very  addictive shared at http://thecuriousbrain.com/ well done :-)

Have you thought about producing other artists?

Artist: Zammuto
Title: IO
Album: Anchor

Official Video:

https://www.youtube.com/watch?v=ETMhibbH2bA

Release Date: September 2, 2014
 iTunes Here:

http://smarturl.it/Anchor-iTunes
©2014 Temporary Residence Ltd.

Special Edition Colored Vinyl with Hand Silk-Screened Cover available at:
zammutosound.com/physical-store

Tour Dates:

10/26/14 Sun     New York NY      LPR
10/27/14 Mon   Philadelphia PA Boot & Saddle
10/28/14 Tue     Washington DC DC9
10/29/14 Wed   Durham NC         Pinhook
10/30/14 Thu     Atlanta GA          Drunken Unicorn
11/01/14 Sat       Asheville NC       The Mothlight
11/02/14 Sun     Nashville TN       High Watt
11/03/14 Mon   Louisville KY        Zanzabar
11/04/14 Tue     Cincinnati OH     Southgate House (Revival)
11/05/14 Wed   Columbus OH    The Basement
11/06/14 Thu     Buffalo NY           Sugar City
11/07/14 Fri        Boston MA         Great Scott
11/08/14Sat       North Adams MA   The Elks
lyrics:

Set, I'm gonna fit right in when I put on my good clothes,
All I gotta do is pick six digits then I'll live among the innermost,
Another cannonball, waiting for the axe to fall on the shit catapult,
people say I ain't got no soul, but who knows.

Set, stagflating on the inside, another sunny day,
Gonna press the button over and over and I can’t wait for the eighties to be over again,
If I don't give it up, how they gonna trickle down, I put my shit on the catapult,
My face is just a stepping stone, could go to Canada, could go to Mexico.

Ooh, another hot night cinematic, brand new fully-automatic soul

muscle truck is just a metaphor

Set, invisible hands gonna pull all the money out,
Gonna take every red cent, why you gotta be so reticent,
People say you gotta learn to love the smell when you run the shit catapult,
People say I ain't got no soul, but who knows,
My face is just a stepping stone, could go to Canada, could go to Mexico.
 

"MG 333" by Richard Swift from 'Walt Wolfman'. Originally released 10/18/11 on Secretly Canadian

About a year ago, Richard Swift horrifically fractured his left ring finger. For a moment his nimble guitar and piano work flashed before his eyes. Doctors were saying things like "movement and feeling could eventually return," etc, etc. Certainly, not even a little blip on the sadness radar of humanity, but a massive bummer for a fellow who has carved out a niche as one of independent music's sought after session players and producers -- and especially in relation to the astounding Richard Swift solo output we all know and love.
So, it's with a great, collective sigh of relief that he's back to churning out new material like "Whitman." It's chugging, chiming and triumphant, featuring Swift's always-endearing falsetto and casual call-and-response lyricism. "I've got my own Whitman...Farewell, farewell/I hope it did you good/To say the things/My father never could," Swift pines. The song is a cryptic salute to Walt Whitman, whose American lineage of primal, urgent art can be traced to include Kerouac and Dylan, Bo Diddley and Beefheart -- right on through to modern outsider-pop wunderkinds like Swift. And according to Swift, "Whitman" is a nice taste of what we can expect from his next longform recording.
The same can be said for the remainder of the Walt Wolfman EP. Conceived in the same spirit that gave us 2008's cult favorite Ground Trouble Jaw EP, these blown-out, basement R&B rippers are not for the faint of heart. They require movement and sweat, dancing with a cocktail glass in your grip until your shoes are soaked in booze. Highlight of the set, "MG 333," is a raw and ghostly trance, a blast of kinetic energy and jazz cigarette smoke. Meanwhile, the neu-vintage jive of "Drakula (Hey Man)" and "Zombie Boogie" pack a timelessness that transcends their seasonal titles. And yeah, that's Swift himself on rapid-fire drums across the whole damn set. Shit, he might have been fine without that measly finger after all.

"MG 333" by Richard Swift from 'Walt Wolfman'. Originally released 10/18/11 on Secretly Canadian

Walt Wolfman

MG 333

Richard Swift - "MG 333"

Taken from Laura's 'Committed Language' EP

Buy: https://deekrecordings.bandcamp.com/album/committed-language-ep


Laura Groves - Dream Story

Ought - "Beautiful Blue Sky"
from 'Sun Coming Down'

available 18 September 2015 on Constellation:
cstrecords.com/cst115

Sun Coming Down

Ought • "Beautiful Blue Sky"

First track from remix EP, Revisionism, out 16th September. Alongside Mikey Young (Total Control), the five tracks include remixes by Broken English Club, Shift Work, Group Zero, and Tom Furse of the Horrors. 

Pre-order Revisionism
http://smarturl.it/RevisionismEP 
Buy Zero Triptych (Mikey Young Remix)
http://smarturl.it/MikeyYoungRemix 

Girls Names on tour:
Aug 31st | Berlin, DE - Pop-Kultur Festival
Sept 3rd | Stradbally, IE - Electric Picnic 2016
Sept 21st | Gothenburg, SE - Pustervik
Sept 22nd | Stockholm, SE - Bar Brooklyn Disaster
Sept 24th | Helsinki, FI - Bar Loose
Sept 25th | Riga, LV - Nabaklab
Sept 29th | Krakow, PL - Klub RE
Sept 30th | Vienna, AT - Chelsea
Oct 1st | Brno, CZ - Fleda
Oct 2nd | Budapest, HU - Durer Kert
Oct 4th | Belgrade, RS - Elektropionir
Oct 6th | Bucharest, RO - Control Club
Oct 7th | Sofia, BG - Mixtape 5
Oct 8th | Skopje, MK - MKC

Girls Names - Zero Triptych (Mikey Young Remix)

Taken from the forthcoming album 'Totem' - out Jan 27th via Tambourhinoceros.

Album 2

Esca

Taken from the digital only Remix EP, featuring tracks taken from C Duncans' album 'The Midnight Sun', reinterpreted by Dutch Uncles, KDA and Babe.

London-based house music producer remixes C Duncan's 'Do I hear'. It would sit nicely next to Kid A-era Radiohead, with C Duncans original piano over KDA's skittering drums and modest bassline that builds to a euphoric ending.

Out on FatCat. https://fat-cat.co.uk/release/like-you-do-remixes

C Duncan - Do I Hear - KDA 35 Re-Edit

Out on limited 10" (250 copies)Friday 1st December - pre-order here:

http://speedywunderground.com/shop/

SW022 - Flamingods - Hyperborea (Part 1 & 2)

'Destroyer' is taken from The Green Child's self-titled debut album out January 12th through Upset The Rhythm.

Available to pre-order here now:
http://upsettherhythm.bigcartel.com/

Artist:  The Green Child
Title: The Green Child

Label: Upset The Rhythm
Catalogue Number:  UTR102
Release Date:  Friday 12 January

Track listing:
01. Traveler
02. Her Majesty II
03. Bertha
04. New Years Eve
05. 46 Timelines
06. Walking Distance
07. Marie Elene
08. Destroyer

The Green Child is the long distance musical collaboration of Mikey Young and Raven Mahon, who met in 2013 when their bands, Total Control and Grass Widow played a show in Oakland, California. They started writing songs together in Australia in 2014 and the project has been on a slow burn since. Their self-titled debut album is the culmination of few years of putting ideas together internationally and periodically recording in Mikey's home studio. Some of the lyrical content and the band's name was inspired by Herbert Read's 1935 utopian, communist, sci-fi novel called The Green Child. 

With such a choice name, it’s no surprise that The Green Child draw their sound from an illusory past as much as they stalk into pastures new. Broadly retro-futuristic in scope, verdant acres of lushly evocative synthesizers and blippy drum machines underpin most of their upbeat yet decidedly uncanny songs. Raven’s calmly scenic and measured vocal flits like a will-o’-the-wisp throughout the tracks, proffering a guiding hand as she walks us through the often eerie, electronic concoctions. 

‘Traveler’ opens the album all redolent, beat-minded and labyrinthine. Twisting melody lines swirl and envelop like a sandstorm, whilst Raven coolly projects on a “solitary man” lost to “green oblivion”. Similarly, ‘Her Majesty II’ glistens with its playful yet plaintive vocal and iridescent arpeggios, whilst ‘Bertha’ slows things down with tumbling chimes and stately use of space.

The Green Child are adept at atmosphere, their songs are refined from gently unfolding ideas that never fail to realise and build to their potential. Tracks like ‘Walking Distance’ (featuring Al Montfort on saxophone) and ‘New Years Eve’ are exercises in evolved composition with ideas budding off and blossoming into truly resonant dimensions. The band’s cover of ‘Marie Elene’ (by Keith Pearson) and closing track ‘Destroyer’ are further crowning achievements, both pieces subtly handled with poise and ample melancholic grandeur. The Green Child fix their sights on the heights they want to reach within their songs and much like the project itself don’t want to rush to the finish line. When it becomes more about the unfurling journey, why not take the time to enjoy the trip and burn slower?

‘The Green Child’ is due for release on January 12th through Upset The Rhythm on 180g black vinyl, accompanied by some spirited sleeve design by James Vinciguerra.

The Green Child

The Green Child - Destroyer

From the album Warrior, available April 6, 2018 from Western Vinyl

Bandcamp: https://airwaves.bandcamp.com/album/warrior
iTunes: https://itunes.apple.com/us/album/warrior/1337353378?ls=1&app=itunes
WV: http://westernvinyl.com/shop/wv167

The album cover for Warrior, the third full-length by Brooklyn-based band Air Waves, features a ominous, androgynous figure standing with a bicycle, wearing a gas mask adorned with a daisy.  The remarkable image was taken on April 22nd, 1970 at the inaugural Earth Day celebration in New York City by Nicole Schneit’s dad, Martin Schneit.  Forty-seven years later, artist Em Rooney hand-painted Schneit’s original black & white photo, resulting in an image that radiates with Warrior’s indefatigable spirit, strength, and love.

Like many queer women, Nicole Schneit is a warrior by necessity, fighting for basic rights, dignity, and acceptance.  Such determination in the face of hardship and injustice runs in Schneit’s family; her new album was inspired in part by her mom who was diagnosed with fallopian cancer last year.  As she explains, “The doctor told her she had a fifteen to twenty percent chance, and her response was ‘I’m going to get this mother fucker.’ So the title ‘Warrior’ and the song are about her. After chemotherapy,  surgery, and then more chemotherapy, all the cancer in her body has left and she's currently in remission. I feel like most of the people in my life, including myself, are warriors and have overcome obstacles that seemed impossible to defeat.”

The dignified fighter archetype referenced in the album’s title is explored on each of Warrior’s eleven pieces of bittersweet, empowering indie pop.  According to Schneit the song “Gay Bets”, written after the 2016 election is “about being gay and being proud and open. I was thinking about hate crimes spiking and the current state of the world. My friend Jennifer Moore, who sings on the track, was my partner a long time ago, so I felt like I was writing a fuck you to Trump, for trying to take away queer rights, women's rights, people's rights.”  The song “Tangerine” was inspired by the film of the same name in which two trans women try to make ends meet as prostitutes. This movie, a dark docu-comedy shot in the contrastingly sunny setting of L.A., reflects Schneit’s battle between identity and society via Brooklyn pop rock that swings between the pastel-tinged and the downright melancholic.

On the album’s gorgeous closer “Blue Fire,” (inspired by the Adrienne Rich poem "The Will to Change") Schneit equates her post-presidential-election anxiety to a flame that grows and recedes, as she pleads for herself and listeners to remain calm. Like its namesake, the track burns slowly and brightly into one of the most glowing points on the record, leaving the listener smiling with thoughtful hope.  Warrior’s highlights, and all of the unmissable, satisfying pieces that tie them together show Schneit’s perseverance and resilience through crumbling relationships, personal adversity, and the current political climate, all leading to her most powerful collection of songs to date. Understated, subtly sophisticated, and equally empowering and comforting, Warrior launches Air Waves above the apolitical complacency of too many of the group's contemporaries.  Schneit proudly declares her mission statement: “I want these songs to be heard by people in my queer community, but also by anyone that wants to feels strong, powerful, and included.”

Warrior

Air Waves - "Warrior" ft. Kevin Morby

Monday

Our second album is called "Anchor", it comes out on September 2nd on Temporary Residence LTD. 

You can order the special edition colored vinyl at zammutosound.com


Io

zammuto

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