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It Is What It Is

My first complete guitar cover.  Played/recorded through Amplitube 3.  
Signal Chain:  Fender strat (bridge-middle pup) -- Blue Herdim pick -- (Amplitube) Echoman delay -- Graphic EQ (boost mids a little) -- Vox AC30 amp -- 2x12 Open SL cab -- digital reverb
I turn on an SD-1 overdrive towards the end (just called "overdrive" in Amplitube)

U2 - All I Want Is You

Storytelling lies at the heart of Celtic music; breathtaking voices sing tales of lost love, tragedies both old and new, as well as exile, prison, war, and separation. Featuring bodhrán, flute, guitar and harp, this Rough Guide includes old folk lullabies, work songs and contemporary compositions from leading Celtic artists.

For more information, visit www.worldmusic.net/celtic

The term ‘Celtic music’ encompasses the sweet songs and wistful melodies of Ireland, Scotland, Wales, Brittany (France), Asturias and Galicia (Spain). The modern Celtic music revival was shaped, in large part, by the folk movements of the 1960s and 1970s. Yann-Fanch Kemener played a role in revitalizing the kan ha diskan vocal tradition from Britanny during this era and is heard on this compilation with fellow Breton and cellist Aldo Ripoche.

In Wales, many of the Celtic traditions were lost during the Nonconformist movement in the eighteenth century, and musicians such as the group Ffynnon, represented here on ‘Llanw Chwant’, were left to reconstruct traditional works. The revival has reached new heights in recent decades, epitomized by the Scottish group, Capercaillie, a band that has sold over a million albums. At the root of Capercaillie’s music are folk melodies such as puirt-a-beuls (Celtic mouth music) and waulking songs. 

Certainly, one of the trademarks of Celtic music is a breathtaking lead vocal, exemplified by Cara Dillon and Karen Matheson. Another distinctive feature of Celtic music is using instruments to mimic human expressions: Alasdair Fraser’s doleful violin playing on ‘Highlander’s Farewell to Ireland’ sings out above Natalie Hass’ vocalizing rich cello tone. 
 Another hallmark that has been synonymous with Celtic music is captivating storytelling. Tales of lost love, tragedies both old and new, as well as exile, prison, war, and separation can be found here, woven through old folk lullabies and work songs, as well as contemporary compositions. ‘Caitlin Triall’ by Altan tells the story of a man who falls in love with a woman only to be left dejected and forlorn when he spies her out with another man. ‘The Butcher Boy’ by Grada is a retelling of an American folk song rooted in historic English broadside ballads. The sorry tale recounts the fate of a young lover, who after finding out she has been betrayed by the butcher’s apprentice she loves hangs herself and is found by her father. She leaves a suicide note that asks him to show the world that she ‘died for love’. Dublin-born John Doyle sings of convicts departing for Botany Bay, a settlement in Australia designed for deported prisoners to be incarcerated in instead of in Britain, which at that time included Ireland.  

As a result of large waves of Scottish, Irish, and French immigration to North America, Celtic music has also taken root in Atlantic Canada and parts of the American northeast, and has in turn heavily influenced both bluegrass and country music. Vishtèn are a high-flying Acadian folk band whose driving music features tight harmonies, foot percussion and virtuoso electric and acoustic instrumentation. 

Today, Celtic music is expanding in virtually every direction as groups such as Chantan, Solas and the Old Blind Dogs fuse elements of rock, jazz, electronica, R&B, and African folk music with traditional Celtic melodies.


Dalla: Tane An Gove (taken from The Rough Guide To Celtic Music)

06 Joy Tyson and Moscow Family MIX-MP3 for Audio Podcasting

https://www.oud.gr
This track is from the album Oud - Strings of My Soul and is available, here https://www.oud.gr/discography_oud.html

Oud  prayer (taqasim) - CD Nikos Dimitriadis

First  issued  over  25  years  ago,  and  now  remastered  from  original tapes. The vinyl edition comes with six high-quality lithograph  art  prints representing  each  of  the  birds  on  the  album by UK  illustrator Hannah Alice. Fully interactive: the cover image is interchangeable with any of the prints, while the deluxe ‘bookback’ CD comes with 20 page book. Out 5th February 2016.

Bert Jansch - Kingfisher

Bruce Cockburn - The Moore Theater - Seattle - March 22nd, 2002
SOLO ACOUSTIC

Fantastic audience recording (if you ARE or KNOW the original taper please contact me so that I can give him credit!). I've remastered the song using Audition & Ozone 4.

World of Wonders ....      Indeed!                                   brucecockburn.com/





Bruce Cockburn - World of Wonders - Live - Solo - Seattle - 2002

Science of Divinity by Yusuf / Cat Stevens

lockdown-proof set with music to go off in smoke and stare at the ceiling.

MORPHINE BEACH VOL.2

From Orvieto - Italy, to Beirut, to the rest of the world.
[May 2, 2020] Total Quarantine. Day Forty EIght.

FRESCO - by @orchestramoderna
A musical journey around the world with some balearic Italian songs !

RADIO KARANTINA | Day Forty Eight - Orchestra Moderna

New York Recital

L. van Beethoven - Sonata Op.110 - Moderato cantabile, molto espressivo

E463 | What is Greek music? For our guest Panayotis League, it's no one thing. Rather, it is diversity that defines the many regional musical traditions of Greece and the broader Greek diaspora. In this episode, we discuss League's ethnomusicological research on Greek music in diaspora, and we explore the history and transformation of Ottoman Greek music before and after the exchange of populations between Turkey and Greece. As League explains, Greek music in the Ottoman Empire was inextricably linked to the musical traditions of neighboring Turkish, Armenian, and Sephardic communities. However, the First World War, the Second Greco-Turkish War, and the exchange of populations that sent the entire Greek Orthodox population of Anatolia to Greece eliminated spaces of intercommunality where Ottoman music thrived. In our conversation, we discuss how the intercommunal music of the Ottoman Empire survived in Greece among exchanged people who pioneered the new rebetiko style that would reshape Greek popular music. We also discuss how the music of Ottoman Greeks fit into a larger diasporic communal dynamic in places like the United States.

More at https://www.ottomanhistorypodcast.com/2020/04/greek-music.html

Panayotis League is Assistant Professor of Ethnomusicology at Florida State University and Director of the Center for Music of the Americas. He publishes widely on Greek and Brazilian music, dance, and oral poetry, and his monograph "Echoes of the Great Catastrophe: Re-Sounding Anatolian Greekness in Diaspora" is forthcoming from the University of Michigan Press. He performs the traditional music of Kalymnos and Crete throughout the Greek diaspora, and in 2019 was named a Master Artist by the Florida Folklife Program.

Chris Gratien is Assistant Professor of History at University of Virginia, where he teaches classes on global environmental history and the Middle East. He is currently preparing a monograph about the environmental history of the Cilicia region of the former Ottoman Empire from the 1850s until the 1950s.

CREDITS

Episode No. 463
Release Date: 3 May 2020
Recording Location: Hellenic College Holy Cross, Brookline, Massachusetts
Music and Audio Elements: Selections from "Greek Island And Mountain Songs"; Mandolin Greek Music - Kefalonia; Traditional Greek Smyrneika Music from Massachusetts (Library of Congress); Viktorya Hanim - Eğil Dağlar Üstünden Aşam; Gus Gadinis - Kaniri; Music of Petros Peloponnesios by En Chordais Ensemble; Nihavend Semai by George Alevizos and Gina Kalli; Smyrneiko Minore by Marika Papagika; Mes tou Manthou ton Teke by George Katsaros; Roza Eskenazi - Mesa Stin Poli Vriskomai; Gazeli Neva Sabah by Rita Abadzi; Roza Eskenazi - Dhimitroula; Soft and Furious - So What?; "Sarki Syrto" from Traditional Music and Songs from Kalymnos
Special thanks to Ian Nagoski and Sam Dolbee
Sound production by Chris Gratien
Images and bibliography courtesy of Panayotis League at https://www.ottomanhistorypodcast.com/2020/05/greek-music.html
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The Journeys of Ottoman Greek Music | Panayotis League

NEC Jazz Orchestra featuring NEC alumnus Brian Landrus, baritone sax.

Brookmeyer - Celebration Suite, I. Jig

a track from the "Place of the Gods" (Estas Tonne) 2011
recorded with Les Payne

Happiness Comes Back Again

official soundcloud channel for Yusuf Islam / Cat Stevens

Science of Divinity by Yusuf / Cat Stevens

YusufCatStevens

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