'Californiyeah (Patrick Ford Remix feat. Main Attrakionz) appears on the 'R!M!X!S' EP released in November 2013. The digital download and 12" are available from,

iTunes - http://smarturl.it/xesjuv
Bleep - http://smarturl.it/h2lrre
Amazon - http://smarturl.it/rl988e
Google Play - http://smarturl.it/qlk2uf

'Californiyeah' is originally from the album 'THR!!!ER' out now on Warp Records. Watch the video for the single at http://youtu.be/Z9QYW2Su6b0

iTunes - http://smarturl.it/bcbvpq
Bleep - http://smarturl.it/qje5gi
Amazon - http://smarturl.it/p9is31
Google Play - http://smarturl.it/mklzs0

http://chkchkchk.net/
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R!M!X!S

Californiyeah feat. Main Attrakionz (Patrick Ford Mix)

Buy at Bleep.com

"Californiyeah" Patrick Ford Remix (feat. Main Attrakionz)

loe ja striimi

EiK - VAATA! (kaasas Luurel Varas, Maris Pihlap, Mattias Tirmaste)

released 2104 on TROUBLE IN MIND
http://troubleinmindrecs.com

Nicht Zu Stoppen

"I AM SITTING IN A ROOM"
for voice and electromagnetic tape (1969)

Necessary Equipment:
one microphone, two tape recorders, amplifier and one loudspeaker.

Choose a room the musical qualities of which you would like to evoke.
Attach the microphone to the input of the tape recorder #1.
To the output of the tape recorder #2 attach the amplifier and loudspeaker.
Use the following text or any other text of ant length:

"I am sitting in a room different from the one you are in now.
I am recording the sound of my speaking voice and I am going to play it back into the room again and again until the resonant frequencies of the room reinforce themselves so that any semblance of my speech, with perhaps the exception of the rhythm, is destroyed.
What you will hear, then, are the natural resonant frequencies of the room articulated by speech.
I regard this activity not so much as a demonstration of a physical fact, but more as a way to smooth out any irregularities my speech might have."

     Record your voice on tape through the microphone attached to tape recorder #1.
     Rewind the tape to its beginning, transfer it to tape recorder #2, play it back into the room through the loudspeaker and record a second generation of the original recorded statement through the microphone attached to tape recorder #1.
     Rewind the second generation to its beginning and splice it onto the end of the original recorded statement on tape recorder #2.
     Play the second generation only back into the room through the loudspeaker and record a third generation of the original recorded statement through the microphone attached to tape recorder #1.
     Continue this process through many generations.
     All the generations spliced together in chronological order make a tape composition the length of which is determined by the length of the original statement and the number of the generations recorded.
     Make versions in which one recorded statement is recycled through many rooms.
     Make versions using one or more speakers of different languages in different rooms.
     Make versions in which, for each generation, the microphone is moved to different parts of the room or rooms.
     Make versions that can be performed in real time.

Alvin Lucier; I am sitting in a room (Original 1969)

Az én szerelmem

Muusika filmile "Polaarpoiss" 2016 rezh. Anu Aun

A cold morning on the edge of the town 
This room is empty and there’s not much left to talk
We’ll take the car and go round and round
Our lives fade into the sidewalk

The night is coming
The night is here
Sometimes I want to put myself away
We all have secrets
We all have lies 
Tonight we dance tomorrow we die

Here and now
Just tell me now
Here and
It’s time o baby
A night much stronger than us

Listen to the radio
I can never let you go
Baby we are high and low
We dance again
Listen to the radio
One more night and then I go
Baby we are high and low
We dance again

It’s been exactly 2 years and 5 days 
The fire watching a burning hand
The same old game
A dead city a broken land

Here and now
Just tell me now
Here and
It’s time o baby
A night much stronger than us

Listen to the radio
I can never let you go
Baby we are high and low
We dance again
Listen to the radio
One more night and then I go
Baby we are high and low
We dance again

Listen to the radio

Safe Mode - High and low ("Polaarpoiss" 2016)

suuta suuta
kommunikeerida
suuta suuta
su huultelt veerida

selgieimgi veel
ma olen ainult sinu peegeldus

selgieimgi veel
see kõik on ainult ettekujutus

suuta süüta
koos eksisteerida
suuta muuta
ja oma kama šeerida

selgieimgi veel
nüüd on meil mille vahel valida

selgieimgi veel
tuvike mis nii viga viga elada

küsimus vana hea
mida ma tegema pean
mida ma tegema pean
tegema pean
ma tean et ma midagi ei tea
kuid ikkagi noogutan pead

nagu allan

loendamas üheksandat lainet
ootamas hetke mõnda kainet

tõuse üles alla
ära anna eal
nõnda ülev allan
suur süda selge pea

näita ennast allan
ava oma meel
pimedast välja valla
kõik nüüd on selgieimgi veel

allan
allan
allan

näita ennast
allan

...............................................................................................................................

Marten Kuningas - laul, sõnad
Raul Ojamaa - kitarrid, digitaalmehaanika
Peedu Kass - basskitarr
Kristjan Kallas - trummikomplekt, raputaja

Kaarel Tamra - helirežii, kokkumäng
Minerva Pappi - master
Helmi Arrak - visuaal


Allan

written by Rasmus Lill, Ivar Mägi
lyrics by Rasmus Lill
mix/master by Andres Nõlvak

Watch the video: https://www.youtube.com/watch?v=mEOERJqHJVw

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Olin poole ööni poole une peal
Sest magama jääda ei julenud ammugi
Seda ilma on liialtki üle pea
Ma räuskasin läppunud õhku ja lahkusin.

Meeled veel avatud, laman
Vasak kõrv lukustund padjal
Ja see senine elu käib ripsme alt läbi
Sinu hääl, valgus ning lõhnad ja pihita häbi

Kõik need lämmatud’ soovid ja unelmad
Kõik planeeritu, milledel lõigatud juhtmed
Planeedid, mis lähemalt vaadates surnud
Kõik soe, mis sind oodates tuhmub

Aastavahetused, hõiked ja siiras soojus silmis
Möödapanemised, lõiked ning ropud pornofilmid
Ajutisus organismis, arutud teooriad
Äiksevihmad, huuled klaasil, valutu eufooria.

Maailm enam ei üllata, ja oh, kas tahaks?
See on lihtsalt maailm, nii omas mahlas
Tunast muusikat kuulates pea tõuseb pinnale
Sirguvad tiivad ning lõug langeb rinnale,

Mu kurgus on lõpmatu leitsaku vari
Ja aknad on avatud akende poole
Emmates langeb mu kopsudest veri
Näib võimatu lubada pilke su hoolde.

Trammiputkasse sinine ämbritäis kulda
Nutsin kojusõidul pärast viimast silpi
Klammerdun, siit sinu abita läbi ei tulda,
Ent kui ulataks käe, siis riivaksin pilti.

Ma sooviksin avada ennast su silmis,
Ent tean, et see hävitaks poolikud hetked
Oled see, mida endale hommikuil kingid,
Kardan kukkuda kiigelt, loomingut pettes.

Mu õlad on parkund verandakušetti
Kangestund uiduga mööduvad lennukid
Küüned, mis krabavad puuri mu hetki
Hämarus äratab öökapi-elusid.

moheri kaljud

Can 3CD Box Set - 'The Lost Tapes' released on Mute on 18 June (Europe) /June 19 (US)

PRE-ORDER NOW: http://bit.ly/can-thelosttapes
US: http://amzn.to/Jdnvds

For more information sign up here: mad.ly/signups/50703/join

Limited edition 10" square, old fashioned tape box style packaging with 24 page 10" booklet.

Includes exclusive sleeve notes by Irmin Schmidt and Ian Harrison.

The Lost Tapes is a 3 CD set of unreleased tracks, they are an opportunity to hear unreleased material, brand new tracks as if you were there, from the halcyon days, not outtakes.

The tracks cover the period from 1968 through to 1977 and were compiled by Irmin Schmidt and Daniel Miller.
The album features studio material recorded at Schloss Nörvenich and Can Studio, Weilerswist with the Can line up of Holger Czukay on bass, Michael Karoli on guitars, Jaki Liebezeit on drums and Irmin Schmidt on keyboards, and on most tracks, vocals from Malcolm Mooney or Damo Suzuki.

Irmin Schmidt explains "Obviously the tapes weren't really lost, but were left in the cupboards of the studio archives for so long everybody just forgot about them. Everybody except Hildegard, who watches over Can and its work like the dragon over the gold of the Nibelungen and doesn't allow forgetting."

Official Store

CAN - A Swan Is Born

Hay un amor que me come el corazón 
No me deja respirar
Volé tan cerca del sol
que su luz me lastimó 

No pensé 
que el calor traería 
Tanto dolor
En mi piel
se imprime el tiempo
con tu voz 

Hay un pájaro que vive en mi corazón 
ya no quiere volar
Se convirtió en una canción
que nace al cantar

El canta
cuando escucha cerca tu voz
Se desarma
en cuerpo y alma 
En mi pecho 
con amor

Es la voz que llena al aire del rumor
del color que mi fuego te cantó 
una flor mi alma te entregó 
del jardín que me regaló tu sentir

ayayai cómo me dolió tu amor.

Pájaro/corazón (demo)

Synths and ghost pop with a sense of poise and drama.

More info:
http://www.zebraislandmusic.com/
https://www.facebook.com/zebraisland

Find us on YouTube:
http://www.youtube.com/user/zebraislandofficial

Deezer:
http://www.deezer.com/artist/4569253

Have a look on Vimeo:
https://vimeo.com/zebraisland

Get your own:
https://itunes.apple.com/us/artist/zebra-island/id626214048

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Zebra Island

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