From Foster The People's debut album TORCHES available May 24.

Pre-order now and receive "Pumped Up Kicks," "Helena Beat," and "Houdini" instantly.


RUB1337 WAS HERE

Torches

Pumped Up Kicks

Metermaids "ROOFTOP SHAKE" LP available now on CD & MP3 at:
http://tinyurl.com/RooftopShakeLP
Also available on iTunes: http://itunes.apple.com/us/album/rooftop-shake/id453778911

This album features Sage Francis, Buck 65, cuts by DJ Rob Swift and production by 9th Wonder.
www.StrangeFamousRecords.com

GHOST TOWN - Metermaids

Download the album on iTunes: http://bit.ly/xRDCQe

Get the CD and vinyl at your local Indie Record Store http://www.recordstoreday.com

Evanescence

My Heart Is Broken

Black ops zombies damned remix. hope you enjoy 

Zombies Dubstep

Snow Patrol - Set the fire to the third bar ft. martha wainwright

This song is the seventh track on the official demo release of Evanescence, Origin.
The sample used in the instrumental for this song was used also in Snow White Queen from The Open Door.
Another amazing track that became legal to download, due to the release of Fallen, and due to Amy and Ben thinking that this material is old and low quality.

Evanescence - Even In Death

Secret, The Pierces, Thirteen Tales of Love and Revenge, 2007

Secret - The Pierces

From the album: Fallen
Released: 2003
Buy on iTunes: http://tinyurl.com/chdy4e

Get the CD and vinyl at your local indie record store
http://www.recordstoreday.com


Fallen

Bring Me To Life

Look for the song on iTunes: http://bit.ly/9bCSPr
(This song is a B-Side from THE OPEN DOOR)

Get the CD and vinyl at your local Indie Record Store http://www.recordstoreday.com


Together Again

MURCOF + PHILIPPE PETIT: 1st chapter
(LP + CD + Digital / Rev. Lab. - Aagoo)

Release date: September 2013

www.aagoo.com
www.revlaboratories.com

Fernando Corona
Hailing from Tijuana, on the Mexico/US border, and now a Barcelona resident, Fernando Corona rose to attention as part of Mexican collective Nortec, mostly for his work as Terrestre, but it is with another project, Murcof, that he has made an extremely strong impact. Merging micro-beats with samples of contemporary classical music, his work, often crystallised into sweeping haunting pieces, bridges the gap between Arvo Pärt or Henryk Górecki and part of the electronic scene of today. He is credited with being one of the main influences of the likes of Erik Skodvin and of many of the artists who have appeared on Miasmah in recent years.
www.murcof.com

Philippe Petit
This self-styled musical activist began his career as a journalist and DJ in his native Marseille, and went on to form Pandemonium Rdz., a label with which he explored the outer reaches of experimental rock, before turning his interest to electronic music by setting up BiP_HOp Records at the beginning of the noughties. Since 2009, his focus has shifted once again, this time on his own music, a refined blend which can incorporate elements of experimental rock rock or classical music and can take the form of complex electronic, electro-acousticism, experimentation or turntablism. Although Petit occasionally works alone, it is in the collaborative space where he truly thrives, casting his sonic world against that of the likes of Eugene S. Robinson, Lydia Lunch, Pietro Riparbelli, Bella Emerson, Cosey Fanni Tutti, Asva & loads more... 
www.philippepetit.info

The album
The meeting of such unconventional musicians was always going to result in a pretty incredible piece of work, but confronting such strong identities and getting them to work together was not a given. For the past three years, Philippe Petit and Fernando Corona have regularly played live together, undoubtedly refining their collaboration with each new performance and finding the right balance between their respective sound worlds. The result is this album which equally finds its roots in Murcof’s modern classical influences and Petit’s coarse post modernist soundscaping.
The album may barely reach the forty minute mark, but in the space of three tracks, Corona and Petit create a magnificent soundtrack which teems with haunting choral chants, lush string work and unsettling atmospherics. This album is rooted in ancient myths and legends, borrowing from Greek mythology for "The Call Of Circé", daughter of Helios and powerful enchantress, and winged divine horse "Pegasus", or from Nordic tales of giant squid-like sea monsters on "The Summoning Of The Kraken". This very much characterises the epic proportions of this album, echoing in parts the amplitude of Murcof’s "Cosmos" (Leaf, 2007), and in others Petit’s equally ambitious "Off To Titan" (Karlrecords 2010), but they temper this with much more delicate moments, for which they assemble incredibly detailed and refined atmospheric passages.
Clocking at just over twenty minutes, the opening piece "The Call Of Circé" is articulated around a series of sequences which range from stern, doom-like guitar stabs and harsh percussive noises to eerie choral laments and theatrical vocal flourishes. The haunting melodies and ambiences of the first half are slowly broken apart by the recurring thuds of metallic percussions. When these recede, the mood has become darker, grittier, more oppressive, and remains as such for much of the remainder.
"Pegasus" recalls some of the more baroque treatment Murcof experimented with on his commissioned work for Les Grandes Eaux Nocturnes de Versailles, especially through his use of the viola de gamba as a primary sound source, but this sound source becomes corrupted as the track progresses, perhaps subject to Philippe Petit’s radical decay processing, until only a few distorted strands of grating bowed strings remain.
With the last track, Corona and Petit opt for an overall softer, warmer atmosphere, but there is a lingering feeling of impending danger lurking below the surface of the whole piece. This is marked by the use of sparse percussions, magnified vinyl crackles and processed guitars and textures which, assembled in various combinations, weight heavily on the otherwise almost pastoral nature of the composition.
Philippe Petit knows how to find collaborators with whom he can go beyond his own sonic universe and make them venture into unfamiliar territories, and he is an expert in making these collaborations gel perfectly. And this is one hell of a collaboration: two artists, each with this visionary approach, working together to create a truly magnificent piece.
WRITTEN BY Bruno Lasnier / January 2013 (www.themilkfactory.co.uk/st/)

MURCOF & PHILIPPE PETIT : The call of Circé

Ghost town-Atomic City of Dead

My 2nd day of learning the solo. Just wanted to record the whole song. :P enjoy XD 

Avenged Sevenfold - Lost

Not Ready to Die

Not Ready to Die (From "Call of the Dead")

Nightmare

Welcome to the Family

Carry On

So Far Away

Lost It All (B-side)

Ghost Town's debut album Party In The Graveyard featuring 'You're So Creepy' is available now on Fueled By Ramen! Download the album at http://smarturl.it/partyinthegraveyard

iTunes: http://smarturl.it/ghosttown-itunes
Website: http://officialghosttown.com
Facebook: http://facebook.com/officialghosttown
Twitter: http://twitter.com/ghosttown
Tumblr: http://officialghosttown.tumblr.com
Instagram: http://instagram.com/ghosttown
Store: http://store.officialghosttown.com

FOR ARTWORK:
http://imamachinist.com
http://alisterdippner.tumblr.com
(Original artwork by Im A Machinist)

LYRICS
for so long now i've been coming to your rescue (got me thinking i'll get you)
and i'm serious when i say i'm over it
i'm over it (and all your fuckin lies)

that you'll stick around
stay on my side of town
now i'm covered in blood and i'm feeding off your pretty little lies

for once why can't you just come and chase me
dig up my grave and save my body
now i'm rotting to the bone
but my hearts still beatin
hopin you won't leave me

creepy girls
you're just my style 
blood red lipstick 
you don't smile
falling victim to your fantasy
damn, i love it that you're so creepy

now you're risking it all
for some creepy girl
with a blacked out rage that'll cast a spell
don't tempt hershe's got those evil eyes

now you're risking it all
for some pinup doll
who drinks in the am
fucks in the pm
treats all the boys like she don't need em 

creepy girls
you're just my style 
blood red lipstick 
you don't smile
falling victim to your fantasy
damn, i love it that you're so creepy

moo

Zambi3