Naviar Haiku Challenge: www.naviarrecords.com/about/naviar-haiku

To participate in the Haiku Music challenge::

- Make a song in response to the weekly assigned poem (a new poem is published every Wednesday)
- When choosing a title for your piece also include the assignment number, for example “Title of your track (naviarhaiku382)”

To submit your track:

- If you’re a Soundcloud user, upload it on Soundcloud and send me the URL via private message, or tag me in the track.
- If you upload your music on Youtube, Bandcamp or anywhere else, upload your submission and then send me the link by email at marco@naviarrecords.com or contact me on X, Facebook or Instagram
- If you don’t use any music platform, upload it to this Dropbox folder and I’ll include it in the weekly playlist. If you choose this option, make sure you include your name in the track’s title. www.dropbox.com/request/JvKyUfuCSzJ3gRNRocZz

Your track may be included in Naviar's weekly podcasts and free (pay-what-you-want) compilations. If you can, please set the track as downloadable on Soundcloud and allow others to remix/reuse it by using a Creative Commons License.

Naviar Records store: www.naviarrecords.bandcamp.com

Naviar Records Membership (access to full discography, creative meetups, workshops, and more): https://www.naviarrecords.com/membership-and-services/#membership

all submissions

haiku #583: out of the blue / of early morning light: / a paulownia leaf

out of the blue
of early morning light:
a paulownia leaf

Ōshima Ryōta was a Japanese poet of the Edo period. Some sources say he was a disciple of Yosa Buson, while others say his master was Hattori Ransetsu. He's mostly remembered for his essay “Bashō ku kai” 芭蕉句解 ('Study of Bashō's haiku') published in 1759, a magnum opus of his studies and literary theories on Matsuo Bashō's work.

Haiku by Ōshima Ryōta: https://thepoetryhour.com/poets/oshima-ryota/

To find out more and participate, visit https://www.naviarrecords.com/haiku-music-challenge/

more halF unusuaL

halF leaF [naviarhaiku583]

This track was created for the Naviar Haiku group.
583
https://www.naviarrecords.com/naviarhaiku583-out-of-the-blue/

2025-03-05

out of the blue (Naviarhaiku 583)

Submission for # 583 Naviar's Haiku @ https://www.naviarrecords.com/haiku-music-challenge/#haiku-posts
One take recording using Twin3 Synth and FabFilter, Minimal Audio, Output fxs. Harmony Bloom sequencer. 

Inevitable Life (NaviarHaiku583)

6Mar25
My naviarhaiku583 track
https://naviarlab.tumblr.com/post/777192557469990912/naviarhaiku583-out-of-the-blue
:D

out of the blue [naviarhaiku583]

An electronic composition, sounds from various sources.

Blue Morning (naviarhaiku583)

My submission for the NaviarHaiku Challenge #583. More on Naviar Haiku: https://www.naviarrecords.com/haiku-music-challenge/

Field recording attribution:
1) ermine - 'ambswmp-westhay-moor-nature-reserve-early-morning-ambience'
2) WWAudio - 'water trickling in an outlet of a hillside stream with birdsong'

Early Morning Light - naviarhaiku 583

Inspired by Naviar Haiku 583:
https://www.naviarrecords.com/naviarhaiku583-out-of-the-blue/
Thanks to Marco Alessi from Naviar Records for the weekly challenge!
Photo by zenbytes (Colorado, USA, 2024)

early morning light - Naviarhaiku583

Prompted by and in response to:

out of the blue
of early morning light:
a paulownia leaf

Naviar haiku challenge 583, details here: https://www.naviarrecords.com/haiku-music-challenge/

Not as I envisaged at the outset owing to a lucky experiment and a willingness to got with the flow. All the base sounds are generated in virtual modular using VCV Rack with split outputs allowing multitrack recording. I had planned on using the Deelay plugin from Sixth Sample and while I was tweaking the settings put it into chaos mode as an experiment, not what I wanted but more suitable for this track, saved some VCV patching.  With the other elements in place I set up physical controls and did a test run to get an idea of what to patch next. After what would have been the opening ran to over six minutes I decided that with a couple of tweaks I had enough for a take, more minimal and slower evolving than my original idea but probably suits the haiku better. I used a touch of Frostbite 2 from Audio Thing to add some texture to the opening.

Early Morning Light - (naviarhaiku - 583)

Composition pour le Naviar Haïku Music challenge 583.
Sur un haïku de Ōshima Ryōta:

out of the blue
of early morning light:
a paulownia leaf

www.naviarrecords.com/haiku-music-challenge/

Out of the blue

Disquiet Junto Project 0689: Supporting Players The Assignment: Elevate the presence of your non-instrument equipment.

In my improvisation setup, using acoustic instruments with electronic effects chains, I prefer using a contact microphone. This prevents unwanted audio feedback (sound from the speakers feeding back into the microphone. But it can lead to issues with accidentally bumping against the table that the instrument is on, or touching the cable of the contact mic (which is extremely sensitive to handling noise). One of the effects chains I use a lot, uses transient detection to trigger recording to a buffer in a granular synth, and doing pitch analysis to allow tuned audio effects (like a tuned resonator in a feedback path). Accidentally brushing the mic cable can then lead to some unexpected results… which I often find rather pleasing, actually.
So for this piece, I wanted to give the granulated mic cable brushes and table bumps centre stage, playing a bit of duduk as a background layer.

More on the 689th weekly Disquiet Junto project, Supporting Players — The Assignment: Elevate the presence of your non-instrument equipment — at https://disquiet.com/0689/

Accidental support (disquiet0689)

i like how this came out, and plan to integrate it into my slowly expanding project at https://museumofhistoricalmaterials.bandcamp.com

a frantic 5/4 reworking of a 4/4 track i've been working on this week. mellotron via m-tron pro iv. blackhole immersive, ds tantra 2 and imagiro autochroma pad things out in the return channels. at 30s, an ableton percussion rack (EFX Small Cymbals) starts playing out a morse code message: "kaufmann, you scumbag".

More on the 694th weekly Disquiet Junto project, 5/4ify — The Assignment: Add a 5/4 beat to a pre-existing piece of music — at https://disquiet.com/0694/

[disquiet0694] kaufmann in 5/4

ROTER STREUSSEL

Mulher

From a series of (almost) daily ocean glimpses. The music is composed to a video of the sea (photons captured fresh every day). You can experience the full video version here: https://youtu.be/5uSy3yAQ-h4

Glimpse 1495 (Nov 5 2025)

Album mêlant titres de rock et néo-classique, le tout dans une ambiance rebelle et mélancolique 

Thème (Partie 3)

Nothing's like home. A place we can return to, whatever happened, whoever we are. A place that doesn't judge but listens.

There should be a home for everyone. A refuge, somewhere. A quiet place to be tended like a garden. Whether it has walls of air or bricks, or is bordered by skies and mountains, or by flesh and bones. "Will I find my true home inside myself?"

Nothing's like home.

Alessandro Barbanera is an Italian musician and composer based in Assisi. He moves in ambient, drone, and electroacoustic genres, using guitars, synths, tape machines, field recordings, and found sounds, seeking a sound that combines experimentation, artisanal approach, and emotional impact.

Produced, mixed and mastered by Alessandro Barbanera
Cover picture by Alessandro Barbanera
Cover design by Dionis Afonichev (Dionisaf)

Nothing Like Home

Ice Ages (A Cold Breath Looms)

Traveller in sound and space.  Enjoying and creating ambient, drone and experimental music.

Naviar is a music community and label. Through regular publications, open projects and events, we explore the connection between experimental music and traditional Japanese poetry.

To join the Haiku challenge, visit https://www.naviarrecords.com/about/naviar-haiku

early morning light - Naviarhaiku583

zenbytes

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