

Hey, it’s me again —
back with another piece from con PED,
music for the quietest moments.

This one leans a bit more into the experimental side —
focusing on space, stillness, and the beauty of emptiness.
It leaves room for the sympathetic resonance of the piano itself —
those subtle overtones that appear when you just let the instrument breathe.
For me, this kind of music helps to relax and refocus —
a way of clearing the mind through sound.

About con PED
A collection of twelve quiet piano works, each in its own key —
played on my 1908 upright Madame Bechstein,
with the sustain pedal held from start to finish.

→ High-resolution download / support:
sebastianmorawietz.bandcamp.com/album/con-ped￼

→ Listen / Explore:
linktr.ee/sebastianmorawietz￼

Yours truly,
Sebastian

The Quiet Bench

The Quiet Bench (Music For The Quietest Moments)

Interstellar

Fade To White

4. Barf-e Abaan

A hypnotic blend of pulsating beats, minimal techno textures, and sensual whisper-like synths.
A slow-burn, late-night rhythm with a sultry, suspenseful atmosphere — perfect for midnight drives, neon-lit rooms, and deep headphone moments.

Velvet Machine

Ukrainian-Canadian composer (SOCAN) producing high-quality cinematic, electronic, and folk soundtracks that blend emotional storytelling with modern sound design. Each 24-bit studio master is crafted for film, trailers, and digital media — combining orchestral depth, electronic energy, and heartfelt atmosphere inspired by real stories and places.

Velvet Machine

Yuri Rogovyi

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