yes sir iv been looking for something like this thank you

Would be nice if the sub followed the hook..

THIS IS MY FAVORITE TRACK.NOW THAT'S WHAT'S UP

If you like it, please follow me here, instagram, facebook or tumblr:

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Thank you so much! Peace

The Soul Snatchers - Get Yourself Together

Next up for 2014, a REEL PEOPLE MUSIC classic reworked by one of our favourite soulful producers, OPOLOPO.

The incredible soulful vocal force that is CHOKLATE joined forces with REEL PEOPLE MUSIC back in 2010, unleashing the monstrous single THE TEA. 

Originally remixed by REEL PEOPLE, THE LAYABOUTS & MANOO, THE TEA now gets a special rework by SWEDEN’s Mr. Funky himself, OPOLOPO.

For more info on all of our releases go to www.reelpeoplemusic.co.uk


The Tea (Opolopo Remix)

Download/Stream

Choklate - The Tea (Opolopo Remix)

New bboy Breaks album 2015 Ganco - Now or Never . Free listening and free download .
                             Playlist
1. Represent
2. Wild Flower
3. Habiba Song
4. Illusion
5. Riding A Giraffe
6. Sitari
7. It's True
8. Be Rhight
9. Man Pass Man
10. ThEeNd

Ganco - ThEeNd

Let The Music Play

Order 12" & Digi EP: https://bastardjazz.bandcamp.com/album/nothing-twice-ep

Tracklist
1. I Need You More Than He
2. My Soul Eats Twice
3. Don't You Know I Need You
4. Better Think Twice

After previous releases on Futureboogie, Man Make Music, Sonar Kollectiv, and Kerri Chandler's MadTech label, Moscow producer Phil Gerus pops up on Brooklyn's Bastard Jazz Recordings with a 4 track EP of nasty Modern Funk meets House Music entitled the "Nothing Twice" EP. Touching on driving Boogie fueled business ("Better Think Twice") , low slung pulsing funk of ("Don't You Know I Need You"), shimmering disco vibes ("My Soul Eats Twice"), and a bit of a melancholy strut ("I Need You More Than He") - the songs are strung together my deft vocal chops sung live in the studio - no samples here! Out worldwide mid November on digital and 12".

Buy 12" / Digi

Phil Gerus - Nothing Twice EP [TEASER MIX]

THE BAKER BROTHERS - CHANCE AND FLY - from album 'Transition Transmission'

Instrumentals of the full Diamond Ortiz "Loveline" LP .

"Representing the Bay Area branch of MoFunk's ever-growing tree, Diamond Ortiz brings you "Loveline," his first full-length with the label. Fueled by the success of the "Zooted" single and subsequent "Boomerang EP," Diamond continues to expand on his heavy-bottomed, pulsating, soulful brand of funk. Underscored by deep synth bass lines and skull-shattering hand claps, contrasted perfectly with beautiful melody and joyful sentiments, as exemplified by song titles such as "She Chose Me," "We Clicked," and "Natural Fun."

His sound is not simply “retro” or “old school” as it has a place in the modern day pantheon of electronic music. He has featured with a who's who of LA Rappers from Kurupt to Nipsey Hussle, and current noise makers like LNDN DRGS, G Perico, Polyester, Disko, Teeko & Warm Brew to name a few. Diamond represents his Bay Area funk lineage faithfully into the future by connecting scenes and being a proponent of authentic G-Funk.

Weaving interchangeably between instruments & the human and electronic incarnations of his voice, it's easy to draw comparisons between his talkbox technique and those of his more iconic predecessors. Yet, while he makes reference with reverence, he does it in his own way, having distilled the blueprints of many into the sound of one - and it's ready to be heard in full on "Loveline."" -MofunkRecords.com

--Nov 18, 2016. Available on 12" LP, CD, & Digital at MofunkRecords.com

***
All selections written, produced, & performed by Jeremy Diamond-Ortiz. (Guitars, Bass, Synths/Keyboards, Talkbox, Drums/Programming, Vocals by JDO)

"In The Cut Like Whaat" written by Crystal Jackson, Reality Jones, and J. Diamond-Ortiz.

Additional vocals by Reality Jonez & Crystal Jackson

Recorded and mixed at Bronson-Chula Vista Studios, Hollywood, CA.

Mastered by Gus Elg.

Album release date:
24 December 2016

2. Cellular  Extended Dub

The best of B-Boy Battle Breaks cut and mixed by oliZen.

There are four primary elements that form B-Boying. They are toprock, downrock, power moves, and freezes.

Toprock generally refers to any string of steps performed from a standing position. It is usually the first and foremost opening display of style, though dancers often transition from other aspects of b-boying to toprock and back. Toprock has a variety of steps which can each be varied according to the dancer's expression (i.e. aggressive, calm, excited). A great deal of freedom is allowed in the definition of toprock: as long as the dancer maintains cleanliness, form, and the b-boy attitude, theoretically anything can be toprock. Toprock can draw upon many other dance styles such as popping, locking, tap dance, Lindy hop, or house dance. Transitions from toprock to downrock and power moves are called "drops".

Downrock (also known as "footwork" or "floorwork") is used to describe any movement on the floor with the hands supporting the dancer as much as the feet. Downrock includes moves such as the foundational 6-step, and its variants such as the 3-step. The most basic of downrock is done entirely on feet and hands but more complex variations can involve the knees when threading limbs through each other.

Power Moves are acrobatic moves that require momentum, speed, endurance, strength, and control to execute. The breaker is generally supported by his upper body while the rest of his body creates circular momentum. Some examples are the windmill, swipe, back spin, and head spin. Some power moves are borrowed from gymnastics and martial arts. An example of a power move taken from gymnastics is the Thomas Flair which is shortened and spelled flare in b-boying.

Freezes are stylish poses that require the breaker to suspend himself or herself off the ground using upper body strength in poses such as the pike. They are used to emphasize strong beats in the music and often signal the end of a b-boy set. Freezes can be linked into chains or "stacks" where breakers go from freeze to freeze to freeze in order to hit the beats of the music which displays musicality and physical strength.

B-Boy Battle Breaks - 30min Mixtape

Teddy Pendergrass - You cant hide from yourself (Zakat Project clubmix)

03 ENDLESS FLIGHT (DJ KAWASAKI REMIX

Buy / Stream here:

Spotify: https://spoti.fi/2GjGCNF
Apple Music: https://apple.co/3itjJEl
Amazon Music: https://amzn.to/3ndpF8k

Bandcamp (Order Vinyl LP): https://bit.ly/2FM3FA8

-------------------------------------------------------------------------------

Neo funk rising star Buscrates aims high with Blasting Off, his 
first full-length album. The Pittsburgh-based keyboard 
cosmonaut has been grabbing ears since his days hooking up 
beats with the hip hop crew East Liberty Quarters, but after 
slinging spicy one-offs to a slew of hot labels like Omega 
Supreme, Voyage Funktastique and Razor N Tape (as well as 
contributing production to Wiz Khalifa and Curren$y’s 2009 
project), the time has come for a full-length featuring his 
growing modern funk repertoire. 
“I’m a ‘90s hip hop dude, but I grew up on that ‘80s funk stuff,” 
Buscrates acknowledges. DJ gigs provided a working 
knowledge of the jams that moved a contemporary crowd, and 
as his collection of keyboards and drum machines grew he 
began blending the best of both decades with his personal 
futuristic edge. “I was nice on the MPC but I wanted to have a 
little more dynamic range with what I was doing,” he notes. The 
self-described “certified synth geek” was soon branching into 
sounds that recalled ‘80s legend Kashif crossed with the hip 
hop bounce of DJ Spinna, and the modern funk community took 
notice. 

For his first full-length, Buscrates has crewed up with an ace 
team of collaborators, featuring vocalist Sally Green on the 
bouncy lead single “Lost And Found” and “Eight Nine.” Kate 
Moe Dee takes over mic duties for the second single, “How Ya 
Gonna Do It,” a slinky groove that slides in place alongside 
groups like the Sunburst Band and Rene & Angela as an 
exemplar of sophisticated R&B. Adding to those credentials are 
the sultry vocals of Anda on “Believe,” but of course, it wouldn’t 
be a Buscrates set without some stank, neck-snapping 

instrumentals. “Five Days” and “Sure Shot,” both collabos with 
the drum technician DJ Epik, will rattle speakers and have 
already been lighting up message boards on recent Buscrates 
DJ sets. Round things out with some easy gliding, jazzy funk 
(“Turn It Out” with Brothermartino on flute and “Evergreen” 
featuring Tony Ozier) and you’ve got all the ingredients for a 
high-flying cosmic ride with Buscrates at the controls.

Teddy Pendergrass - You cant hide from yourself (Zakat Project clubmix)

zakatproject

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