* MOVEMENTS/Compositions Fragments ( https://audiolover.com/genres/classical/what-is-movement-in-classical-music/ )

° Selected originals, performed on Baroque period instruments, mixed with some adaptations, transcriptions^ & modern interpretations ( ^ including Bach's own of others - https://soundcloud.com/crossovermedia/vivaldi-on-bach-transcribing ) 

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° PC Loudness Equalization "ON" will level track volume differences.. 

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https://www.bach-leipzig.de/en/neutral/johann-sebastian-bach-%E2%94%80-chronology

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https://www.spiritsound.com/music/bachchildren.html

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http://www.jsbach.net/catalog/

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https://imslp.org/wiki/List_of_works_by_Johann_Sebastian_Bach

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https://www.bach-leipzig.de/en/bach-archiv

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https://theonlinemetronome.com/blogs/12/tempo-markings-defined

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JOHANN SEBASTIAN BACH *

Johann Sebastian BACH (1685-1750)
Sonata BWV 1031
Sicilienne

DUO CORD'EOLE
Fanny MAYNE, Querflöte
Nicolas FAURE, Violoncello
www.duocordeole.com

Johann Sebastian BACH (1685-1750)- Sicilienne BWV 1031

Concerto dei Sogni

The Vipers Nest

Moments of stillness. Ambient waves meet pulsing echoes. Music that mirrors your soul. 

Feel it, share it, connect.

“Sacred Reflections” by DJ Dyablow

Bach: Fantaisies chromatiques, sonates & transcriptions

Sonata No. 4 in E Minor, BWV 528: II. Andante

Bach: Sei Solo a Violino senza Basso accompagnato - II

Sonata per violino senza basso accompagnato No. 2 in A Minor, BWV 1003: III. Andante

Bach: Partitas

Partita II in C Minor, BWV 826: IV. Sarabande

ÜberBach by Arash Safaian. Performed by Sebastian Knauer, Pascal Schumacher, Zürcher Kammerorchester

ÜberBach

I. Aria (After Aria, Cantata "Vergnügte Ruh, Beliebte Seelenlust", BWV 170)

Antonio Lucio Vivaldi: Stabat Mater

Introduzione Al Miserere "Filiae Maestrae Jerusalem" RV 638: Largo

Bach: An Italian Journey

Concerto in D Minor, BWV 974: II. Adagio

With Le Banquet Céleste, Damien Guillon, Maude Gratton

Bach: Cantatas BWV 169 & 82
https://lnk.to/BachCantatas169_82

Following his recording of J.S. Bach’s solo cantatas for alto BWV 35 and 170 (issued by Outhere in 2009), and building on the success of that disc – still a benchmark even today – countertenor Damien Guillon has continued his work of research and interpretation, devoting his second CD to the Cantata BWV 169 for alto solo, and to the famous BWV 82 Ich habe genug; though better known in its 1727 version for bass, from 1735 onwards it was also performed by an alto voice.
To complement this cantata programme, organist Maude Gratton performs Bach’s Prelude and Fugue BWV 543, as well as the chorales Allein Gott in der Höh sei Ehr, BWV 662, BWV 663 & BWV 664.

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Après un enregistrement consacré aux cantates pour alto BWV 35 et 170, paru en 2009 chez Outhere et devant le succès de ce disque qui fait aujourd’hui encore référence, Damien Guillon poursuit son travail de recherche et d’interprétation en consacrant un deuxième opus à la  cantate pour alto solo BWV 169 et à la fameuse BWV 82 Ich Habe Genug, plus connue dans sa version pour basse (1727) mais aussi interprété dès 1735 par un alto.
En complément de ce programme, l'organiste Maude Gratton a associé à ces cantates le prélude et fugue BWV 543 & ainsi que les chorals Allein Gott in der Höh sei Ehr, BWV 662, BWV 663 & BWV 664.

Bach: Cantata "Ich habe genug", BWV 82: I. Aria "Ich habe genug"

Antonio Vivaldi

«Gloria» in D major RV 589:

I. Gloria in excelsis Deo 
II. Et in terra pax 2:17
III. Laudamus te 6:42
IV. Gratias agimus tibi 8:48
V. Propter magnam gloriam 9:13
VI. Domine Deus, Rex celestis 10:08
VII. Domine Fili unigenite 13:54
VIII. Domine Deus, Agnus Dei 16:02
IX. Qui tollis peccata mundi 20:07
X. Qui sedes ad dexteram Patris 21:23
XI. Quoniam tu solus Sanctus 23:25
XII. Cum Sancto Spiritu 24:14

Coro della Radiotelevisione Svizzera
Diego Fasolis [direction]

Vivaldi - Gloria in D major RV 589, I Barocchisti / CRS

Discover now! http://smarturl.it/BachHarpsichord2

Concerto in F Minor, BWV 1056: II. Largo

Mixed sessions & archived containers in playlists of...

Polyphony in Baroque Period Music
https://brevemusicstudios.com/the-evolution-of-polyphony/

Buddhism as Philosophy by Alan Watts
https://archive.org/details/buddhismreligion00watt

Psychedelic Trance DJ Sets & Mixing Sessions 
#psychedelictrance

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NOTE : If you are intending to follow me on this platform after listening to my ENIGMA remix in the hope that I will produce more of the same - please do not, thank you - I've grown out of the need for DJing... Happy days to all ! 

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Introduction to the Baroque Era/Period Music

The Baroque era 1590 - 1750, spanning from the late 16th century to the early 18th century, was a time of artistic grandeur and musical innovation. This period in music history is characterized by its ornate and intricate compositions, elaborate melodies, and the use of various instruments to create a rich and dynamic musical tapestry.

Baroque music is known for its use of dramatic contrasts, ornamentation, and emotional intensity. Composers of the Baroque era aimed to create music that evoked powerful emotions and stimulated the senses. This led to the development of new musical forms and styles, such as the opera, oratorio, and concerto.

The Baroque era brought about significant changes in music composition. Composers began to explore complex harmonies, intricate melodies, and the use of contrasting textures to create depth and expressiveness in their compositions. This era also saw the emergence of virtuosic instrumental music and the establishment of the basso continuo as a standard practice in music composition.

https://sscm-jscm.org/jscm-issues/

Sonata No. 4 in E Minor, BWV 528: II. Andante

Yves Rechsteiner

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