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George Frideric Handel - Sarabande (Piano)

TO TANGO TIS NEFELIS

Inspired by Greek singer Zaris Alexiou’s rendition, Kellerman sculpts his own interpretation of this sinuous musical myth through tantalizing percussion, sparkling guitar, and his signature storytelling flute. Taryn Louch’s entrancing vocal performance tells of the cloud nymph Nefelis, who is pursued and treated ill by two mischievous angels who become enamored with her. Mighty Zeus steps in, though, and transforms her into a cloud so that she can be free from torment — a bittersweet reminder that love does not always play out as we might expect it to. 

Written by Loreena McKennitt/ Xaris Alexiou
Produced by Mauritz Lotz and Wouter Kellerman
Published by Quinlan Road Music Ltd

Flute: Wouter Kellerman
Vocals: Taryn Louch
Drums: Vinnie Henrico
Guitars, Keyboards and programming: Mauritz Lotz
Bass: Denny Lalouette
Additional percussion: David Klassen 
Piano: Matthys Maree
Additional vocals: Veronique Lalouette

Vocals, piano and guitars recorded at The Space bar by Harshn Reddy
Drums and vocals recorded at The Drum room by Harshn Reddy
Flute recorded at Kellerman Music by Wouter Kellerman


07 To Tango Tis Nefelis

Şükrü Erbaş - Ömür Hanımla Güz Konuşmaları

some time ago whilst playing with my band, we came across this song and instantly fell in love with it.
since that day i cant help but play it any chance i get, i hope you enjoy it as much as i do.

St James Infirmary Blues- cover

Finally, after 20 years, Radiohead releases the long awaited "I Promise",

Radiohead - I Promise

In the Mood for Love

Dmitri Shostakovich wrote his Symphony No. 2 in B major, Op. 14 and subtitled To October, for the 10th anniversary of the October Revolution. It was first performed by the Leningrad Philharmonic Orchestra and the Academy Capella Choir under Nikolai Malko, on 5 November 1927. After the premiere, Shostakovich made some revisions to the score, and this final version was first played in Moscow later in 1927 under the baton of Konstantin Saradzhev. It was also the first time any version of the work had been played in Moscow.

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Yusuf Derya Çakmakçı