JFB Psybient Music 2

From the Album Voodoo Roux 
https://www.discogs.com/release/22434-Various-Voodoo-Roux

Eer - Hand Car [destruction.30]

Tustance is proud to release the second album from Private Grief: Deadline 2.
Based in Salerno, Italy, a city living by the rhythm of the mediterranean sea, Private Grief offers us a journey in the « Seacore » universe. This word emerged in the making of the album and it reflects a deep inspiration coming from the ocean, both organic and melancholic. Evolving between ambient, field recording and deep techno, this second project is definitely a gate through Private Grief’s magical kingdom.

“There are often more things shipwrecked at the bottom of a soul than at the bottom of the sea.”
Victor Hugo

Artwork is designed by Llyazel and suits the soundtrack perfectly. It gives the listener a glimpse of the Deadline 2 kingdom. This album is an invitation to rest in this castle for eternity, seeking for interior peace.
credits
releases January 2, 2022

© Tustance Corp.
all tracks are produced and mixed by Private Grief
Artwork by Llyazel
Mastering by Studio Bagar
Mix Assistant and Mastering by N. Capaldo
Thanks to Holyld , Chainsawplease , A. De Marino , V. Molinari , N. Capaldo for the contribution and to everyone who supported the project

Private Grief - Seacore Music ( The Moon Reflected On The Sea )

𝔰𝔞𝔠𝔯𝔞𝔪𝔢𝔫𝔱

𝔦 𝔠𝔞𝔫'𝔱 𝔟𝔢 𝔢𝔳𝔢𝔯𝔶𝔱𝔥𝔦𝔫𝔤
𝔦 𝔠𝔞𝔫'𝔱 𝔡𝔬 𝔢𝔳𝔢𝔯𝔶𝔱𝔥𝔦𝔫𝔤
𝔶𝔬𝔲 𝔫𝔢𝔢𝔡 𝔣𝔯𝔬𝔪 𝔪𝔢

/dəˈSHev(ə)l/

𝔰𝔞𝔭𝔭𝔶

Amy Sanchez's Album

Future Echoes | Introduction

In this episode Amanda Alencar speaks to Ayham Dalal about how refugees living in camps adapt the space around them to fit their needs.  

Ayham Dalal is an urban planner and architect specialised in the field of Forced Migration. He is the author of the book “From Shelters to Dwellings: The Zaatari Refugee Camp” published by Transcript Verlag (2022). He has been a research fellow at the Refugee Studies Center in Oxford University, the CRC “Re-Figurations of Space” at TU Berlin, and CNRS in France. Currently, he is a Lecturer at the Architecture and Urban Design at the German University in Cairo.

More information on Ayham and about the film mentioned in this episode can be found here: https://www.ayhamdalal.com/about/

Ep.2 (S4): Ayham Dalal about Refugees as Architects

“Migrating is a very difficult and dangerous thing if you're doing it undocumented, but also it's a very beautiful thing because you're walking, you're meeting people, you're talking… I hope this is not romanticizing the pain they experience, but I think... my book tries to show that they experience both. They are people, they are complete people, who are enduring the journey and sometimes enjoying the journey while walking alongside other people and interacting and expressing things.” 

In this episode, we hear Itzel Eguiluz speaking with Alejandra Díaz de León about her book “Walking Together: Central Americans and Transit Migration through Mexico”, which was published in 2023.

Alejandra talks about how the journey of Central American migrants walking north, through Mexico, is about much more than just having practical strategies to survive the journey –solidarity, trust and social bonds that are formed along the way, can also be valuable elements of the experience. We hear about what Alejandra calls “road families” and how during their journeys, migrants form communities around their common understanding and experiences of crossing Mexico.

Alejandra would like to acknowledge Dr. Yasemin Soysal and
Dr Carlos Gigoux for their contribution/support. 

Alejandra's research  benefitted from funding through the CONACyT scholarship and SLAS.

Alejandra Díaz de León is an assistant professor of migration and violence at the Center for Sociological Studies at the Colegio de Mexico, in Mexico City. She holds a PhD in Sociology and an MA in Human Rights from the University of Texas. 

Her research focuses on human rights, solidarity, and the creation of bonds, trust, and cooperation among strangers during contexts of violence and uncertainty, like the transit of Central Americans through Mexico and to the United States.

Also check out these publications by Alejandra:
Díaz de León, Alejandra. “Family Dynamics, Violence and Transit Migration through Mexico.” Third World Quarterly 0, no. 0 (May 16, 2023): 1–15. https://doi.org/10.1080/01436597.2023.2193321.

Díaz de León, Alejandra. “Why Do You Trust Him? The Construction of the Good Migrant in the Mexican Migrant Route.” European Review of Latin American and Caribbean Studies 111 (2021): 1–17.  https://doi.org/10.32992/erlacs.10645.

Díaz de León, Alejandra. “Resignation and Resistance: How Do Undocumented Central American Migrants View Detention in Mexico? Journal of Latin American Geography 22, no. 1 (2023): 11–30. 

Díaz de León, Alejandra. “Keep Them Out! Border Enforcement and Violence since 1986.” In These Ragged Edges: Histories of Violence along the U.S.-Mexico Border, edited by Andrew J. Torget and Gerardo Gurza-Lavalle. Chapel Hill: The University of North Carolina Press, 2022. 

While you're here – we, at the IMISCOE Migration podcast, would like to give you a recommendation for another, related podcast episode from the “Borders and Belonging” podcast, which is produced by our friends at Toronto Metropolitan University. They are currently releasing their second season, and have a really interesting episode on Mexicans migrants in the US who are from indigenous groups – check it out! 
This is the link: https://www.torontomu.ca/cerc-migration/borders-and-belonging/#!tab-1699366719120-ep--2

Ep.8 (S4): Alejandra Díaz de León on "road families" en route to the Mexico-US border

Mix recorded on 2.23.24 @ show by Incognito x Veluda x Obsidian as direct support for headliner Adiel in San Diego, CA.

AMZEL 2.23.24 Incognito x Veluda x Obsidian Mix

Southern California has long been a hotbed for artists in the electronic music scene who have shown off their dynamic abilities in the studio or behind the decks, and AMZEL is doing just that. This San Diegan has transitioned from her initial house and techno focus to layering in other unique styles to create magical moments on dancefloors at clubs, warehouse events, and more.

AMZEL hasn't just defined her DJing skills by utilizing CDJs, as unlike many other contemporaries, she's found a passion for spinning vinyl. This has allowed her to explore other sonic realms, ranging from jazz to new wave, while adding deeper cuts from her growing vinyl collection. That said, AMZEL stuns when she performs digital-driven sets as well, which she's put on display in recent months at venues throughout San Diego and during her Particle FM residency.
Having recently taken the stage at INCOGNITO, Veluda, and Obsidian's underground event in San Diego to deliver a dose of techno, electro, and more, it was fitting that we caught up with this blossoming talent. AMZEL sat down with us to dig into her history, her thoughts on the scenes in San Diego and Los Angeles, and plenty more. Listen to her guest mix and click the link for the full convo!

EDMID Guest Mix 414 || AMZEL

Read the Article!

Unoccupied (Eitan Reiter & Nadac Katz) - Everyday Life

Unoccupied - Everyday Life

A deep floating compilation embodying the works of pioneers in the exploration of a new wave of electro ambient music. Oxycanta is an expression of spatial density with the constant presence of our natural environment at times in its organic recorded form, others transduced into atmospheric textures by advanced technologies. Its title derives from Crataegus Oxyacantha, commonly known as the Hawthorn, a tree whose leaves and berries are legendary for their heart-healing properties. 

Compiled and mixed by Mahiane, aka Sunbeam, co-manager of Ultimae, label artist and deejay, Oxycanta presents various compositions gliding into each other with intangible obbligato.

[ Oxycanta ]

Aerolith

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Bits from my latest project, a collaboration between myself and Brendon Moeller. Out now on Hypercolour Records!

HYPELP014.10 Zodiac Out Cold Dub Scedit

This is a live performance of "Sounds Of Himalaya" for the Chakra Anahata.

Sounds Of Himalaya

OscillatingPrana - ANAHATA

I've enjoyed SC for years, but will leave this platform because of it has let AI loose on our creative property. Fuck them.

Eer - Hand Car [destruction.30]

!ZeuqsaV!

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