Streetlights hum, my jaw set tight;
I name the cracks out there and feel that line in me.
No halo, no excuse,
salt in the mouth of every word.
If I’m tied to what went wrong,
I’m tied to what must move.

We say we’re better than our worst—are we?
We talk like we’re the cure—are we?
If I can’t face the quiet truth in me,
what truth could I be to you?

Pull me from grey into color.
Say it back: into color.
When fear says stay, I answer: move.
Let small good tilt the room.
I won’t die in grey, I’m dying into color.

Old fear behind the eyes, steady as a wire.
We named it truth, still it hid the blade.
We named it love, tallied every debt.
Heat in the chest that will not loosen,
because our losses never got their names.
Give them names, set them down.

We call our noise a calling— is it?
We call control a rescue— is it?
If I can’t be plain with me,
how plain could I be with you?

Pull me from grey into color.
Say it back: into color.
When the room turns cold, I light what I can give.
When the road thins out, my feet still make a path.
I won’t die in grey, I’m dying into color.

I step outside, the air cuts clean.
I think of you; something opens,
almost breaks, then holds.
I want the good, the good that stays,
not buried under noise.
Leaves don’t vanish; they change,
dying into color all around.
If there’s a rule that keeps us whole,
let it lean a little toward mercy.

I watched good doors pass, eyes open, hands anchored.
Fear kept the shoulders nailed to the chair.
Not now.
I stand. I move.
I choose the door I have—this one,
then the next, and the next.
Love, keep me aimed.

Pull us from grey into color.
Say it back: into color.
When the world feels narrow, widen with a gift.
We are part of something larger; still time to turn.
Falling out of grey, dying into color…
we come back alive.
Not bigger, just truer. Into color.

https://marol.bandcamp.com/track/dying-into-color

Dying Into Color

You Are Greater is a journey through brokenness, silence, and surrender — a collection of songs written in the dark valleys of faith. These aren’t just tracks, they’re prayers. Some are cries for mercy, some are confessions of weakness, and some are declarations of hope when nothing else makes sense.

This album starts in places of wandering and unholiness, but it doesn’t stay there. Each song wrestles with despair, only to find grace breaking through. The title track, You Are Greater, anchors the whole project: a reminder that no matter how deep the shadows, God’s presence is greater than our fear, our shame, and even our silence.

For anyone who’s ever felt too far gone, too unworthy, or too broken — these songs are for you.


(un)holy

Arena Rock best describes this hard edged tracj reminecent of the late 70;s to early 80's rock artists.

Glide

I have not so much to say more then Thank you for listen 🙏🌞🎶🎵

The Breath Between Worlds

Choir of Circuits

Back Against the Wall is an outlaw-country record built on grit, scars, and resilience. It’s the story of holding on when the world tries to break you — of finding freedom in dirt roads, family, memory, and truth, even when the weight of survival presses hard.

The album opens with “Dirt Roads and Dogs”, a free-spirited escape into the country soul, before diving into the raw defiance of “Frankly, I Don’t Give a Damn.” Tracks like “Sunday Porchlight” and “The Sky Remembers” provide heart and reflection, anchoring the record in stories of grace and memory. “We Were Soldiers Too” serves as its haunting tribute, honoring sacrifice and courage with reverence.

The title track “Back Against the Wall” and “The Last Free Thinker” drive the album’s rebellious core, confronting modern struggles and the cost of survival with unflinching honesty. To balance the fire, “Pickin’ Trouble” delivers rowdy bluegrass energy, while “Let ’Em Be Kids” strips back the noise to remind us what’s worth protecting.

Together, these songs form a litany of truth: that even in chaos and collapse, there’s defiance, there’s love, and there’s still something worth standing for. Back Against the Wall is not just an album — it’s an outlaw hymnbook for hard times.

We Might Be Robots

Let ’Em Be Kids

slightly out of tune

Recorded 2025

LYRICS

Verse 1
Your old sweatshirt’s hangin’ on the chair by the door,
Coffee’s gone cold, but I still pour one more.
The rain on the roof keeps time with my pain,
Every drop’s a memory I can’t contain.

Pre-Chorus
You said love’s a fire that burns too fast,
Now I’m sifting through the ashes of our past.

Chorus
We can’t turn back once the wheels start rollin’,
Can’t unbreak a heart that’s already stolen.
Tried to find the truth somewhere down that track,
But some roads fade to black —
No, we can’t turn back.

Verse 2
I’ve been drivin’ all night with the radio low,
Your voice in my head won’t let me go.
The highway hums like a lonesome tune,
And every mile just leads me back to you.

Pre-Chorus
If I could stop time, I’d make it right,
But the sun’s already risin’ on another night.

Chorus
We can’t turn back once the wheels start rollin’,
Can’t unbreak a heart that’s already stolen.
Tried to find the truth somewhere down that track,
But some roads fade to black —
No, we can’t turn back.

Bridge

Maybe love’s just lightning in a jar,
Burns too bright, don’t last that far.
If I could reach across that line in the sand,
I’d pull you close and make you understand.

Guitar Solo

Final Chorus
We can’t turn back once the wheels start rollin’,
Can’t unwrite the words we left unspoken.
Tried to find forever, but we lost the map,
Now there’s no lookin’ back —
No, we can’t turn back.

Outro
Some hearts break and never track,
No, we can’t turn back…
Can’t turn back.

Can't Turn Back

A dark, emotional rock piece about facing the fractures and flaws that define you, the scars that don’t heal, the choices that weigh heavy, and the parts of yourself you can’t outrun. With raw vocals and a mix of intimate verses and explosive choruses, the track blends vulnerability with fierce self-honesty. It’s about enduring with broken edges, not despite them.

Cracks in Me

Emotional bluesy rock.  Gritty and soulful 

The Flood (Album Version)

Where did those special moments go. Will you ever get them back. Different take on an 80s song. #Breathe #HandstoHeaven #80s

Hands to Heaven (cover)

Zacc Rossi Band (2013 - Present)

Zacc Rossi Band Is:
Lead Vocals - Zacc Rossi
Lead Guitar - Brian McEntyre, Zacc Rossi
Rythm Guitar - Zacc Rossi, Wayne Hartzel
Bass Guitar - Elliot McEntyre
Keyboard & Synthesizer - Zacc Rossi, Dale Thomas
Drums & Percussion - Micheal Lawson, Arnold Mayhaven
Effects - Ryan Moore, Phillip Ara, Nathen Ball

My Music really hits on life, and our world. Being a self-made artist gives me the ability to write, sing and compose songs and tracks that I otherwise could not under a label. Sharing my music works from my early years to the latest and greatest. 

Self-Made Singer/Songwriter and Artist. I write all my own lyrics, and music along with fellow band members. I've been singing since a teen. Been in 3 different Rock bands, been a soloist in home studio and finally found my own sound and music in a country southern bluesy style. Sometimes you will hear a lil rock, grunge and blues interlaced in the songs I write, sing and Produce. I have played with some really great musician's and finally found the guys that built what we are today. Without them? The music you hear, would not be.

Most tracks fully recorded in the Recording studio (Paradise Studios, Sacramento, CA.), which allows me to sing as I choose, without being told what or how to make music that people actually love. 

My Music reflects life, certain times in life and gives reflection in a world we see today.

Many ask what is so great about a Recording Studio Artist? I say? Many things. You are not tied to any one genre for one. I can write music of any genre without the constrictions of many mainstream groups. No producer or label, can tell me who and what I am.

Can't Turn Back

Zacc Rossi

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