Classical Bangers 🎹🎻

Le Cygne (Camille Saint-Saëns)

Tiesto & Samuel Barber - Adagio For Strings (Dynatonic & MR.V.ID Remix)

Christoph Willibald Von Gluck and Gioachino Rossini Compositions

Rossini: Il Barbiere Di Siviglia Overture - Andante Maestoso - Allegro Vivace

Wolfgang Amadeus Mozart, Vol. 1

Requiem in D minor, K. 626 Lacrimosa

BO "Midnight In Paris"
Composé Par Jacques Offenbach
Interprété Par The Czech National Symphony Orchestra 
Réalisé Par Woody Allen

Midnight In Paris (Music From The Motion Picture)

Can-Can From "Orpheus In The Underworld"

I do believe that electric over-driven guitar is definitely sophisticated instrument.

Antonio Vivaldi, Concerto No. 4 in F minor, Op. 8, RV 297, "L'inverno" (Winter), Allegro non molto

French Suites 4, 5 & 6

French Suite No. 5 in G major, BWV 816: I. Allemande (Original Version)

Kneeling Before Giants

William Tell Overture (Gioachino Rossini)

I feel  like dancing in the  moonlight....moonlight sonata/Mondscheinsonate (first movement) played  by  Bastian Lee Jones just  after  his  recovery  from his  bicycle  accident, where  he  broke  his both  arms: 
http://youtu.be/yOSTsS-bHxU
http://youtu.be/lyJ6vYBKtdA
http://www.facebook.com/bastianleejones
EARMErecords LC 29347  ISRC DE-QB2-14-00048

©2022 composed by Ludwig van Beethoven  - ©2022 photo source: google search & copyrightowner & design by Bastian Lee Jones 
P-Line 2022 by  by Bastian Lee Jones Mediagroup® - LebenslustTV®Ltd. & EARMErecords - Bastian Lee Jones

Moonlight Sonata Op. 27 No. 2 (adagio sostenuto)

all buy & follow links

Ludwig v. Beethoven - Moonlight Sonata Op. 27 No. 2 (adagio sostenuto)

Composer: Wolfgang Amadeus Mozart
Revoicing: Larry Nickel
Publisher: Cypress Choral Music

visit https://cypresschoral.com to study the score while you listen

Ave Verum Corpus - (SSAA) - Wolfgang Amadeus Mozart; arr. Nickel

Antonio Vivaldi:Concerto No. 2 in G minor, Op. 8, RV 315, "L'estate" (Summer), mvt. Presto (Storm)

Live Recording at Philharmonie Essen | 21 February 2009

Asta Kriksciunaité, Sopran
Laima Jonutyté, Mezzosopran
Audrius Rubezius, Tenor
Ignas Misiura-Tumanov, Bassbariton
Chor der Universität Witten/Herdecke
das junge orchester NRW
Musikalische Leitung: Ingo Ernst Reihl

Giuseppe Verdi: Messa da Requiem - Excerpt from "Dies Irae"

Album release: June 2017

An intense and fascinating exploration of the myriad facets of the violin over the centuries
Kaleidoscope. That single word encapsulates Elsa Grether’s aim in her new album: to illustrate the full expressive range of her violin by exploring its repertory in all its stylistic diversity. From Bach’s famous Chaconne to Ton-Thât-Tiet’s contemporary idiom in Métal terre eau, by way of Eugène Ysaÿe, Aram Khachaturian, Arthur Honegger and Isaac Albéniz, the violinist’s third release for Fuga Libera offers a cocktail of colours and timbres. She charms her listeners with an invariably elegant sound and firmly sculpted lines as she invites us to explore this multifaceted instrument. A voyage of discovery across time, space and aesthetics that will appeal to the widest audience!

Sortie de l'album : Juin 2017

Un voyage intense et passionnant dévoilant les mille facettes du violon à travers les siècles.
Kaléidoscope. Ce seul terme décrit le propos d’Elsa Grether dans son nouvel album : illustrer l’ensemble de la palette expressive de son violon en explorant toute la diversité stylistique de ce répertoire. De la fameuse Chaconne de Jean-Sébastien Bach au contemporain Métal terre eau de Ton-Thât-Tiet, en passant par des pièces d’Eugène Ysaÿe, Aram Khatchatourian, Arthur Honegger ou encore Isaac Albéniz, la violoniste nous emmène pour son troisième opus chez Fuga Libera dans un cocktail de couleurs et de timbres. Elle charme par un son toujours élégant et aux lignes bien dessinées, et invite à l'exploration de cet instrument aux mille facettes. Une découverte à travers le temps, l’espace et les esthétiques à mettre entre toutes les mains !

Cantos de España, Op. 232: V. Asturias, leyenda in G Major

Pyotr Ilyich Tchaikovsky: Swan Lake Suite, Op. 20a - Waltz - Cleveland Institute of Music - 26 Sep 2010 

Me playing the tuba part in the student orchestra.

http://instantencore.com/music/details.aspx?PId=5076705

Tchaikovsky - Swan Lake Suite, Op. 20a - Scène- Cleveland Institute Of Music - 26 Sep 2010

Sergei Prokofiev  Romeo And Juliet Suite No. 2 From The Ballet Op. 64ter (1936)

A contemporary version Erik Satie's timeless Gymnopédie No.1 - Brought to you by Remixdj.

Satie Amazon
https://www.amazon.com/Erik-Satie-Essential-Collection/dp/B00J0LBFIG/

Satie iTunes
https://music.apple.com/gb/album/erik-satie-the-essential-collection/918615441

Best of Satie
https://play.google.com/store/music/album?id=Bditbkfgfdqvxx7hansrl6qhy4y

Satie Compilation
https://open.spotify.com/album/0vzKMInu4PzU2Qyi6NgmRK

Erik Satie Album
https://www.deezer.com/us/album/7540311

Best of Satie Playlist
https://www.youtube.com/watch?v=mk2SNcpTNbs&t=68s

Erik Satie The Essential Collection

Gymnopédie

🎥 VIDEO

Gymnopédie No.1 - Satie

Claude Debussy’s Clair de Lune is the third movement of his Suite Bergamasque, written for solo piano and completed in 1905. The title, meaning “Moonlight,” is inspired by Paul Verlaine’s poem, evoking a serene and reflective atmosphere. The piece epitomizes French Impressionism, focusing on mood and imagery over traditional form.
Structure and Atmosphere

The piece is in ternary form (ABA):

    Opening (A):
    A soft, flowing melody emerges over delicate arpeggios. The music feels weightless, like moonlight shimmering on water. Debussy uses rich harmonies and seventh chords to create a dreamlike quality, with a tender, introspective mood.

    Middle Section (B):
    The dynamics intensify, with fuller textures and soaring melodic lines. This section brings a sense of emotional depth and urgency, contrasting with the calm opening. Arpeggios cascade dramatically, giving the impression of moonlight suddenly brightening or revealing hidden beauty.

    Closing (A):
    The opening material returns, slightly varied, fading into a gentle, whisper-like conclusion. The piece ends as quietly as it began, leaving a sense of stillness and wonder.

Musical Features

    Harmonics: Debussy’s use of whole-tone scales, parallel chords, and non-functional harmony creates a suspended, ethereal soundscape.
    Melody: The lyrical melody floats effortlessly above the accompaniment, expressing both simplicity and emotional depth.
    Texture: Light, transparent textures alternate with moments of lush, resonant fullness, embodying the interplay of light and shadow.

Mood and Interpretation

Clair de Lune evokes the quiet magic of a moonlit night, combining serenity with subtle melancholy. Its poetic quality invites listeners to imagine moonlight reflecting on a calm lake, whispering through trees, or illuminating a tranquil landscape. The music feels timeless, blending stillness with fleeting moments of intensity.

Cultural Impact

This iconic piece has been widely used in films (Ocean’s Eleven, Twilight) and pop culture, often accompanying scenes of romance, nostalgia, or quiet reflection. Its universal appeal lies in its ability to evoke deep emotion while remaining understated.
Performance Notes

Expressive dynamics, fluid phrasing, and careful pedaling are essential to capturing its delicate atmosphere. A balance between freedom and control ensures its dreamlike flow remains intact.

Clair de Lune is a masterpiece of impressionistic music, celebrated for its ability to transport listeners into a realm of quiet beauty and introspection.

Claude Debussy - The Essential Collection

Clair de Lune

Clair de Lune - Debussy

Some Classic Dubstep!
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Classical Bangers 🎹🎻

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