ShAwNy - #FaItH

Liars Go To Hell (Prod. Walkinprada)

This tune is inspired of  the season autumn, when the leaves on the trees change from green and in to colours like red , yellow, orange and brown and falls down to the ground

Autumn Colours

Real Shit Pt2.m4a

bloodonmyhands (2024)

huzz make me sick [prod. trinxiez & speenzy]

nothing new - amanda allen ft. project kai

take your soul #trusttheprocess 💤💤💤

1. I stood in the foyer
Of the Hopeman hotel
Gazed out at the entry
Past a stairwell.

Gazed up at the ceiling
Covered in stars
Gazed down at the floor
Its black vertical bars.

Soft music was playing
from the old wicked east
Exotic dancers
At an exotic feast.

2. I stood in the foyer
Of the Hopeman hotel
Guests coming and going
Rajahs and swells.

Some in chairs
Some at the bar
Drinking and talking
Hookahs and cigars.

Dim lights flickering
The evening wore on
Crowd wearing away
Sensing coming of dawn.

3. I stood in the foyer
Of the Hopeman hotel
Blinked momentarily
The splendour was gone.

Dusty cracked windows
Concierge looked sour
Somewhere a siren
Howled hour by hour.

I stood in the foyer
Of the Hopeman hotel
Gazed out at the entry
I remember it so well.


The Hopeman hotel r1

"Released in 1966 as a single from the album Parsley, Sage, Rosemary and Thyme, “The Dangling Conversation” didn’t do as well as the songs released directly before or after by the duo. Yet it endures as a poignant piece of songwriting, sung to the hilt by the pair amidst a lush orchestral production. Let’s look back at its origins and its meaning.
Simon does an excellent job on “The Dangling Conversation” of noting the details of the surroundings, while also sneaking in telling metaphors and similes that bring out the sorrow of the situation. Phrases like Couched in our indifference and Like a poem poorly written / We are verses out of rhythm evoke the kind of ennui that can so easily seep into unhappiness.

Simon also seems to be sending up the pretensions of literary types, suggesting that knowing the works of great poets like Dickinson and Frost won’t make up for a lack of emotional intelligence. Something similar happens in the final verse, when they attempt to talk of current events so that they can avoid the truth that’s gnawing at them. But then Simon drops the curtain in a series of biting lines: And I only kiss your shadow / I cannot feel your hand / You’re a stranger now unto me.

The phrase in the refrain the borders of our lives suggests how the pair feel hemmed in by their sudden lack of spark. It seems like a drastic move is necessary for them to truly escape. At that point, Simon & Garfunkel’s “The Dangling Conversation,” like the relationship it symbolizes, will finally come to its decisive conclusion."                              American Songwriter

Mastered Track: Distrokid Mixea
Image: Eyüp Çelik

huzz make me sick [prod. trinxiez & speenzy]

OUTCASTT

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