raw audio from turfmarkt amidst rain & resonances

sustainable trash truck sounding like an organ

Just Intonation in C Major using 5:4 major 3rd, 8:5 minor 6th, and 7:4 septimal minor 7th. These intervals match the rich overtones of the Yamaha CFX Abbey Roads Studio piano samples and Logic Pro string samples.

12 Tone Tuning:
C- 1/1
C#- 16/15
D- 9/8
Eb- 6/5
E- 5/4
F- 4/3
F#- 7/5
G- 3/2
Ab- 8/5
A- 5/3
Bb- 7/4
B- 15/8
c- 2/1

Three Nocturnes in C major

Sorciere_Live_BrainFreeze10_230322

Land locked amphibian

©2024 ༼ つ ◕_◕ ༽つ ♥♥♥♥ X4 RECORDS
Produced & Mixed by Danny Playamaqui 

Artwork by Wou-Wou & The Wormling
https://www.instagram.com/wouwouandthewormling/

479: 🕳🕳🕳🕳🕳🕳

Eusebio: Percussion 🐙
Rogelia: BrokenBeats and sab•o•tages 👩🏻‍🦰 
Valentino Arco: Synths 🦊
Matilda: Keys 👩🏻‍🦱
Hall: Noise and Sweets ⛑   
Potoo: Basses 🦉 

"watch out for your ears" they say 🕳🕳🕳🕳🕳🕳 

Thanks to you! Much love! 💖💖💖💖
ok done 
🌸🦄💥

Cachapa Shuffle

Live performance from Virtuocité 2 on Dec 9th, 2023 in Montreal, Quebec.  This was an all hardware set as usual.

Live at Virtuocité 2 Dec 9th, 2023

FloorBurn

Sending Chet Singer’s Silverwood tenor sax into the AIR Talkbox vowel-like formant filter. Works as good as a guitar, if not more. A wind controller like my Yamaha WX11 makes sense in a voice-like context.

Hawaye

Doubled a sample of melismatic Bulgarian singing using the Pitch Follower and Envelope Follower from the @ToyboxAudio Free Pack for Reaktor Blocks. The synth sound itself is also from the Toybox Free Pack and modulating the warp factor with envelope made a lot of sense.

Sounds quite effective, to my ears. The effect is similar to what can famously be done with the MS-20 but achievable with no-cost software (Reaktor Player and Toybox Free Pack; I’ve used the full version of Reaktor but it should be usable in the free version). Chances are that similar options exist in Open Source software but this was quite easy, fairly resource-efficient, and rather convincing.

Here’s the original sample:
https://splice.com/sounds/samples/10ec98e93c6b1bd57cc68948affcef9361bcaa9a86532b13d8806ffdc828c37a/pulsed-records-world-vocals-dry-female-live-sounds-sample

Bavna Pesen ot Stranja, Doubled (Minor 6th: 8 Semitones)

In The Grid, part of the Bitwig Studio 3 beta, a tiny demo of a simple implementation of Karplus-Strong string synthesis (one of the simplest forms of Physical Modelling). (Yes, I know “Strong” was Alexander’s last name.)

https://www.dropbox.com/s/1gv5me945xacv7k/Car%20Plus%20Strength.bwpreset?dl=0

Car Plus Strength

music: 12ed3

Painting:
Horse and Train (detail)
Alex Colville 1954
http://alexcolville.ca/gallery/alex_colville_1954_horse_and_train/

Le cheval et le train de nuit

Métissage d’avant-garde entre musique classique, musique ancienne et traditionnelle, jazz, rock, et musique électronique. Métriques inhabituelles, échelles non-tempérées, polytonalité et polymétrique. Parfois humoristique, parfois agressive. Intense et profonde. La musique de Guy Pelletier, pourtant recherchée et étudiée, conserve toujours une couleur de vivacité, d’instinct, d’immédiateté.



Guy Pelletier creates avant-garde miscegenerative music comprised of classical, ancient, and traditionnal music styles with jazz, rock, and electroacoustic influences. He uses non-4/4 meters and plays with non equal tempered tuning systems. His music is polytonal and polymetric, humorous and agressive, intense and profound. Guy Pelletier’s music is intricate and well crafted to convey a sense of primeval, instinctive immediacy.

Le cheval et le train de nuit

Guy Pelletier

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