The backbone of the track Unfolder is this thundering sound created by having two oscillators, split in stereo, taking turns gliding up and back down in pitch, in scale and very fast.  when the LFO controlling the modulation slows down you are in for a treat.

Simple 314 - Unfolder (stripped)

Kibeatzer & Nick Ray - Quest for Peace

Quest For Peace

The 'proof of concept' title of Pelvic Friction with Z on the bass and voice. After 'The Stunted' and the 'Youpi Jazz Metal' experiences, back to some rougher sound horizons.

Friction

Cristmas Demo 2024 (S344V02)

Icelandic beat maiden Thorgerdur continues to impress, from her outrageous set during our hedonistic weekend in Oslo to her offering to our Free Download series, we are 100% sure there is more to come. Label head of Blossy, her productions sit at the enviable crossroads of introspective electronica and heavy-hitting electro, but this is only part of her narrative. Well-versed in the deeper end of the music spectrum as well as the more peak time shades, her demure outer layer deceptively belies her killer abilities to rock dancefloors from fabric to bürro, CDV to DUQO, as well as the hottest spots around her native Nordics.

An avid digger, Thorgerdur ensures that every time she steps up to the decks she has only the finest cuts in her record bag and her mix for our InSession series is no different. Having scoured the best record stores wherever she travels, her mix is jam-packed with hard-to-find gems and forgotten bangers. If you haven't caught her in action yet, take this as a timely reminder to do so as soon as you possibly can. 

https://www.instagram.com/thorgerdurj_/
https://soundcloud.com/thorgerdur-johanna

Thorgerdur - Trommel InSession 143

Higher with Litli Hrútur

"We're pro-AI and we're pro-consent. Those things don't have to be mutually exclusive." The activists and artists talk about the hot button issues facing AI's governance.

The world is deep in the throes of a heightening debate over AI. Just this week, the Vatican published an essay addressing the potential, and risks, of AI in a new high-tech world as well as its intersection with religion and humanity. In politics, figures like Elon Musk are advising citizens that the US government will become increasingly "AI-first," using data about its individuals to make federal decisions. And in the world of culture and the humanities, the alarm has been sounded on AI's ability to both aid in creativity and homogenise the art and music being produced and consumed, raising concerns that much of what's being released is sounding increasingly the same.

There are probably no better experts on this far-ranging topic than Holly Herndon and Mat Dryhurst, two Berlin-based academics and artists who have entrenched themselves in the world of AI ethics, advocacy and art for the past two decades. Now married, they come from DIY punk backgrounds, both having lived in the Bay Area pre-tech bubble while Herndon completed a Ph.D in Computer Music at Stanford. Their work is primarily concerned with how AI is governed as it becomes more ubiquitous in our everyday lives, and what its implications are for ownership of AI-generated artworks. 

In this urgent and timely RA Exchange, the duo talk about their shift closer to the art world following their 2024 exhibition at The Whitney Biennial and their most recent show at Serpentine Gallery in London, The Call, which will close at the end of this month. It's one of many forward-thinking projects they've worked on to move away from the fear narrative dominating dialogue around how AI is influencing art and music, instead showcasing how machine learning can be used to push art forward. They also address their view of socialist democratic values with the rise of the far right, raising a young child and doing work that sits squarely between activism and art. Listen to the episode in full. – Chloe Lula

EX.751 Holly Herndon and Mat Dryhurst

In a world where AI seems to take over everything, this show recycles / revisits musical experiments from the now 30-year-old zzz.ch website.
I feed fragments of past compositions into AI to generate, remix, and reinterpret them as an infinite stream of slop. I also reverse-play the process, shaping outputs by hand. 
As the machine shifts through styles with only a partial grasp of the original, it may offer a glimpse into how we can engage this inevitable technology in a more sensuous and playful way.
http://slop.is

Welcome to Infinite Slop - This is the first episode

let it be

From minimalist-edm to experimental noise, from the jazz-metal bassist Z and DrilX the high-volume-intended experimental-groove electronica + AI-code-bent persona. Split between Reykjavik, Geneva and San Francisco.

let it be

ZDrilX

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