* MOVEMENTS / composition's fragments (https://audiolover.com/genres/classical/what-is-movement-in-classical-music/)

Selected originals, including choral & vocal, performed on period instruments, mixed with some adaptations, transcriptions^ & modern interpretations (^ including Bach's own of others - https://soundcloud.com/crossovermedia/vivaldi-on-bach-transcribing) 

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° PC Loudness Equalization "ON" will level track volume differences.. 

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https://www.bach-leipzig.de/en/neutral/johann-sebastian-bach-%E2%94%80-chronology

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https://www.spiritsound.com/music/bachchildren.html

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http://www.jsbach.net/catalog/

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https://imslp.org/wiki/List_of_works_by_Johann_Sebastian_Bach

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https://www.bach-leipzig.de/en/bach-archiv

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https://theonlinemetronome.com/blogs/12/tempo-markings-defined

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JOHANN SEBASTIAN BACH *

Chicago Symphony Orchestra
Pierre Boulez, conductor

Mahler: Symphony No. 7 (October 2010)

- Nr. 14 (Andante) from "Introduction à l'Étude de la Guitare" op 60 -
music: Fernando Sor
guitar: F.Hiemenz
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part of a recording session, mostly in "prima vista" playing, to produce background music for a spoken therapeutic CD. 
recorded in puzzlepie studio Munich/Türkenfeld
('93)
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Find more Études from Fernando Sor at :
http://soundcloud.com/fhgitarre/sets/fernando-sor-estudios-easy-to-medium/
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restored from a CompactCassette Copy with WaveLab 7

Étude in E-minor (Andante, op.60 Nr.14) by Fernando Sor

VARIAÇÕES DO BRANCØ

Ich ruf' zu dir, Herr

We Are Not Afraid

"Ghosts of Love Past Waltz No.251 (Original Composition)” - A melancholic broken heart waltz that captures the essence of longing and nostalgia. Composed with a poignant melody that echoes the depths of my broken heart, this piece invites listeners to immerse themselves in its soothing yet sorrowful beauty. As a composer and countertenor, I’ve poured my emotions into this waltz, creating a hauntingly beautiful soundscape that resonates with the soul.

Detail: A Minor, 3/4-time, 170 BPM

Watch, listen, and feel the emotions.
If you enjoyed my Waltz, please press like, subscribe to my YouTube channel, and share with your friends!

https://www.youtube.com/@VoximusTaulantMurati
https://soundcloud.com/voximustaulantmurati
https://voximustaulantmurati.bandcamp.com
https://music.apple.com/us/artist/voximus/1822849282
https://music.apple.com/us/artist/voximus/1824365871
https://open.spotify.com/artist/75s7hhGyeMX3GMcM98oycM

Bandcamp: Memories of Pain (Original Waltzes Composition Vol. 13)

#melancholicwaltz #tearswaltz #composerlife #countertenor #instrumentalbeauty #heartfeltmusic #brokenheart #grief #classical #hope
#blindartist

Memories of Pain (Original Waltzes Composition Vol. 13)

Ghosts of Love Past Waltz No.251 (Original Composition)

"Shattered Waltz No.300 (Original Composition)” - A melancholic broken heart waltz that captures the essence of longing and nostalgia. Composed with a poignant melody that echoes the depths of my broken heart, this piece invites listeners to immerse themselves in its soothing yet sorrowful beauty. As a composer and countertenor, I’ve poured my emotions into this waltz, creating a hauntingly beautiful soundscape that resonates with the soul.

Detail:  A Minor, 3/4-time, 160 BPM 

Watch, listen, and feel the emotions.
If you enjoyed my Waltz, please press like, subscribe to my YouTube channel, and share with your friends!

https://www.youtube.com/@VoximusTaulantMurati
https://soundcloud.com/voximustaulantmurati
https://voximustaulantmurati.bandcamp.com
https://music.apple.com/us/artist/voximus/1822849282
https://music.apple.com/us/artist/voximus/1824365871
https://open.spotify.com/artist/75s7hhGyeMX3GMcM98oycM

Bandcamp: Tears on My Piano (Original Waltzes Composition Vol. 15)

#melancholicwaltz #tearswaltz #composerlife #countertenor #instrumentalbeauty #heartfeltmusic #brokenheart #grief #classical #hope
#blindartist

Tears on My Piano (Original Waltzes Composition Vol. 15)

Shattered Waltz No.300 (Original Composition)

Bach: Fantaisies chromatiques, sonates & transcriptions

Sonata No. 4 in E Minor, BWV 528: II. Andante

Bach: Sei Solo a Violino senza Basso accompagnato - II

Sonata per violino senza basso accompagnato No. 2 in A Minor, BWV 1003: III. Andante

Bach Coltrane (Alpha Collection)

Cantata Vergnügte Ruh, beliebte Seelenlust, BWV 170: Aria No. 1

Handel: Water Musick - Telemann: Wassermusik

Water Musick, Suite No. 2 in D Major & Suite No. 3 in G Major, HWV 349-350: II. [Hornpipe]

Bach: An Italian Journey

Concerto in D Minor, BWV 974: II. Adagio

With Le Banquet Céleste, Damien Guillon, Maude Gratton

Bach: Cantatas BWV 169 & 82
https://lnk.to/BachCantatas169_82

Following his recording of J.S. Bach’s solo cantatas for alto BWV 35 and 170 (issued by Outhere in 2009), and building on the success of that disc – still a benchmark even today – countertenor Damien Guillon has continued his work of research and interpretation, devoting his second CD to the Cantata BWV 169 for alto solo, and to the famous BWV 82 Ich habe genug; though better known in its 1727 version for bass, from 1735 onwards it was also performed by an alto voice.
To complement this cantata programme, organist Maude Gratton performs Bach’s Prelude and Fugue BWV 543, as well as the chorales Allein Gott in der Höh sei Ehr, BWV 662, BWV 663 & BWV 664.

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Après un enregistrement consacré aux cantates pour alto BWV 35 et 170, paru en 2009 chez Outhere et devant le succès de ce disque qui fait aujourd’hui encore référence, Damien Guillon poursuit son travail de recherche et d’interprétation en consacrant un deuxième opus à la  cantate pour alto solo BWV 169 et à la fameuse BWV 82 Ich Habe Genug, plus connue dans sa version pour basse (1727) mais aussi interprété dès 1735 par un alto.
En complément de ce programme, l'organiste Maude Gratton a associé à ces cantates le prélude et fugue BWV 543 & ainsi que les chorals Allein Gott in der Höh sei Ehr, BWV 662, BWV 663 & BWV 664.

Bach: Cantata "Ich habe genug", BWV 82: I. Aria "Ich habe genug"

Chicago Symphony Orchestra
Bernard Haitink, conductor

Bruckner Symphony No. 6 in A Major (October 2018)

Bach: BWV 972 - 2. Larghetto - 2013.06.02

Discover now! http://smarturl.it/BachHarpsichord2

Concerto in F Minor, BWV 1056: II. Largo

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page & content DO NOT promote DRUG ABUSE ! In fact, quite the opposite... Music, as an art form, meant to be deeply psychedelic from the days of it's inception - Psychedelics are primarily used to alter perception, mood, and cognitive processes, which can lead to experiences of insight, emotional release, and altered states of consciousness - this is what exactly art of Music does... If music does not produce any, stated above, effects - it is due to being poorly put together. An ancient Latin descriptions of the art of Music says - MVSICA · LETITIÆ · COMES · MEDICINA · DOLORIS - music: pleasure's companion, remedy of sorrow... Actively listening to different types and genres of Music, is better and healthier alternative to self-medicating with chemical, synthetic and organically derived substitutes. Happy Music everyone. 

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Mixed sessions & archived containers in playlists of...

Polyphony in Baroque Period Music
https://brevemusicstudios.com/the-evolution-of-polyphony/

Buddhism as Philosophy by Alan Watts
https://archive.org/details/buddhismreligion00watt

Psychedelic Trance DJ Sets & Mixing Sessions 
#psytrance

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NOTE : If you are intending to follow me on this platform after listening to my ENIGMA remix in the hope that I will produce more of the same - please do not, thank you - I've grown out of the need for DJing... Happy days to all ! 

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Introduction to the Baroque Era/Period Music

The Baroque era 1590 - 1750, spanning from the late 16th century to the early 18th century, was a time of artistic grandeur and musical innovation. This period in music history is characterized by its ornate and intricate compositions, elaborate melodies, and the use of various instruments to create a rich and dynamic musical tapestry.

Baroque music is known for its use of dramatic contrasts, ornamentation, and emotional intensity. Composers of the Baroque era aimed to create music that evoked powerful emotions and stimulated the senses. This led to the development of new musical forms and styles, such as the opera, oratorio, and concerto.

The Baroque era brought about significant changes in music composition. Composers began to explore complex harmonies, intricate melodies, and the use of contrasting textures to create depth and expressiveness in their compositions. This era also saw the emergence of virtuosic instrumental music and the establishment of the basso continuo as a standard practice in music composition.

https://sscm-jscm.org/jscm-issues/

Sonata No. 4 in E Minor, BWV 528: II. Andante

Yves Rechsteiner

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