@kentoric-kenny-707152297 Thanks a lot, your comment is really inspiring! 🤘🤘

Joyeux Anniversaire. Erik Satie was born on this date May 17 in 1866.

In 1887 when he was 21, and before his famous Gymnopodies and Gnossiennes had been completed, Erik Satie composed this third Sarabande as one of three he wrote for piano. At the time he was an impoverished conservatory dropout making his living as a piano player in bohemian taverns and cabarets like Le Chat Noir. The Sarabandes were not published until 1911 with the support of Ravel who also introduced and performed the second Sarabande in concert in 1911. Here i've arranged the third Sarabande for 2 guitars doubled. Hope you enjoy the mystery and captivating harmony that attracted me to it.

Erik Satie Third Sarabande

Bonjour à tout le Monde!!! Une petite réflexion sur notre mode de vie !!!..Ce n'est pas un jugement mais un constat qui s'affirme de jour en jour,on peut y réfléchir,merci de vos écoutes,passez un bon moment....Bien à vous,Mr. Madeleine.

On danse autour du Feu.

Burning Horizon by aZzma is a haunting fusion of American pop, grunge, rock, darkcore, and shoegaze, delivering a powerful anthem of heartbreak and hope. Through evocative lyrics and a raw, emotional performance, the song captures the devastating reality of California's wildfires. It paints vivid scenes of nature's fury, communities shattered, and a planet in distress, all while carrying a fragile but undeniable hope for renewal.

This track is more than music; it’s a poignant tribute to those affected by the fires and a rallying cry for unity and action. With its mesmerizing layers and profound message, Burning Horizon reaches out to listeners worldwide, resonating with anyone who has faced loss and dreams of a better tomorrow.

Burning Horizon

Tom Rasheed delivers a soul-stirring rendition of Hey Bartender, infusing the classic with his unique blend of American roots and African-Amazigh heritage. His voice, a pure embodiment of Americana, carries the grit of old-school blues and the warmth of gospel, layered with rhythmic influences drawn from his diverse background.

This cover transcends expectations, breathing fresh life into the original while paying homage to its essence. Rasheed’s seamless integration of deep, resonant vocals with intricate melodies and earthy undertones creates a version that feels both timeless and groundbreaking. Already turning heads, his interpretation may well eclipse the original, solidifying his place as an artist who bridges cultures with authenticity and passion.

Hey Bartender! (The Bartenders Cover)

Maladonna beautifully reimagines one of aZzma's iconic tracks in an emotional acoustic version. With her mesmerizing voice and subtle arabesque inflections, Maladonna breathes new life into this already powerful song. Staying true to aZzma's poetic and rebellious writing, she embodies the perfect balance between tenderness and defiance. This rendition feels like an intimate confession, where every note and lyric carries profound meaning.

Burning Horizon (aZzma Cover)

A powerful and immersive track where dark basslines and fractured percussion blend with futuristic synthetic layers. This piece evokes a crumbling city illuminated by flickering neon lights, remnants of a glorious past.

Wild Earl presents his groundbreaking new album titled "2070 Arabian Motor Man Playing Dangerous Distortion Game But Jumping And Enjoying Another Abstract Sunset Away At Ameder With Music". This ambitious project takes listeners on a journey through a futuristic, surreal, and emotionally charged soundscape.

Set in the year 2070, the album explores a dystopian world where humanity faces the consequences of its technological obsessions. Tracks like Arabian and Motor evoke the relentless hum of machines and the mystique of desert landscapes, while Man reflects on the human condition in an increasingly artificial world.

The energy shifts with Playing and Dangerous, capturing the thrill of risk and the tension of living on the edge, before plunging into the chaos of Distortion, where reality begins to warp. Game then pulls listeners into a labyrinth of choices, where every move carries weight.

The album’s emotional core lies in moments of introspection, like But, a pause between hope and uncertainty, and Jumping, a bold leap into the unknown. Tracks like And and Enjoying weave together fleeting moments of connection and joy amidst the chaos.

As the journey continues, Another opens the door to alternate realities, while Abstract and Sunset paint vivid, surreal landscapes of endings and new beginnings. Away offers a sense of escape, leading to At, the point of convergence where everything comes together.

The enigmatic Ameder stands as a symbolic destination, shrouded in mystery, while With and Music remind us of the universal bonds that transcend time and space.

Wild Earl’s "2070 Arabian Motor Man Playing Dangerous Distortion Game But Jumping And Enjoying Another Abstract Sunset Away At Ameder With Music" is a sonic adventure that challenges, inspires, and captivates, leaving listeners eager to explore its depths again and again.

2070 Arabian Motor Man Playing Dangerous Distortion Game But Jumping And Enjoying Another Abstract Sunset Away At Ameder With Music

2070

Pleure, car l’adieu est scellé (Feat. Emma Hope)

Un vent brûlant porte le murmure des cavaliers sans repos. Un chant d’errance, où l’ombre et la lumière se livrent un duel silencieux. Les cordes pincées résonnent comme des sabots sur un sol oublié, tandis que la voix fend la nuit comme une lame d’argent.

Lyrics:
Les ombres et l’éperon
Les ombres et l’éperon, la brise et la plaine, Murmurent mon nom dans l’ombre lointaine. La nuit me connaît, solitaire et fière, Comme un vent cavalier défiant la lumière.
Les monts et les cendres, le sable et l’éclair, Savent ma quête aux songes d’hier. Que m’importe l’oubli, que m’importe l’exil, Si l’écho de mon cœur enflamme l’argile ?
Ô cavale du sort, entends-tu ma voix ? Je poursuis l’aurore, je défie le froid. Et si l’heure est funeste, que tremble la terre, Car l’âme du juste est plus vive que l’air.

Les Ombres et l’Éperon (Original Version)

A cosmic collaboration that delves into the vastness of existence, blending rich vocals with atmospheric sounds to create a sense of wonder.

L'univers (feat Dark Earl)

Note: (As a personal protest I'm not doing the below anymore even if the technique works. I read one great artist questioning another great artists authenticity and I found that pretty shit and it's the way we are currently embracing ai that's to blame. So I ain't feeding the beast at all anymore. However I will leave it here as a mark to as much of it as I ever justified in my head) (FUCK the way humans are dealing with AI)

AI voice modeling is a phenomenal way to practice this and hone your voice. I'm not for a second suggesting use it in the result of a piece of art however as a tool to train your good self. Absolutely 

AI can model your voice at different ranges and make you sound real. The nuances of your own unique delivery are brought across so you can actually use this to become your own amazing frame of reference to sing with and improve your own material in the sense you end up closer to what you can imagine given your expanded ability and range you've delivered yourself with modern and very specific practice. It's particularly handy if you are attempting something for the first time. Pitch shifting with the correct subtle gradual movement to the range you struggle in can be a way of getting there. During the process you retain that confidence of enjoying a solid performance and don't get frustrated doing it wrong while trying to train the muscles to be able to actually get there. We inspire ourselves in every musical moment by staying inspired and it sounding good for me is an important part of staying lasered to that instinct which allows you to deliver your best everytime. Maybe it's me but if an idea is running flat... I forget it and move on... So in that light this is a great way of staying ahead of that dagger that might have you doubting yourself 

This is a good example in my opinion of using the tool to become more creative and not the opposite like a lot of people do. If the tool makes art for you ,you are a tool as we would say in Ireland. Use the tool then You are an artist...

Singing Tip - Make your own frame of reference

🎛️ Zack TALI -JULY— 1H Live DJ Set 🎛️

Dive into one hour of groovy, hypnotic, and driving underground techno.
A sonic journey through syncopated rhythms, deep basslines, and dark, atmospheric textures — designed to make you move and lose track of time.

✨ Styles: hypnotic house, minimal techno, subtle percussions, and heavy kicks.
🎚️ For lovers of immersive sets and underground vibes.

🔊 Press play, close your eyes… and let the groove take over.

#MakeMusicNotLove
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Zack TALI -JULY— 1H Live DJ Set

Zack Tali

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