All of these are recordings I made and then added to the final film.

Bag Swining [Not Used]

Bag Drop

Outside [Dropped For Final Cut Pro's Outside Sounds]

The Final Intrusion Sounscape Within the Film [TIMECODE: 2:00 - 4:27]

The following are two recordings I did to form the exterior of my bar for a pub soundscape I am creating. One was recording using an NTS Compressor Shotgun Microphone and the other was an omni-direction microphone with a dead cat held limply above it. 

Omni Microphone Exterior Recordings Take 2

NTS Compressor Exterior Recordings

This is the first draft of the soundscape, it was vastly improved upon.

Bar Soundscape [First Draft]

This is my second draft, potentially final draft, for the DFPR Soundscape. I think it has turned out alright. I would strongly advise you listen to the piece with a good speaker system. 

Zak McLaughlin's DFPR BAR SOUNDSCAPE

The soundscape is a naturalistic representation of the interior of a small bar. The narrative of the piece revolves around the idea that you can be shockingly lonely while in a public and usually happy place.