So thematic!!!  You work so well with themes!!! 

Reminds me a 70's action packed show ...with a international espionage and surrealist twist all mixed with a Tequila Sunrise 

released on Cassettes from Field Hymns Records
http://www.fieldhymns.com/fh035-plvs-vltra-yo-yo-blue/

http://shop.fieldhymns.com/album/yo-yo-blue

https://plvsvltra.bandcamp.com/

Yo-Yo Blue (Cassette Mix)

This is the slowed down version. It is  funkier now but just a little but it really needs a better bass line.

Eustace

Here is another qy70 song from Zblofu and ZeGoGo to keep you entertained. It is sort of a funky poppy instrumentaly type thing-a-ma-bob. This one was dona all in the box as it were (and is.) Used Uhe Ace (bass)and Xfer serum (talky sounds)as well as Madrona Labs Aaalto (pads and lonely wails) The acidy lead line is from that freeware royalty TAL-NoiseMaker. Who is Jeffery Wong?

Gang of Horse

Théo et Clouclou reviennent du pays du soleil levant.

https://soundcloud.com/lamamies Radio Show, every two weeks on www.lemellotron.com from 6 rue Beaurepaire, Paris 10 with love.

Shows & archives › www.lemellotron.com/la-mamies

Mamie's Radio Show #30 Special Asian Diggin for Big Matt' birthday

Today I received this audio from a person who claimed to be in a corporate meeting about at Energy Transfer Partners - the company in charge of building the Dakota Access Pipeline.  I am told the person speaking here is Matthew Ramsey, the COO of Energy Transfer Partners and that the recording was made from a mandatory meeting earlier today. 

It appears to be authentic.

Please pay attention to what happens at 6:30 into the audio. 

"Election night changed everything," says the voice on the audio. "We're going through a transition where we will have a new President of the United States. And he gets it. We fully expect as soon as he is inaugurated his team is going to move to get the final approvals done and DAPL will cross the lake."

Recording from a Corporate Meeting about the Dakota Access Pipeline

daylight savings

Every Hour

Written, Produced, and Performed by Genevieve Artadi 
Additional Production by Henry Haliwell 
Bass Played by Andy McCauley 
Mixed and Mastered by Michael Stegner

buy on bandcamp: genevieveartadi.bandcamp.com
video link: https://www.youtube.com/watch?v=UUkzuYOt2UE
support genevieve on patreon: https://www.patreon.com/genevieveartadi

lyrics:
get out of my brain you've got to leave me alone, stop this echo 
let me have the way it was before you came and cast your shadow 
get out of my way you've got me seeing nothing, cycling, falling 
shrinking into something i don’t wanna be i’m nowhere with nowhere to go 

nowhere to go 
nowhere to go 
nowhere to go 

get out of my head you’ve got to let me let go, let me let be 
let me have the way it was before you came and cast your shadow 

get out of my way u’ve got me seeing nothing, cycling, falling 
shrinking into something i don’t wanna be i’m nowhere with nowhere to go 

nowhere to go 
nowhere to go 
nowhere to go

The New One

Nowhere to Go

Technology is one of the great drivers of musical change, and often one of its least understood. In this episode, we explore the synthesizer, looking closely at the history of this ubiquitous (and often debated) piece of musical technology, and investigating how and why it was first used in a variety African musics. Enabled by groundbreaking record reissues by synth pioneers like William Onyeabor (Nigeria) and Hailu Mergia (Ethiopia), disco stars like Kris Okotie, and South African superstar Brenda Fassie, we take you back to the ’70s and ’80s, listening to the birth of a distinctly African electronic sound.

Produced by Sam Backer. 

Follow Afropop Worldwide on Facebook at www.facebook.com/afropop, on Instagram @afropopworldwide and on Twitter @afropopww.

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Distributed 7-6-2017. Originally aired in 2013. 

[APWW #676]

Afro-Tech: Stories of Synths in African Music

Nexus (Instrumental)

Performed/produced by Mitchell Siburg

Eustace

zblofu

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Elisa Faires

Elisa Faires

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