This is a NuVox workout, with the world's best music and vocal productions for you to enjoy, like and comment on.  Enjoy!!!

Velocity - A NuVox Workout Playlist

“Tesco in Mexico” is a provocative Trap/Drill anthem layered in emotional male vocals sung in C major, exploding with energy and lyrical riddles. The track fuses melodic backing harmonies with a gritty 808-heavy bassline and thundering kick drums, shaking speakers to their core. A raw bass guitar solo crashes through midway, adding rock-edge urgency. Vocals shift between reflective and confrontational, with harmonic layers that echo through the chaos. Lyrically sharp and sonically bold, this is a statement piece—global, ironic, and unforgettable.

Lyrics:

Tesco in Mexico
Written By NuVox

[Hook – Chorus]
There’s no Tesco in Mexico (is that a fact?)
But twins can be identical (is that a fact?)
Like the Voodoo lexicon in Lagos (is that a fact?)
Geese in formation over Laos (is that a fact?)

[Bridge]
Rolling in money—I’m in Davos (is that a fact?)

[Verse 1]
Overloaded, heavy cargo (is that a fact?)
Bentleys pullin’ from embargo (is that a fact?)
Blood washed clean up in Fargo (is that a fact?)
Spirits summoned deep in Congo (is that a fact?)
Drum it out, play the bongo (is that a fact?)
Soukous sways in Lomé, Togo (is that a fact?)
Power stacks by the hour (is that a fact?)
Gold rains down in the shower (is that a fact?)

[Pre-Chorus]
I was born to be prophetic (that's a fact?)
Is that a fact?
Is that a fact?

[Hook – Chorus]
There’s no Tesco in Mexico (is that a fact?)
But twins can be identical (is that a fact?)
Like the Voodoo lexicon in Lagos (is that a fact?)
Geese in formation over Laos (is that a fact?)

[Bridge]
Rolling in money—I’m in Davos (Davos)

[Verse 2]
You flash your feathers like a peacock (is that a fact?)
But that don’t mean you lead the flock (in that effect)
I’ll hold you steady through detox (is that a fact?)
No more hiding—drop the props (is that a fact?)
I could crown you as president (is that a fact?)
Though my mama crossed continents (is that a fact?)
Part Jewish, German, and Indian (is that a fact?)
But don’t confuse loves them Cameroonian (that’s a fact?)

[Pre-Chorus]
Like me was born to be prophetic (that's a fact?)
That’s a fact?
That’s a fact?

[Hook – Chorus]
There’s no Tesco in Mexico (is that a fact?)
But twins can be identical (is that a fact?)
Like the Voodoo lexicon in Lagos (is that a fact?)
Geese in formation over Laos (is that a fact?)

[Bridge]
Rolling in money—I’m in Davos (Davos)

[Outro]
Root it out, cut it out, end the drought—yeah, end the bout,
Screams and shouts come pouring out,
Out loud, out loud, out loud, out loud.
Make it real, make it a fact.

Tesco in Mexico

"Ella" blends Afro-Trap soul with hypnotic guitar melodies, tribal backing vocals, and trance-like ad-libs. Over a moody Bb minor beat, Ignatius Spooling reflects on rejection, transformation, and rising above. Fluid drums and emotional bars deliver a haunting yet empowering soundscape—raw, rhythmic, and deeply personal.

Ella

Ella - Vol 2 (Afro-Trap Version)

🌍✨ Elena — an Afro-Trap love anthem wrapped in warmth and sensuality. Guided by flowing acoustic guitar melodies and crisp, soft percussion, this track blends tribal vocal textures with wavy melodic drums and trance-like ad-libs. Sung in the key of C major, Elena tells a hypnotic tale of desire, emotion, and connection, rooted in Afrocentric rhythm and modern trap soul. Let it carry you into a late-night dance of heartbeat and heat.

💍🔥 For lovers of Burna Boy, Aya Nakamura, Tems, and Afro B vibes — this one’s for you.

🎧 Produced with passion. Written with fire. Delivered with love.

Elena

Elena (1)

NuVox has concocted a highly emotional and spiritual song for you enjoy, like and comment.

Slow Down

Slow Down - Vol 1

“Slow Sown” is a meditation in motion—a patient blooming of sound that reclaims slowness as power. In a world that chases speed, this track dares to plant itself, to grow on its own terms. It speaks not just of waiting, but of becoming—of what emerges when we stop rushing and start rooting.

The groove is unhurried but rich. Afro-fusion drums pulse like footsteps in soft soil. Ethereal synths rise and fall like breath, while warm basslines hug the mix like sunlight through mist. The vocals are reflective, almost whispered—each phrase a seed of thought, falling into the soul's garden.

“Slow Sown” is not background music—it’s inward music. It’s for dusk walks, soft focus, deep breaths. It’s for those moments when you're not performing for the world but listening to yourself.

This is the anthem of the soft warrior—the one who grows without noise, transforms without spectacle, and knows that stillness is not stagnation, but strategy.

Velocity

Slow Down - Vol.6

Created a club-ready, danceable Afro-Trap instrumental in F# Minor, guided by flowing acoustic guitar melodies and infused with Congolese seben elements — including fast snare rolls, rolling toms, and lead guitar flourishes.

Slow Down - Volume 1

Dutch It by NuVox is a tune that takes you to another universe — a sonic journey where uplifting storytelling meets groovy, head-nodding vibes. Blending the hypnotic rhythms of Afrobeat, the electric energy of Congolese Seben, and the grit of Trap/Hip-Hop, this track bridges continents and cultures.

With crisp percussion, emotional melodies, and irresistible bounce, Dutch It isn’t just a song — it’s a vibe. Whether you're dancing in Abidjan, vibing in São Paulo, cruising through Casablanca, or zoning out in Lagos, this is your soundtrack.

🎧 Genre: Afrotrap · Seben · Global Fusion
🎹 Produced by: NuVox
🌍 For fans of Burna Boy, Innoss’B, Pop Smoke, and Aya Nakamura

Dutch It (Vol 11)

Dutch It by NuVox transports you to another world, a musical voyage where inspiring narration meets groovy, head-nodding beats. This music connects continents and cultures by combining the mesmerising rhythms of Afrobeat with the electrifying charge of Congolese Seben and the roughness of Trap/Hip-Hop.

 With snappy percussion, emotive lyrics, and an addictive bounce, Dutch  It's not simply a song; it's a mood.  Whether you're dancing in Abidjan, partying in São Paulo, driving through Casablanca, or relaxing in Lagos, here is your soundtrack.

Genre: Afrotrap, Seben, Global Fusion. 
Produced by NuVox & Coco Spherg.

Dutch It

Dutch it - Vol 6

Dutch It (6)

YahYah, written by Aime Pandi Bapaga

"Yahyah" is a raw, emotional ballad written as a letter of heartbreak, forgiveness, and unresolved grief, the song reflects on the passing of a stepbrother — a once-hopeful protector whose actions led to years of pain and dislocation.

Carrying the weight of childhood trauma and spiritual reconciliation, Yahyah is not just a tribute but a release — a way to close a chapter when closure was never given. With ambient guitars, rolling hi-hats, and a deep, soulful atmosphere, the track speaks to anyone who has ever loved someone who hurt them... and still needed them anyway.

Lyrics:

Yahyah
Written by Aime Pandi Bapaga
 
[Verse 1]
So many years drifted by without a whisper,
Summers, winters, springs turned cold and bitter.
I filled my heart with silence and resistance,
Letting the gloom grow where love met distance.

[Pre-Chorus]
I don’t know your reasons, I may never understand,
But I’ve stopped chasing answers written in the sand.
Time took you away before we made amends,
So I’m sending peace to you — wherever this ends.

[Chorus]
To the man I called—
Yahyah, Yahyah, Yahyah (my brother),
Yahyah, Yahyah, Yahyah (my protector),
Yahyah, Yahyah, Yahyah (you were my hope).
Yahyah, Yahyah, Yahyah (I forgive you),
Yahyah, Yahyah, Yahyah (I’m sorry too),
Yahyah, Yahyah, Yahyah (still restless in my soul),
Yahyah, Yahyah, Yahyah (I needed you).

[Verse 2]
All I ever wanted was a gatekeeper,
Different mothers, same blood, a silent seeker.
You stood so tall, but turned away,
While we wandered, house to house each day.

[Pre-Chorus]
I don’t know your reasons, I may never understand,
But I’ve stopped chasing answers written in the sand.
Time took you away before we made amends,
So I’m sending peace to you — wherever this ends.

[Bridge]
Last I heard, your health was fading,
I held my breath, still hesitating.
Prayed for grace to find our ending,
But grief returned, unrelenting.
The world kept turning, I kept burning,
Made my brother into my burden.

[Chorus]
To the man I called—
Yahyah, Yahyah, Yahyah (my brother),
Yahyah, Yahyah, Yahyah (the first I knew),
Yahyah, Yahyah, Yahyah (my lost truth).
Yahyah, Yahyah, Yahyah (I forgive you),
Yahyah, Yahyah, Yahyah (I’m sorry too),
Yahyah, Yahyah, Yahyah (this wound runs deep),
Yahyah, Yahyah, Yahyah (I needed you).

[Outro – Prayer]
One day I’ll walk the promised land,
No darkness, no walls, no reprimand.
We’ll share a hug beyond the grave,
No more running, no one to save.
Oh, Yahyah, Yahyah, Yahyah,
Oh, Yahyah, Yahyah, Yahyah,
Oh, Yahyah, Yahyah, Yahyah,
My brother…
I release you now, and I rise.

YahYah

🔥 FEVER 🔥
A syncopated storm of sound — deep 808s, bongo off-beats, and that Afro-trap swagger! 🌍⚡️ Congolese rumba guitars flirt with lush synths while vocal adlibs echo like street chants from Rio to Cairo.

The beat catches you, but the message burns deeper:
💸 When money drives you mad, what’s left to save?
💔 When love slips away, who’s the real thief?
👁‍🔥 “Fever” is a warning, a vibe, a vibe with teeth.

Bridge goes full carioca-funk x Afrobeat fusion — just TRY not to move.
If you’ve ever chased success only to feel the heat rise from within... this one’s yours.

🎧 Best served LOUD.
🌍 Made for the dancefloor and the soul.
💀 Side effects may include: head nods, truth chills, and spontaneous rewinds.

Fever

Fever - Seben / Afro-Trap Mix

Fever (4)

This is the most experimental song composed by NuVox in his strategic production partnership with Coco Spherg.

Maddie

Maddie (7)

Maddie (Sukali)

Maddie (5)

Velocity explores the electric intensity of love and desire — that unstoppable force that moves us beyond control, blending passion with tenderness. It’s about surrendering to the moment, feeling the pulse of connection that makes time slow and speed up all at once. The song captures how love can strip us down to our rawest selves, igniting both vulnerability and power in an unforgettable rush.

For anyone who’s ever felt that rush of emotions when two souls collide, Velocity is your soundtrack.

Velocity - Afro-Trap Ballad

Velocity - Afro-Fusion Ballad

YahYah, written by Aime Pandi Bapaga

"Yahyah" is a raw, emotional ballad written as a letter of heartbreak, forgiveness, and unresolved grief, the song reflects on the passing of a stepbrother — a once-hopeful protector whose actions led to years of pain and dislocation.

Carrying the weight of childhood trauma and spiritual reconciliation, Yahyah is not just a tribute but a release — a way to close a chapter when closure was never given. With ambient guitars, rolling hi-hats, and a deep, soulful atmosphere, the track speaks to anyone who has ever loved someone who hurt them... and still needed them anyway.

Yahyah - Vol.10

Chickens

Chickens (13)

Philosophical Analysis of "How Much Does Love Pay"
________________________________________
Core Themes
1. The Cost of Love vs. the Illusion of Freedom
At its heart, the song explores love as a transactional and existential burden rather than a purely emotional or romantic experience.
•	The protagonist ("Baby King") initially lives with the illusion that love (and sex) are free, endless, and without consequences.
•	Reality shatters this illusion: true love or intimacy demands a cost — emotional, physical, financial, existential.
Philosophical link:
•	This reflects Jean-Paul Sartre's existential view that freedom brings weight: choices define existence, but every choice brings irreversible consequences.
•	It's also a play on Nietzsche's idea of eternal return — you cannot escape the consequences of your repeated actions.
________________________________________
2. Identity vs. Responsibility
The song paints the main character as "still a boy himself" while being a father to five children.
•	Identity crisis: he is biologically a creator of life, but psychologically still immature.
•	Responsibility forces him to confront a version of himself he neither planned for nor understands.
Philosophical link:
•	Kierkegaard discussed this tension: the leap from aesthetic (pleasure-seeking) life to ethical (responsibility-laden) life.
•	The protagonist is stuck between these two stages, symbolized by his inability to "pause" or "breathe" even as life demands he grows.
________________________________________
3. The Gothic Choir – Collective Lament
The repeated Gothic chant ("la, la, la... ohhh whoah...") functions like a Greek Chorus.
•	It's the voice of society, ancestry, or destiny, constantly mourning in the background.
•	It emphasizes the idea that his personal choices are not isolated; they echo in the wider world, in his children, their mothers, his community.
Philosophical link:
•	Heidegger: we are thrown into a world we didn’t create, and yet our existence becomes intertwined with it.
•	The choir gives the sense that the tragedy was set in motion long before he realized it — almost fated.
________________________________________
4. Money, Multiplication, and Loss
"Love was free till the bills had fees,
Now the only thing shrinking... are his peas."
This brilliantly condensed line tackles materialism and the harsh reality of economics.
•	Love seemed abundant and without cost in youthful freedom.
•	But with reproduction (both literal — the children — and metaphorical — the multiplying of consequences), the illusion of infinite growth collapses.
•	He is materially poorer but also spiritually poorer: "no sleep, no peace."
Philosophical link:
•	Marxist theory would see this as the commodification of human relationships — even something "free" like love eventually fits into systems of debt, property, responsibility.
•	Stoic philosophy would note how attachment leads to suffering: uncontrolled desire (eros) leads to pain when reality asserts itself.
________________________________________
Deeper Existential Question Posed
"How much does love pay?"
This is not just about money. It's about the metaphysical cost of intimacy, desire, and irresponsibility:
•	Love demands sacrifice.
•	Freedom demands weight.
•	Pleasure demands payment — not just in cash, but in years, sleep, identity, peace.
Thus, the song is asking:
Is the fleeting feeling of "freedom" worth the enduring weight of its aftermath?
What happens when we are children in the face of adult consequences?
________________________________________
✨ Summary
•	"How Much Does Love Pay" is an existential, tragic song masked in braggadocio.
•	It grapples with freedom, consequences, responsibility, and the price of youthful illusions.
•	It’s deeply Sartrean, Kierkegaardian, and touches on Marxist critiques of commodified life.
________________________________________

How Much Does Love Pay

A NuVox Workout fuelled by Coco Spherg.

O' Where Out Thou:
Lyrics by Aime Pandi Bapaga

Happy were the days I loved my mother like the heavens
Happy were the days I fell in love with Becky Evans 
Happy were the days I rounded numbers to the sevens
Happy were the days I smoked all night in studio sessions
Happy were the days I had faith in first impressions
Happy were the days I joined C4 and pledged my legions.
Happy were the days, Happy were the days
Happy were the days, Happy were the days
Happy were the days, Happy were the days
Happy were the days, Happy were the days

Happy were the days that mum was paid on monthly basis
Happy were the days she’d come home to bright and smiley faces
Happy were the days she could pay dental fees for braces 
Happy were the days we’d read commandments set by Moses
Happy were the days my rabbi taught me to love the masses 
Happy were the days social class was impertinent.	
Happy were the days, Happy were the days
Happy were the days, Happy were the days
Happy were the days, Happy were the days
Happy were the days, Happy were the days

Happy were the days the mind turned darkness into light 
Happy were the days the prophet had the will to fight 
Happy were the days no one would glee at someone’s plight 
Happy were the days outliers were taken off the data 
Happy were the days Bob Marley vowed to Jamaica
Happy were the days stood a man, I called father 
Happy were the days, Happy were the days
Happy were the days, Happy were the days
Happy were the days, Happy were the days
Happy were the days, Happy were the days

O’ Where out thou?
Happy, happiness
Happy, happiness
Happy, happiness
Happy…

O’ Where out thou?
Happy, happiness
Happy, happiness
Happy, happiness
Happy…


Feeling too grown up here without you 
Feeling too grown up here without you 
Feeling too grown up here without you 
Feeling too grown up here without you 
Feeling too grown up here without you 
Feeling too grown up here without you 
Feeling too grown up here without you 
Feeling too grown up here without you 

2025 YYMG

O' Where Out Thou

YYMG (Ya’ Yo Miziki Global) is a pioneering international record label dedicated to producing and releasing premium, boundary-pushing music for the global stage. Specializing in world music and genre fusion, from Afrotrap and Afrofusion to Samba, Dancehall, and unexpected experimental blends, YYMG brings a bold, innovative sound that resonates across cultures and continents.

At our core, we believe in the transformative power of music. Through high-quality production and genre-defying artistry, we aim to elevate listening experiences, stimulate cultural curiosity, and contribute to the mental and emotional growth of our audience.

Whether we’re developing emerging voices or collaborating with global talents, our mission is clear:

> To craft timeless music that challenges borders and sets new standards for creativity and sonic excellence.



YYMG music is globally distributed and available on all major digital streaming platforms, including:

🎧 Spotify, Apple Music, iTunes, YouTube Music, Amazon Music, Tidal, Deezer, Boomplay, Pandora, iHeartRadio, Saavn, Tencent Music, NetEase, ClaroMusica, Yandex Music (beta), Triller (beta), MediaNet, Twitch Soundtrack, and more.

Socially engaged and digitally active, you can also connect with YYMG via: 

📱 Instagram, Facebook, TikTok, Resso, and YouTube
