Naviar Haiku Challenge: www.naviarrecords.com/about/naviar-haiku

To participate in the Haiku Music challenge::

- Make a song in response to the weekly assigned poem (a new poem is published every Wednesday)
- When choosing a title for your piece also include the assignment number, for example “Title of your track (naviarhaiku382)”

To submit your track:

- If you’re a Soundcloud user, upload it on Soundcloud and send me the URL via private message, or tag me in the track.
- If you upload your music on Youtube, Bandcamp or anywhere else, upload your submission and then send me the link by email at marco@naviarrecords.com or contact me on X, Facebook or Instagram
- If you don’t use any music platform, upload it to this Dropbox folder and I’ll include it in the weekly playlist. If you choose this option, make sure you include your name in the track’s title. www.dropbox.com/request/JvKyUfuCSzJ3gRNRocZz

Your track may be included in Naviar's weekly podcasts and free (pay-what-you-want) compilations. If you can, please set the track as downloadable on Soundcloud and allow others to remix/reuse it by using a Creative Commons License.

Naviar Records store: www.naviarrecords.bandcamp.com

Naviar Records Membership (access to full discography, creative meetups, workshops, and more): https://www.naviarrecords.com/membership-and-services/#membership

haiku #571: stillness: / the sound of petals / sifting down together.

link to my youtube https://www.youtube.com/watch?v=cUMdnvC3w-w

Eternal Recurrence

stillness:
the sound of petals
sifting down together.

Miura Chora (1729-1780) was a Japanese poet from Toba (present-day Mie Prefecture). Early in his career, he came into contact with the Teimon School, and bonded with the great Yosa Buson. An admirer of Matsuo Bashō, he strived for a return to the simple tones and spirit of the latter's poetics, criticizing the vulgarization of haiku of his era and advocating the so-called "return" to a Bashō's style.

Haiku by Miura Chora: https://www.goodreads.com/author/show/7303145.Ueda_Akinari

To find out more and participate, visit https://www.naviarrecords.com/haiku-music-challenge/

more halF unusuaL

halF siftinG [naviarhaiku571]

This track was created for the Naviar Haiku group.
571
https://www.naviarrecords.com/naviarhaiku571-stillness/

2024-12-13

stilnes  (Naviarhaiku 571)

Recorded, mixed & mastered 11 Dec 2024 by Jim Lemanowicz at Blissville Electro-Magnetic Laboratories of Massapequa.

©2024 Jim Lemanowicz

For this I used 3 instances of VCV Rack running Voxglitch ArpSeq within Ableton Live. In Live, I was running FL Studio with Sytrus loaded, Live's Wavetable and Arturia's Arp 2600. From about 23 minutes, I used this small section towards the end and did a bit of editing.

This original version of "So Glad To See You Again" was submitted as part of Naviar Haiku 571, Stillness.  

stillness:
the sound of petals
sifting down together.
by: Miura Chora

Miura Chora (1729-1780) was a Japanese poet from Toba (present-day Mie Prefecture). Early in his career, he came into contact with the Teimon School, and bonded with the great Yosa Buson. An admirer of Matsuo Bashō, he strived for a return to the simple tones and spirit of the latter's poetics, criticizing the vulgarization of haiku of his era and advocating the so-called "return" to a Bashō's style.

Photography/visual editing by Jim Lemanowicz, 30 Nov 2018, Whitney Museum Of American Art, NYC, USA

For more about the Naviar Haiku Challenge, see https://www.naviarrecords.com/haiku-music-challenge/

So Glad To See You Again (naviarhaiku571)

An electronic composition, sounds created using Pure Data.

Sifting Down (naviarhaiku571)

stillness:
the sound of petals
sifting down together.

by: Miura Chora

Phase Out Tenfolds - Naviarhaiku571

Inspired by Naviar Haiku 571:
https://www.naviarrecords.com/naviarhaiku571-stillness/
Thanks to Marco Alessi from Naviar Records for the weekly challenge!

Photo by zenbytes (Vosges Mountains, France, 2014)


petals sifting down - Naviarhaiku571

Thanks so much to Numbers In The Dream for agreeing to this collaboration.  Please pay a visit @numbersinthedream-1

You've Got Your Good Face

Iridium

More on the 677th weekly Disquiet Junto project, Jeux d’enfants — The Assignment: Make music inspired by a children’s toy or game — at https://disquiet.com/0677/

Slinky & Spectrum (disquiet0677)

coming to be

More on the 677th weekly Disquiet Junto project, Jeux d’enfants — The Assignment: Make music inspired by a children’s toy or game — at https://disquiet.com/0677/

I imaged three children playing an improvised game of parkour, jumping over obstacles, chasing each other. Musically this is three improvised synth phrases with added snippets of vocals.

The vocals I lifted from this mix https://on.soundcloud.com/XQfaAnJYwffGgTAy9

Disquiet0677 - Guet Usecho

looping snippets from a previous recording (not in time hence the wonkiness) + heavily modulated rings (fed particle noise). manually going into fully wet delay+reverb and fully dry.

--

More on the 683rd weekly Disquiet Junto project, Space Shot — The Assignment: Combine reverberant and non-reverberant — at https://disquiet.com/0683/

disquiet0683 - non-past continuous affirmative

DRAKENSBERG

Drakensberg

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The Forsaken Place of Forgotten Horrors

ALL SONGS BY PATRICK MATTEIS
PLAYED AND ARRANGED BY PAT ARTWORK BY MAYELLE
RECORDED AND MIXED BY PAT AT THE ROOM ABOVE THE GARDEN
2025 PATMAY PRODUCTIONS

FROM THE RIVER TO PEACE

FROM THE RIVER TO  PEACE PART 4

Traveller in sound and space.  Enjoying and creating ambient, drone and experimental music.

Naviar is a music community and label. Through regular publications, open projects and events, we explore the connection between experimental music and traditional Japanese poetry.

To join the Haiku challenge, visit https://www.naviarrecords.com/about/naviar-haiku

petals sifting down - Naviarhaiku571

zenbytes

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