Name: Birds Of a Feather (MayRemix) by •ZEMANDAN• in Darkstrings
Duration: 3 min 14 s
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Darkstrings

The Title means in english "Time passes"

Le temps est passé vite et me revoilà avec un nouveau track...

LE TEMPS PASSE ... - MC T-Rex - Feat -Marie Cavalia

■video
https://youtu.be/y3UokERI1vE

■概要(Overview)
ころんころんぱっぱと
子犬がダンスをしています🐶
PrivateからPublicへレッツゴー。

A puppy is dancing, rolling and rolling🐶
Let's go from Private to Public.

■歌詞
子犬がダンスを誘っているようだ
よろよろ　アバンギャルドな身のこなしで

ころんころん　ぱっぱ
ころん　ぱっぱ
ころんころん　ぱっぱ
ころころ　ぱっぱ

(ころんころん　ぱっぱ)
(ころん　ぱっぱ)
(ころんころん　ぱっぱ)
(ころころ　ぱっぱ)

遊び疲れたね
眠たくなったね

■Lyrics
It's like a puppy is inviting you to dance
With its shaky, avant-garde movements

Roll, roll, pap
Roll, pap
Roll, roll, pap
Roll, roll, pap

(Roll, roll, pap)
(Roll, pap)
(Roll, roll, pap)

Tired of playing
Feeling sleepy

子犬のダンス(Puppy dance)





song of pure dog love  written by Ceviche for my son... ...I translated it then sang it for the humans...goes something like this....

Good Boy

I will walk you home
I won't say much
Sniff the ground
Mark the dust
I want to please, to share your point of view
This unknown path
It's ours to steer
Inside my head I keep you near
Always true,
Always there for you

Black as night
My fur, it sheds
It's on the floor 
And under the bed
Always there is work for us to do
Fill my bowl
With that Roll and Kibble
Pick up my droppings
And my dribble
It's true, 
How I need you

It's sometimes hard to tell ourselves 
To be soft instead of strong
We bark before we've thought it out
No words to sing our song
But the road you travel every day
I want to tag along
Let me be your good boy
I'll always be your good boy

Behind these eyes there's all this love for you
When you're alone, feel my heart so true
I'll keep you warm on this cold dark afternoon 

We will race them streets
From dawn to dusk
Portage to Millway
With that bike of rust
Always love to run next to you
I wanna be your good boy
Let me be your good boy
I'll always be your good boy





Good Boy

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Birds Of a Feather (MayRemix)

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George Bush'isms turned into lyrics of purest gold.

I Just Know I Don't Know

workinprogress/still/yetupdated

Cast of Characters:
Cgmaness – https://open.spotify.com/album/42qOeOxPcclsxwxlPynFfL – Chris – Gretch bass, Guild Pelora electric guitar, SoundStone on a Harley Benton electric guitar, vocals, composition, mix, and production
Mistermark-- @user-432503709 -- Mark – organ
Llanpsych–@llanpsych –Tez– Fender Stratocaster electric guitar
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken–drums
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – Roland Phantom synth
TexMex Shaman– @texmex-shaman –Stephen– Gibson Les Paul custom electric guitar

This song began as a mostly fully fleshed out idea from Chris. He presented it to the rest of Eclectic Collective as a bass line with a rhythm guitar chugging the goove. Awesomely powerful groove, but pretty stripped down compared with the final version. 
  
We did this in an odd order this time, for no particular reason. Probably because Chris' bass groove was so strong, Mark was able to first add his ripping organ throughout, inspired by Deep Purple. Tez, again surprisingly, was able to add the fiery solos at the end and the intro, even before the drums were up. Although, we didn't have to wait long for that, because Ken filled them in perfectly, as he always does. Once the structure and rhythm section was complete, Josh decided to add the synth solo in the middle, at the crescendo, which he really enjoyed doing. Stephen came last to the party, but replaced Chris' rudimentary rhythm guitar with a ferocious, but more riff oriented, and less chordy line throughout.
  
Once it was in the bag, Chris was the natural choice to mix it, since his productions are always top quality, and it was his song to begin with. During the production, he also decided to add the guitar, including the an e-bow like device called a SandStone that sounds a bit like a synth, and vocal tones to the middle and end. He also added the vocalizations you hear in those parts, as well. 
  
This is an example of an Eclectic Collective song started by Chris, whose music we adore and with whom are always excited to work. His music is all amazing; check out his page if you haven't already. He is also on Spotify, which is where you'll find his new album, which is amazing! We hope you enjoy listening to this song as much as we enjoyed creating it.

The Collective (The Eclectic Collective with cgmaness)

This track is my very personal take at the Koan "Hear the Clap of your Hand". My lyrics version (https://soundcloud.com/konrad-spittelberg/the-clap-of-one-hand-pp) might make things clearer. (yes, this is my sneaky strategy to guide you from one song to another :-))

Compositionwise, the track is roughly split into two equal parts. The first part introduces its cinematic theme in the very beginning, taking it thereafter up several times with slightly different accentuations and rhythms which gives it a fresh feel with different highlighted nuances in each repetition. Several interludes contribute to the cinematic feeling. 

The second part, starting @1.53 starts by a more Jazzy version of the main theme. However, from 2.20 onwards, it is very restricted in its harmonies - only two harmonies are used from thereon until the end, C major and C# major. The tension arises purely from the rhythmic changes (such as the shift from 4/4 to 3/4 @3.17 and back), climaxing at the end.

The Clap of One Hand (Piano Miniature)

A cold day and a quickie of one of my many favs from the master songwriter Gordon Lightfoot.........cheers for having a listen


Cold On The Shoulder By Gordon Lightfoot

All you need is time All you need is time time time to make it bend
Give it a try don’t be rude put it to the test and I’ll  give it right back to you
It’s cold on the shoulder and you know that we get a little older every day

Take it around take it to town Try to defy what you feel inside You better be stong your love belongs to us 
It’s cold on the shoulder and you know that we get a little older every day

All you need is is trust  All  you need is trust trust trust to make it show
I don’t want to know everything you’ve done if you get a tip then tell it to the eskimos 
It’s cold on the shoulder and you know that we get a little older every day.

All you need is faith All you need is faith faith faith to make it nice
Kick it around don’t be rude if you gonna make a mistake don”t you make it twice 
It’s cold on the shoulder and you know that we get a little older every day.
It’s cold on the shoulder and you know that we get a little older every day.

Cold On The Shoulder (Gordon Lightfoot)

Petite fanfare (flutes, trombone, basson, cors, saxophone, tubas) + piano et synthétiseur au final. Humeur joyeusement farfelue. Composition "indie" classique/alternative.
-
Visuel  : Between Earth and Air
Musique : Pascal Regnaudin
Licence : CC.BY.ND (2025)
Partition disponible : https://musescore.com/user/50660795

Variation

Wraith’s Anthem

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The Dubtech Drip" is an electrifying fusion of chiptune's nostalgic 8-bit melodies, electro's pulsating beats, and synthwave's neon-drenched retro vibes, layered with dance-pop's catchy hooks and synth-pop's shimmering synths. It blends chillwave's dreamy ambiance and breakcore's chaotic breaks with k-pop's infectious energy and folk's organic warmth, all wrapped in ambient textures-quirky, intense, and unforgettable.

The Dubtech Drip

This cover of Ben Daglish's iconic The Last Ninja 1 soundtrack is a tribute to a piece of music that left an indelible mark on my childhood. Its unforgettable melodies and innovative sound design captivated me growing up, sparking my passion for music creation. This track, hands down, inspired me to start composing my own songs. With this cover, I aimed to honor the one true King that was Ben Daglish, his original's timeless energy while adding my personal touch, hoping to evoke the same sense of wonder it gave me.

The Last Ninja

This is another cover of Ben Daglish's iconic Soundtrack for The Last Ninja on C-64. Originally released in 1987, The Wilderness track is a tribute to a piece of music that left an indelible mark on my childhood and therefore the World. Its unforgettable melodies and innovative sound design captivated me growing up and served as the vibrantly colorful soundscape badassery that only Ben Daglish Could master. Hours of sheer frustration, failures and daytime nightmares  in a completely un-nerfed game that gave absolutely Zero fucks about the feelings of the poor kid exposed to this satanic scheme. One of uncalibrated and worn out Tac-2 Joysticks on a good day. A game Sparking my passion for music creation. With this cover, I aimed to honor the one true King that was Ben Daglish, his original's timeless energy while adding my personal touch, hoping to evoke the same sense of wonder it gave me so many years ago.

The Wilderness

For your enjoyment, this is the third and final track in the Belle aime trilogy. I hope you enjoy it.

Belle Aime

Belle Aime No. 03

Belle aime No. 03

Sakura Emotional 95 BPM F#m (Demo)

Bacon Milkshakes on Spotify: https://open.spotify.com/album/1JODJyczhwcBxxPIl28ecG?si=ryE5EhCNT8ajnyf1v5y6rg
♥️🙏I'd Love For You To Follow-And please, cast a VOTE on https://distrokid.com/spotlight/zemandan/vote/ (preferably on my track)
Blending progressive house, cinematic EDM anthems, bacon, techno, dubstep & hypnotism into glitchy grooves, distorted fat bass and euphoric darkness🔥

Bookings: zemandan@hotmail.com
(NO promoters, please – direct only.)

Birds Of a Feather (MayRemix)

•ZEMANDAN•

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