This is Z Frequency

Immerse yourself in the vibrant groove of "Splendid Situation," a reggae rock anthem that celebrates good vibes and soulful expansion. Featuring Zak Davis on vocals & keys, Matt Allen on trumpet & backing vocals, John McCallum on guitar, Mike Lomax on drums & percussion, and Tristan Reeder on Trombone, this track invites you to leave your troubles behind, embrace uplifting attitudes, and jam alongside infectious rhythms that inspire connection and positivity. Let the music guide you to a place of pure bliss!

(Lyrics)
You’re in need of a rescue
Sick of feeling alone
Looking for a new attitude
Even if it's on loan 

There's a place we can go
It's not too far away
Where ladies have an infectious glow
And they always want you to stay

Pre-Chorus
Don't sweat the small stuff
Let's refrigerate and chill

Chorus
We’re going to get into a splendid situation
Check out the jam on this here band
Bringing your friends is highly recommended
As we let our souls expand

Look for that neon sign
That says you are divine
Where you leave your troubles at the door
Yeah, you don't need them anymore

Pre-Chorus
Don't sweat the small stuff
Let's refrigerate and chill

Chorus
We’re going to get into a splendid situation
Check out the jam on this here band
Bringing your friends is highly recommended
As we let our souls expand
We’re going to get into a splendid situation
Check out the jam on this here band
Bringing your friends is highly recommended
As we let our souls expand


Re-Gen

Splendid Situation

Buy it on Bandcamp

“Sunsets & Summertime” is a feel-good roots rock celebration of everything we love about the season: grilling out, road trips, mountain views, lazy mornings, and the joy of being with the people who matter most. Released just in time for the summer solstice, the track blends classic Americana grooves with brass-laced warmth and heartfelt vocals to create a breezy, nostalgic mood.

With a solid rhythm section laid down by Mike Lomax (drums) and Wim Becker (bass/guitars), the song is brought to life by a vibrant horn trio — Matt Allen (trumpet), Zach Craigle (saxophone), and Kevin Tall (trombone) — adding soulful punch and a touch of vintage charm. Zak Davis' vocals are earnest and comforting, grounding the track in both emotional sincerity and laid-back cool.

Whether you’re on the back porch with friends or setting out on a weekend getaway, “Sunsets & Summertime” captures that timeless seasonal magic — equal parts road trip playlist, backyard soundtrack, and love letter to long days and golden evenings.

Lyrics:
Been stuck inside all winter long
But now the birds are singing
On a Saturday morning
And the heat beats like a drum

Can’t wait to fire up that grill
With the beer on ice
The shade feels nice
For some summertime chill

Pack up your bags we going to hit the road
Check out a town we never been before
We could ask the locals what they like to do
Or stay in bed and sleep all afternoon

-Chorus-
Your loving’s like the summertime
As long as I got you, I’ll be just fine
Sunsets & Summertime
Like you It’s always on my mind

Let’s hike up to the mountain tops
Stare at the stars when the skyline drops
Friends and family gather at the camp
The fire lights our memories like the perfect lamp

-Chorus-
Your loving’s like the summertime
As long as I got you, I’ll be just fine
Sunsets & Summertime
Like you It’s always on my mind



credits
released June 20, 2024
Zak Davis - Vocals
Mike Lomax - Drums
Wim Becker - Guitars/Bass
Matt Allen - Trumpet/Backing Vocals
Zach Craigle - Saxophone
Kevin Tall - Trombone

Bandcamp

Sunsets & Summertime

Waste Of My Time" is a poignant exploration of lost dreams and emotional turmoil, wrapped in a soundscape that echoes the haunting melodies of The Cure, the brooding synths of Depeche Mode, and the organic textures characteristic of Dirtwire. The lyrics traverse a landscape of introspection as they delve into themes of regret, pride, and the relentless passage of time.

The song opens with evocative imagery—"first light cuts through the night"—that sets a reflective tone against the chilling backdrop of winter. As the protagonist grapples with feelings of frailty and disillusionment, listeners are drawn into an intimate narrative marked by vulnerability. Lines like "a trove of broken dreams slips away from me" illustrate a deep sense of loss and resignation.

The pre-chorus introduces an animalistic metaphor—a "starving hound roaming the streets," symbolizing desperation and defeat. This imagery resonates throughout as it captures an innate struggle to move forward while being tethered to past hauntings.

The chorus strikes at the heart's despair: “I can see her face but without any eyes,” presenting a haunting figure that embodies unfulfilled desires and unresolved pain. It encapsulates that feeling when something precious becomes elusive—a sentiment many can relate to. The repeated questioning—“when will this haunting cease?”—is both pleading and resigned; it's an anthem for anyone caught in cycles they wish to break free from yet feel powerless against.

Musically, "Waste Of My Time" weaves together alternative rock's emotional depth with electronic undertones reminiscent of 80s synth-pop influences while incorporating earthy instrumentation typical in Dirtwire’s style. The result is a rich tapestry that mirrors the complexity within its lyrics—a blend where melancholy meets resilience.

With its powerful blend of evocative storytelling and atmospheric soundscapes, this track invites listeners on an introspective journey through heartache while urging them to confront their own wasted moments—and perhaps find solace in shared experiences along the way.

WasteOfMyTime

"All Of Me” is an emotionally charged anthem that delves into the depths of devotion and surrender, echoing the intricate soundscapes of alternative rock while drawing influences from atmospheric artists like The Cure and Depeche Mode. The lyrics weave a haunting narrative of passionate love that transcends pain, sacrifice, and an unyielding commitment to another.

The song opens with evocative imagery set against a “darkened path,” inviting listeners into a world where vulnerability meets unwavering loyalty. Lines such as “take me to task, I’ll submit to help you rise” convey a willingness to endure hardship for the sake of love—a theme that resonates deeply throughout the track. This initial surrender creates an intimate atmosphere as it explores the complexities of relationships marked by both light and shadow.

In vibrant contrast, the second verse transports us to ethereal realms: “we’re in a castle in a vacant ballroom floor.” Here, passion dances through imagination while hinting at fantasy intertwined with reality. This juxtaposition enriches the song’s emotional landscape—merging moments of blissful escapism with raw sincerity.

With each pre-chorus leading into its powerful chorus—“all of you is all of me”—the listener feels enveloped by an undeniable intensity. The repetition emphasizes how complete devotion can consume one’s identity; it speaks to losing oneself within another person while celebrating their profound connection.

The latter verses take on darker undertones as they reveal an acceptance of pain: “I’ll take the blows you give me if it means you want me more.” This willingness to endure suffering for love’s sake underscores themes often found in passionate relationships where desire intertwines with sacrifice. Imagery like "holding your hand in fire" deepens this exploration, illustrating how love can be both beautiful and excruciatingly painful.

Musically rich and layered, "All Of Me" combines suffocating synths with soaring guitar lines reminiscent of alt-rock's best offerings. Its emotional resonance is matched by its sonic depth—a perfect backdrop for vivid storytelling that pulls listeners into a whirlwind romance filled with both tenderness and turmoil.

Ultimately, “All Of Me” stands as a poignant testament to unconditional love—the kind that embraces every facet from ecstasy to agony—leaving audiences captivated by its haunting beauty long after it fades away.

All Of Me

"Reconcile" fuses introspective lyricism with a mellow, funk-infused groove in the vein of Gorillaz and Red Hot Chili Peppers. The song rides a warm, syncopated bassline and laid-back drum pocket, blending subtle electronic textures with organic instrumentation. The production is intentionally raw, giving it an authentic, slightly lo-fi vibe that complements its lyrical depth.

Zak Davis delivers his vocals with a mix of weary reflection and cool defiance. There's an emotional honesty in lines like “I used to think about drinking Friday night / Now it’s just stay alive” that grounds the song in real-life struggle, while the pre-chorus injects a touch of swagger and humor: “Still got low subs pumping in my trunk.”

The chorus opens up into a soulful and emotionally resonant moment, pushing a message of self-love and perseverance: “You got to love yourself before you can reconcile.” Despite its themes of fatigue and existential grind, the track ultimately lands in a place of uplift and human connection.

With smooth transitions and a consistent groove, “Reconcile” is a meditative, funky anthem for anyone navigating the quiet chaos of adulthood — one that urges you to keep climbing even if the mountain laughs back.

Lyrics:
ry to sleep but the pressure’s deep
Wishing you were someone else
Repeat each day into a ten-year leap
Without a good story to tell
Laughing at the mountain I have to climb
Can’t make good use of time
I used to think about drinking Friday night
Now it’s just stay alive

I’m a little older but wiser
Still running on a hamster wheel
Everybody works hard to go nowhere fast
Trying to make it up that hill
There’s an old man in the mirror
But the same young soul is felt
Try to do right and stay in that fight
Playing with the cards your dealt

Pre-Chorus
Mirror, mirror on the wall
Who’s the one that survives them all
I got gray hair, I got some chunk
Still got low subs pumping in my trunk


Chorus
You got to find a way to make it all worthwhile
You got to love yourself before you can reconcile

Love the ones who say hello
Never turn down a helping hand
Sometimes company is all you need
No words said but you understand
You got to stay in this fight for life
Trust it’ll be alright
If your life is darkness
Move it into light

Pre-Chorus

Chorus

Chorus



Credits from Re-Gen, track released May 8, 2025
Mike Lomax - Drums
Zak Davis - Vocals
Matt Allen - Trumpet/Vocals
Tristan Reeder - Trombone
Wim Becker - Guitar
Jeff Aaron - Bass

Reconcile

Ghost (Lyrics):
In the moment
You were left out
I know I let you down
Didn't mean for it to go this way
But here we are
Told me the words said cut deep
Those words you shouldn't really keep
I was drunk not in my right mind
And I couldn't take the heat
So I left without a warning
Figured it was the only way I could
Keep my shit from losing it
Bailing on you was my regret
The next day I tried to text you
The next day I tried to call you
Hoping that I'd see your face
All I got was your ghost

(Chorus)
I know the feeling and that pain
Of things that were said
But now I'm haunted by your ghost
And I wish it would end

Been weeks since I saw you
Been weeks since I've even smiled
The days go by and I'm living in hell
Just once I'd like to see you
Just once I'd like to hear you say
Let it go It's over
There's no reason to stay

(Chorus)
I know the feeling and that pain
Of things that were said
But now I'm haunted by your ghost
And I wish it would end

(Chorus)
I know the feeling and that pain
Of things that were said
But now I'm haunted by your ghost
And I wish it would end

Song Notes: 
Ghost: Indie Rock Alternative 

“Ghost” is an emotional voyage through the enigmatic landscape of Indie Rock Alternative. This haunting composition delves into the raw ache of being ghosted in a relationship, capturing the essence of vulnerability and longing.

Key Elements:

Candid Lyrics: The song’s poetic verses lay bare the heart’s yearning, painting vivid images of unanswered messages and fading echoes.
Haunting Vocals: The lead singer’s voice, like a spectral whisper, weaves through the melody, leaving an indelible mark on the listener’s soul.
Hard-Hitting Guitars: Jeff Huso’s guitar work slashes through the emotional fog, channeling frustration and sorrow into electrifying riffs.
Catchy Beat: The rhythm section propels the narrative forward, reminiscent of tribal jungle grooves. It’s a heartbeat that refuses to be ignored.
Collaborators: Matt Allen’s backing vocals add depth, harmonizing with the lead to create a haunting chorus. Meanwhile, Mike Olesko’s djembe beats infuse primal energy into the track.
“Ghost” invites you to confront the shadows of love, where echoes linger and memories haunt. It’s a sonic séance—a plea for connection in a world where some bonds dissolve into whispers.

🎵 Featuring Jeff Huso on guitars, Matt Allen on backing vocals, and Mike Olesko on djembe. 🎵

Ghost

Gone To Hell Lyrics

Here we go again 
Where do we begin 
Picking up the pieces of our broken souls 
Our world is not same 
Gasoline thrown on the flames 
New riots causing violence 
Yet there’s no one left to blame 

This world has gone to hell
Fires burning tempers raging 
Hardly seems a soul’s worth saving 
But I refuse to let it suffocate my soul 
There’s still hope in growing old

The looters raid the storms
Whales beached up on the shores
Victims gets beat down 
No help yet someone films it on their phone
I don’t understand 
Why we can’t make a stand
Don’t agree with what is said
They cancel you as if you’re dead 

This world has gone to hell
Fires burning tempers raging 
Hardly seems a soul’s worth saving 
But I refuse to let it suffocate my soul 
There’s still hope in growing old

Zombies high along the streets 
Can’t trust people you meet
They smile big and shake your hand
But know that’s not what they intend 
So I hope for better days 
I hope we find a way
If you believe in higher power 
Now’s a good time to pray 

This world has gone to hell
Fires burning tempers raging 
Hardly seems a soul’s worth saving 
But I refuse to let it suffocate my soul 
There’s still hope in growing old

This world has gone to hell
Fires burning tempers raging 
Hardly seems a soul’s worth saving 
But I refuse to let it suffocate my soul 
There’s still hope in growing old

🔥 Song Description: "Gone To Hell"  
*Genre: Rock Reggae | Theme: Social Unrest & Resilience*

“Gone To Hell” is a gritty, soul-stirring rock reggae anthem that confronts the chaos of modern life with raw honesty and defiant hope. Blending the rhythmic pulse of reggae with the urgency of rock, the track paints a vivid portrait of a world unraveling—where riots rage, empathy erodes, and digital detachment replaces human connection.

🎸 Musical Vibe  
- Heavy guitar riffs meet syncopated reggae grooves  
- Melancholic verses contrast with anthemic choruses  
- Vocals shift from reflective to rebellious, echoing the emotional arc of the lyrics

🧨 Lyrical Themes  
- Current Affairs: Looting, violence, environmental collapse, and media voyeurism  
- Cultural Division: Cancel culture, mistrust, and performative civility  
- Spiritual Undercurrent: A call to prayer and belief in redemption  
- Personal Resistance: Despite the decay, the narrator refuses to let despair win—clinging to the hope of aging with grace and purpose

📣 Key Lyric 
> “But I refuse to let it suffocate my soul / There’s still hope in growing old”

🎯 Audience Impact
This track speaks to listeners who feel disillusioned by the state of the world but aren’t ready to give up. It’s a rallying cry for those who still believe in truth, connection, and the possibility of change—even when everything feels like it’s gone to hell.

Zak Davis - Vocals
Matt Allen - Trumpet/ Backing Vocals
Zach Craigle - Sax
Rick Anderson - Bass
Mike Lomax - Drums
Wim Becker - Guitar
Mike Olesko - Percussion

Gone to Hell

Old Dog New Tricks (Lyrics)

Started 1991
Oh man that year was so much fun
Going to the local shows
The Utah ska scene had just blown
Forever changing who I am
I'd like to think I'm still that man
Praises to Swim Herschel Swim
To relive that again it's going to take an

Old Dog New Tricks
Old Dog New Tricks

From Stretch to Catfische to Hoo Ray Who?
Insatiable, Sturgeon, Model Citizen too
From Provo to Ogden to SLC
90's was the best of the local scene
I want to bring that magic back
Something different from the same old tracks
New indie, pop, and rock is cool
But I want to dip my toes in that old school pool like an

Old Dog New Tricks
Old Dog New Tricks

Hey! Hey! Hey! Hey! Hey! Hey! Hey! Hey!
Hey! Hey! Hey! Hey! Hey! Hey! Hey! Hey!

Wouldn't it be nice to see that again
Living it up like their parents did
When it's all about skankin the night away
Not a worry in sight all's A-Okay!

-------------------------------------------------

🎷 **Song Description: "Old Dog New Tricks"**  
*Genre: Ska | Theme: Nostalgia & Revival | Artist: Z Frequency*

“Old Dog New Tricks” is a high-energy ska tribute to the golden era of Utah’s local scene in the 1990s. With punchy horns, upbeat rhythms, and a wink of rebellion, Z Frequency channels the spirit of skank pits and DIY venues from Provo to Salt Lake City. It’s a love letter to the bands that shaped a generation—Swim Herschel Swim, Stretch, Catfische, and more—while calling for a revival of that raw, unfiltered magic.

🎺 **Musical Vibe**  
- Classic ska instrumentation: trumpet, sax, bass, drums, and vocals  
- Call-and-response choruses and infectious “Hey! Hey!” chants  
- A groove that makes you want to dance, reminisce, and rally

🕶️ **Lyrical Themes**  
- **Local Legacy**: Shoutouts to iconic Utah ska bands and venues  
- **Generational Echo**: Living it up like the parents did, carefree and loud  
- **Cultural Commentary**: A playful jab at modern indie/pop, craving the grit of old-school ska  
- **Personal Identity**: Holding onto the roots that shaped the artist’s journey

🎯 **Key Lyric**  
> “I want to dip my toes in that old school pool like an / Old Dog New Tricks”

🎤 **Lineup**  
- Zak Davis – Vocals  
- Matt Allen – Trumpet/Vocals  
- Rick Anderson – Bass/Guitar  
- Mike Lomax – Drums  
- Zach Craigle – Sax  

Whether you lived it or missed it, this track invites you to skank your way back to the glory days—and maybe spark a new wave while you're at it.


Old Dog New Tricks

Resort is where love escapes the noise and builds its own rhythm. 🖤🎸

(Lyrics)
Standing in a crowd
Never felt so alone
Everyone is busy talking 
But in a language you don’t know 

That’s about the time our eyes met and you captured my soul
Ten fold

We became our happiness 
We became our entire world 
So it’s unanimous 
We wouldn’t be controlled 

We were like two birds dancing in the sky 
We fly

This is everything we wanted 
This is everything and more
Never feeling disappointed 
Living our reward
Making our resort

This is everything we wanted 
This is everything and more
Never feeling disappointed 
Living our reward
Making our resort

------------------------------------------------------
Resort by Z Frequency is a soaring alternative/indie rock ballad about finding sanctuary in love. With layered guitars, driving bass, and heartfelt vocals, it captures the moment two souls break free from the noise and build their own world—a resort of connection, freedom, and joy.

Featuring:
Zak Davis-Vocals
Matt Allen-Backing Vocals 
Chris Olsen-Guitar 
Jeff Aaron-Bass
Mike Lomax-Drums


#alternative #lovesong #lyrics

Resort

“Thrill Seeker” is a punk-charged adrenaline anthem for the bold-hearted and chaos-curious. With raw vocals and a driving rhythm, Z Frequency delivers a manifesto for those who crave more than existence—they chase the rush. From frozen hills to haunted thrills, this track dares listeners to resist fear, embrace risk, and live loud.

Whether you’re launching off two wheels or diving into the abyss, “Thrill Seeker” is your sonic permission slip to go full send. OY! OY!

Thrill Seeker Lyrics

You're just existing
Nothing exciting
Not glorifying
Living just to die

But you have free will
You should take a page from my book
and find yourself a thrill

It's not so hard to do
Just know the risks
The fear of dying is the only thing
You must resist

Blaze down that frozen hill
Launch off and send it on two wheels
Carve that perfect barrel curl
Or have the balls to date that girl

You're just a
THRILL SEEKER  OY! OY!
You're just a
THRILL SEEKER OY! OY!

I feel the hunger
I'm feeling rich
To feed the beast
To scratch that itch

So burn out to a quarter mile
Or play with Great White sharks
Go running with the bulls in Spain
Who cares if it's not smart

Don't fear your fate
Just have your fun
Go seek that thrill
Adrenaline

Better now than never
Don't second guess your mind
Don't waste this moment
Now's the perfect time

You're just a…
THRILL SEEKER  OY! OY!
You're just a…
THRILL SEEKER OY! OY!

Do you want to climb the highest peaks
Where atmosphere is thin
Or dive the darkest ocean depths
And sink into abyss
Or perhaps you find it thrilling
To be left alone at night
Investigate a haunted place
And give yourself a fright

-----------------------------------------------------------
Written and produced by Zak Davis. Cowritten and performed by Z Frequency 

Zak Davis - Vocals/Keys
Mike Lomax - Drums
Greg Griffeth - Guitars
Matt Allen - Trumpet/Backing Vocals 
Zach Craigle - Saxophone 
Kevin Tall - Trombone
Mike Olesko - Percussion 


Thrill Seeker

🎶 "Remember My Name" by Z Frequency
A genre-fusing anthem that blends alternative rock, funk, hip-hop, and mellow soul into one smooth, reflective groove. With rap verses, sung choruses, and a guitar solo that hits like a memory, this track is a tribute to reinvention, legacy, and the power of showing up—no matter your age.

From band breakups to new beginnings, Remember My Name chronicles the journey of Z Frequency: a front porch prophet with a mic in hand and a mission to make music that matters. It’s warm, wise, and unapologetically groovy—what Zak’s son calls “Dad Groove,” and what we call timeless.

🌀 For fans of: Gorillaz, Anderson .Paak, Red Hot Chili Peppers, The Roots  

Remember My Name (Lyrics)
By Z Frequency ©️2024 All Rights Reserved

Verse 1
2001, the band broke up man I thought I was done
But twenty years later, I got the call
“The band’s back together are you ready to ball?”
There I was again back up on the stage
It was hella fun but just not the same
So I started something new called Z Frequency
Been playin that game, my new reality

Verse 2
Reality and prophecy force open your eyes
No surprise, time flies, tick tick tick ticking away
But at the end of the day
Instead of what if’s and what’s done, I see the threads that weave themselves into potential outcomes
What are they going to be? I don’t know, but when Z hoists the colors pas the mic so I can flow
New adventures and endeavors, always thinking that we’re clever, making music for the masses so the negative is 
severed. 

Chorus
Reliving the dream, you ain’t too old to try
Making new routines, don’t let it slip you by
Straight coming from the heart, you gotta get back in the game
Legacy before I part, so you remember my name

Verse 3
Font porch prophet Z doing his thing
Creating auditory diggable infections, a genre insurrection but why?
After all of these years, is irrelevance really still something to fear?
Cause now we’re fifty years old, and I’m here to stay
Rewind the tape cause I’m gonna display
My name the way I want it heard
So you can remember my worth

Chorus
Reliving the dream, you ain’t too old to try
Making new routines, don’t let it slip you by
Straight coming from the heart, you gotta get back in the game
Legacy before I part, so you remember my name

Guitar Solo

Chorus
Reliving the dream, you ain’t too old to try
Making new routines, don’t let it slip you by
Straight coming from the heart, you gotta get back in the game
Legacy before I part, so you remember my name


Featuring:
Zak Davis - Vocals/Keys
Matt Allen - Vocals/Trumpet
Mike Lomax - Drums
Wim Becker - Guitar/Bass

Remember My Name

🎸 "Good As It Gets" by Z Frequency
Dirty distortion. Delta swagger. Classic rock soul. Good As It Gets is a slow-burning blues-rock confession from the heart of the grind—where neon lights blur into broken dreams and middle-aged truth hits harder than any solo.

With a raw vocal delivery and guitars that growl like they’ve lived through it, this track channels the spirit of Springsteen, Black Keys, and early ZZ Top. It’s not chasing youth—it’s owning the scars, the bills, and the bittersweet pride of being “better than most.”

🪶 For fans of: The Black Keys, Chris Stapleton, Gary Clark Jr., Tom Petty  

Good As It Gets (Lyrics)

In the heart of the city, under neon lights,
I've been living by day and drinking by night

This ain't no rehearsal, this is a one-time deal
I feel I'm only living just to pay the damn bills

Wake up in the morning, and years take flight
Every day gets faster, even faster at night

Yeah, I'm a middle-class sucker
An average middle-aged Joe
Ain't living the rich life
But better than most
All my broken dreams I kept
Well, I guess this is as good as it gets

Yeah, I'm a middle-aged wash up
I'm an average Joe
Ain't living the rich dream
But better than most
All those broken dreams I kept
Guessing this is as good as it gets.

Damn!

Featuring:
Zak Davis - Vocals
Matt Allen - Backing Vocals/Trumpet
Sam Potter - Guitars
Jeff Huso - Bass
Mike Lomax - Drums

Good As It Gets

Pagan Hour 
Tags: rock, goth, blues guitar, slow tempo, delta vibes, slide, love & revenge, story, remastered, new version

Pagan Hour is a slow-burning gothic blues track steeped in moonlight, heartbreak, and revenge. Raw delta slide guitar and ghostly bends echo old crossroads ballads, telling the tale of a doomed lover and a vow that won’t die.

The chorus—“Tears on the Pagan Hour / The stake beset aglow”—hits like a curse, rising through the hills as the flames catch. This remaster slows the tempo, deepens the grit, and turns the shadows into a reckoning.

Lyrics:

There’s torches in the tree line 
The hounds will surely come to know 
The mob destroys the silence
Bright moon o’er hills below

-Chorus-
Tears on the Pagan Hour
The stake beset aglow
They’re coming for my baby
Gonna be a pagan here no more

Now the witch is bound upon that burning pine
My baby is leaving before her natural time 
And they won’t see me come as 
I return their fate
Set this place on fire
While she sleeps in her grave

My sweetest lover has the prettiest eyes 
Ain’t no girl around here prettier than mine

-Chorus-
Tears on the Pagan Hour
The stake beset aglow
They’re coming for my baby
There’s gonna be a pagan here no more
Oh

Pagan Hour

A genre-defying band from Layton, Utah, skillfully blends rock, reggae, ska, and alternative music to create a unique sound. Founded in 2024 by Zak Davis.