Seismography of Struggle: Towards a Global History of Critical and Cultural Journals, curated by Zahia Rahmani. 

This itinerant exhibition and research project highlights non-European critical and cultural journals as tools of resistance in anti-colonial and liberatory movements. Spanning the late 18th century to 1989, the exhibition explores the seismic impact of events such as the Haitian Revolution and the fall of the Berlin Wall. With a focus on decentralizing European perspectives, Seismography of Struggle has been exhibited worldwide, evolving through ongoing research efforts.

Now at Zeitz MOCAA, the exhibition delves into the rich legacies of Black-led and anti-apartheid publications in South Africa, showcasing influential magazines like DRUM, Zonk! and Staffrider, alongside Sechaba, DAWN, and Mayibuye (aligned with the ANC). Academic journals such as Kronos from the University of the Western Cape are also featured. The exhibition is presented in part as a dynamic film installation.

Seismography of Struggle was previously screened online as part of Zeitz MOCAA’s Radical Solidarity Summit in 2020 — a week-long gathering addressing urgent issues and exploring alternative futures in the context of the pandemic. The summit fostered connections among organizations, artists, curators, and activists committed to supporting the arts from Africa and its diaspora. 

Zeitz MOCAA’s curatorial and educational programming is generously supported by Gucci and the Mellon Foundation. 

Seismography of Struggle is furthermore supported by the French Institute of South Africa (IFAS).

Seismography of Struggle: Towards a Global History of Critical and Cultural Journals

Seismography of Struggle - Stop 3

Seismography of Struggle - Stop 2

Seismography of Struggle - Stop 1

Zeitz MOCAA presents 𝙏𝙝𝙚 𝙊𝙩𝙝𝙚𝙧 𝙎𝙞𝙙𝙚 𝙤𝙛 𝙉𝙤𝙬, a solo exhibition of film and sculpture by Vietnamese American artist Tuan Andrew Nguyen. The exhibition opens on Thursday, 22 August 2024 and runs until Sunday, 20 July 2025.

This exhibition explores the transnational entanglements created by colonisation and war. Attending to the erased voices of Vietnamese, Senegalese, and Moroccan history, it proposes a space for communal healing and remembrance.  

Nguyen’s films move along spectrums of fact and fiction, past and present, memory and forgetting. He uses the power of storytelling to create speculative visions of painful histories. He opens a doorway for empathy and healing for both the subject and viewer. In letters to a lost family member, imagined conversations between generations, or reincarnation as a means of healing from physical trauma, his work looks at hard pasts to realise healed futures. 

The exhibition presents three film works: Because No One Living Will Listen / Nguoi Song Chang Ai Nghe (2023), The Specter of Ancestors Becoming (2019), and The Unburied Sounds of a Troubled Horizon (2022). All three films are connected by the period 1954 to 1972; between the end of the First Indochina War and the conclusion of the American War in Vietnam. One chapter considers Moroccan soldiers who defected from the colonial army only for their return home to be hindered by the outbreak of the American War. Another tells the story of Senegalese-Vietnamese children and their disrupted connections to family and origin. This affirms a deep engagement with migration narratives stories and charting diasporic experiences in Asia, Africa and beyond. 

Nguyen creates sculptural objects that materialize his cinematic worlds, placing viewers face to face with relics that carry the weight of generations. These include tangible remnants of war in the five Singing Bowls (2022), constructed from leftover brass artillery shells; delicate embroidered tapestries of Viet Minh propaganda leaflets in Letters From the Other Side (2024); and intimate family photographs in Solidarities Between the Reincarnated (2019). 

The exhibition title highlights the shifts in and between time that are ever present within the artist’s work. What is the other side of ‘now’? Is it ‘then’? And when was ‘then’? And what waits to be revealed when we arrive on the other side? Through narration, Nguyen’s work probes history to bring to light lost stories that are intertwined with an unclear reality. These might be the same inherited stories that have been told over and over, but in time, there comes a longing to know more, a need to address the questions that were never asked and in turn, never answered. Is it possible to get to the other side and find a different ending? Can we reroute and rewrite histories that are personal and shared with the hope of one day arriving at a place of solace and closure?  

The Other Side of Now forms part of an ongoing series of in-depth, research-based solo exhibitions by Zeitz MOCAA that bring into focus and contextualises the practices of important artists from Africa and the Diaspora, and those whose work focuses on seminal topics in African history. In the spirit of radical solidarity, our programme looks beyond the continent’s borders, attending to new and old entanglements that implicate the world in Africa and Africa in the world.

𝘛𝘩𝘪𝘴 𝘦𝘹𝘩𝘪𝘣𝘪𝘵𝘪𝘰𝘯 𝘪𝘴 𝘮𝘢𝘥𝘦 𝘱𝘰𝘴𝘴𝘪𝘣𝘭𝘦 𝘵𝘩𝘳𝘰𝘶𝘨𝘩 𝘴𝘶𝘱𝘱𝘰𝘳𝘵 𝘧𝘳𝘰𝘮 𝘵𝘩𝘦 𝘛𝘦𝘳𝘳𝘢 𝘍𝘰𝘶𝘯𝘥𝘢𝘵𝘪𝘰𝘯 𝘰𝘧 𝘈𝘮𝘦𝘳𝘪𝘤𝘢𝘯 𝘈𝘳𝘵.

Stop 2

Zeitz Museum of Contemporary Art Africa is the first major museum in Africa dedicated to contemporary art. We collect, preserve, research & exhibit cutting edge contemporary art from Africa & the Diaspora & host temporary exhibitions from around the world

Seismography of Struggle - Stop 3

Zeitz Museum of Contemporary Art Africa

Related tracks