Yuri UMEMOTO / 梅本佑利 - Super Bach Boy (2020) for cello

performed by Kei Yamazawa / 山澤慧, cello
Recorded at "Mind Tree Vol.6" Tokyo Concerts Lab. on 21th of October 2020

to buy score: email: yuri@umemoto.org 
or https://yuriumemoto.com/online-shop/

"Super Bach Boy" for cello (2020)

read from the Ultimate Jazz Fakebook
"music by jerome kem"
recorded badly in one take per instrument....

All The Things You Are General Midi

based on https://www.youtube.com/watch?v=FWKoOiQ1NVM

/desktopdownloaddirectory

LVL1 - FVN! [zipdisq™ arrange]

MIX少し変えました　宇宙イヌってことね
2/5/2024

Asphyxia -Vanished NGC 7028-

SHOUTOUT TO MY FRIEND ARLO I KNOW YOU KIN SAKURA KINOMOTO AND I TOTALLY CAN SEE WHY. YOU GO HARD AS FUCK 24/7.

MEGUMI HINATA - CATCH YOU CATCH ME

I WILL CALL IT KAWAII JERK BEFORE I EVER CONSIDER CALLING IT "HOODTRAP" WHERE DO YOU THINK TRAP CAME FROM?

KONATA IZUMI (HE/HIM) AND I MET IN THE GUILD OF AN OBSCURE, NOW DELETED MMORPG FROM 2009 AND CAREFULLY CRAFTED OUR MAGNUM OPUS AND VIRAL SENSATION "JERKIN' AT RYŌŌ HIGH 2024" THROUGH A PROCESS OF BLOOD, SWEAT, TEARS, AND RED BULL. IT WAS THROUGH OUR HARD WORK AND DEDICATION THAT WE BRING YOU A MOE, BASS BOOSTED FUTURE OF JERK BEATS.

MUCH LOVE TO https://x.com/luc1frrr FOR THE COVER ART. MUCH LOVE TO @TERRATYP3 FOR CONTRIBUTING TRACK SIX.

SHOUTOUTS TO AYA HIRANO, AYA ENDŌ, EMIRI KATŌ, KAORI FUKUHARA, ONIPAN'S, SLEEPIECE AND ALL OF SAKURA GAKUIN, MEGUMI HINATA, SHIBAYANRECORDS, @DRAMATRIAL, AND SASAKI SAYAKA.

CD'S AVAILABLE.

FREE PALESTINE.

CATCH YOU CATCH ME #JERKCARD

DEMON MODE GIRLS ALWAYS END UP ON TOP EVEN WITH ALL CARDS STACKED AGAINST THEM IT'S HOW LIFE IS WE ARE STRONG AND POWERFUL.

ONIPANS! - ONIPAPAPAN-PAN! PAN!

I WILL CALL IT KAWAII JERK BEFORE I EVER CONSIDER CALLING IT "HOODTRAP" WHERE DO YOU THINK TRAP CAME FROM?

KONATA IZUMI (HE/HIM) AND I MET IN THE GUILD OF AN OBSCURE, NOW DELETED MMORPG FROM 2009 AND CAREFULLY CRAFTED OUR MAGNUM OPUS AND VIRAL SENSATION "JERKIN' AT RYŌŌ HIGH 2024" THROUGH A PROCESS OF BLOOD, SWEAT, TEARS, AND RED BULL. IT WAS THROUGH OUR HARD WORK AND DEDICATION THAT WE BROUGHT YOU A MOE, BASS BOOSTED FUTURE OF JERK BEATS.

MUCH LOVE TO https://x.com/luc1frrr FOR THE COVER ART. MUCH LOVE TO @TERRATYP3 FOR CONTRIBUTING TRACK SIX.

SHOUTOUTS TO AYA HIRANO, AYA ENDŌ, EMIRI KATŌ, KAORI FUKUHARA, ONIPAN'S, SLEEPIECE AND ALL OF SAKURA GAKUIN, MEGUMI HINATA, SHIBAYANRECORDS, @DRAMATRIAL, AND SASAKI SAYAKA.

CD'S AVAILABLE.

FREE PALESTINE.

ONIJEJEJERK JERK #HUMANONIUNITY

YES I DANCE AND GO HARD AND YES I'M ALSO A GIRL I PUT ON MY SAILOR UNIFORM AND I HIT THAT SHIT I LOOK CUTE I DON'T GIVE A FUCK.

AYA HIRANO, AYA ENDŌ, EMIRI KATŌ, AND KAORI FUKUHARA - MOTTEKE! SAILOR FUKU

I WILL CALL IT KAWAII JERK BEFORE I EVER CONSIDER CALLING IT "HOODTRAP" WHERE DO YOU THINK TRAP CAME FROM?

KONATA IZUMI (HE/HIM) AND I MET IN THE GUILD OF AN OBSCURE, NOW DELETED MMORPG FROM 2009 AND CAREFULLY CRAFTED OUR MAGNUM OPUS AND VIRAL SENSATION "JERKIN' AT RYŌŌ HIGH 2024" THROUGH A PROCESS OF BLOOD, SWEAT, TEARS, AND RED BULL. IT WAS THROUGH OUR HARD WORK AND DEDICATION THAT WE BROUGHT YOU A MOE, BASS BOOSTED FUTURE OF JERK BEATS.

MUCH LOVE TO https://x.com/luc1frrr FOR THE COVER ART. MUCH LOVE TO @TERRATYP3 FOR CONTRIBUTING TRACK SIX.

SHOUTOUTS TO [AYA HIRANO, AYA ENDŌ, EMIRI KATŌ, AND KAORI FUKUHARA], ONIPAN'S, SLEEPIECE AND ALL OF SAKURA GAKUIN, MEGUMI HINATA, SHIBAYANRECORDS, @DRAMATRIAL, AND SASAKI SAYAKA.

CD'S AVAILABLE.

FREE PALESTINE.

LUCKY JERK KONATA SHOWCASE #VIRAL

Performed by City of Birmingham Symphony Orchestra in January 2023, conducted by Clark Rundell.

programme note:

egress – to go out of or leave a place. A strategy of exit.

Writing music often feels like an exercise in learning how to escape a trap I’ve set for myself, like creating a little world with certain rules that have to be broken in order to progress. Sometimes I imagine that it’s not me doing this but the music itself, like an autonomous AI thing scanning random bits of music in real time, trying to understand itself. As if programmed by a machine, the orchestra starts and stops, switches material, gets things wrong, tries them again – always manically searching for some kind of logical thread, a way forward and out, an egress.

Egress

for alto saxophone, bass clarinet & piano (2023)

Lucy Havelock - Saxophone
Hannah Shilvock - Bass Clarinet
Ben Nobuto - Piano

JOY REPLICA

All sounds are from two computer-controlled flutes.

Percussion+Guitar, for two computer-controlled flutes

The title track from Evan Parker's amazing 1988 solo saxophone recording PLUS six performers manipulating twelve mechanically controlled pecussion beaters across an array of table-top instruments. This is part of a larger project that attempts to find new ways of interacting with recordings, especially improvisations. 

Thank you Evan Parker for the use of this track!

The Snake Decides with Mechanical Percussion

梅本佑利 Composer, contemporary classical music

"Super Bach Boy" for cello (2020)

Yuri Umemoto

Related tracks