j'adore ❤️‍🔥 🙏🏿👍🏿💯💯

Much longing in this somewhat miracalous sound

Chilly chiptune intro and great harmony entrance, great tune

This is on a whole new level Zentric !!! 🤘🏾🅿️🔥💯

Development of new solar drone synth including light to midi feature.
There is no sequencer used in this music.  It is entirely generated by incoming photons translated to midi.

There is an accompanying video:

https://www.youtube.com/watch?v=2jl6YmjfHqE&lc=UgxCmnmdVQIRmX0zFyx4AaABAg

Solar Midi Drone V0.2 00216000

WHY
Music by Overdrive & Moladoen

No AI music generation platforms (Suno, Udio, or others) were used in the creation of this track.

The vocals were created note by note in Dreamtonics' Synthesizer V Studio Pro, and the timbre was altered in SoundID's VoiceAI.

Various musical instruments are Kontakt libraries.

Ce titre, composé en collaboration avec Myckaël Marcovic (paroles)https://soundcloud.com/myckael-marcovic/tracks, se veut un hymne à la liberté. Le refrain, à lui seul et magnifiquement écrit,  nous permet de comprendre l’essence du propos de ce titre et de ce que veut  dire le mot liberté. La musique, un peu rock, est allégée par des vents qui rappellent les belles années du groupe Chicago.
REFRAIN :
On n’emprisonne pas le vent…    venant de l’ouest ou du levant.
J’ai toujours été arrimée… aux ailes de la liberté.


This title, composed in collaboration with Myckaël Marcovic (lyrics), is intended as an hymn to freedom. The chorus, in itself and beautifully written, allows us to understand the essence of the purpose of this title and what the word freedom means. The music, a bit rock, is lightened by winds that remind of the beautiful years of the group Chicago.
CHORUS:
We can't imprison the wind... coming from the west or the 'levant' (french word for east, sunrise).
I have always been anchored... to the wings of freedom.






Musiciennes et musiciens :
Marie-Christine Tremblay : vocal
Myckaël Marcovic : Paroles
Denis Caouette : musique et arrangements, guitares, back vocals et programmation.
Marlène Claveau : Sax Alto
Michel Otis : Sax ténor et piano
André Lessard : Trompette
Martin Tremblay : Trombone
Frank Corneau : Basse
Jérôme Vandal : Batterie
Martin Larose (Studio Septentrio) : Réalisation

SI TU VEUX SAVOIR
A Dominique Briand
Myckaël Marcovic, le 28 juin 2020


Si tu veux savoir qui je suis
Suis les saisons, suis la rivière
Qui chante et danse dans son lit
Se riant des vaines colères.

Si tu veux savoir qui je suis
Essaie de suivre ce nuage
Qui a toujours la même envie
De caresser des paysages.

Si tu veux savoir qui je suis…    écoute le vent de la mer
Gonflant les voiles de ma vie…         pour une école buissonnière.

                                               
On n’emprisonne pas le vent
Venant de l’ouest ou du levant
J’ai toujours été arrimée
Aux ailes de la liberté

Si tu veux savoir qui je suis
Regarde encore dans ton miroir
Pour y retrouver l’utopie
Le cœur ardent de mon espoir

Si tu veux savoir qui je suis
Il te faudra de la patience
Car jamais mon cœur ne frémit
Pour ceux qui manquent d’élégance 

On n’emprisonne pas le vent
Venant de l’ouest ou du levant
J’ai toujours été arrimée
Aux ailes de la liberté…         

…aux ailes de la liberté…                     aux ailes de la liberté…


Si tu veux savoir qui je suis
Écoute le vent de la mer
Gonflant les voiles de ma vie
Pour une école buissonnière

On n’emprisonne pas le vent
Venant de l’ouest ou du levant
J’ai toujours été arrimée
Aux ailes de la liberté…
 
Maintenant tu sais qui je suis
Comme un bateau mi-eau, mi-air
Pleins de rêves inassouvis
Mais qu’aucun port ne pourra taire

Nannanananananana !

On n’emprisonne pas le vent…              on n’emprisonne pas le vent…

PHONOGRAPHE

Si tu veux savoir

I drew a line to measure truth
It bent itself into a loop
I tried to name the shape of time
It laughed and told me, "Not this time"

I chased the proof, the numbers lied
They split in two, then multiplied
The closer that I came to fact
The further it dissolved to act

Meaning hides in coded schemes
In broken clocks and endless dreams
The world’s a riddle, sharp and sly
It grins and winks each time you try

You reach for logic, it slips away
A paradox dressed in broad daylight
The punchline waits at the end of the play
It only lands when the timing’s right

Bazinga!
Bazinga!
Bazinga!
Bazinga!

Bazinga

The lift breaks again
Seven flights of steps
I curse each one
I already miss you

A stranger complains
about the coffee taste
but all I can think
is the sound you make

The meeting drags on
Someone presents the slides
Their voice is a drone
my mind slips aside

I draw your outline
in the corner of notes
No one suspects
where my mind has gone

I already miss you
The hours don't move
Every clock is lying
Every thought is you
I already miss you

Lunch in the canteen
plastic and gray
They ask about deadlines
I nod, walk away

Your face in my mind
serene and absurd
You rarely speak
yet you speak every word

They bargain with minutes
they measure the day
But meaning is elsewhere
I've left it with you
I already miss you

I already miss you
The hours don't move
Every clock is lying
Every thought is you
I already miss you

And then
the door swings wide open
You greet me with cuddles and fur
with thunder of purr
with eyes that forgive the whole day

I missed you
You missed me
And nothing could be truer

I Already Miss You

Guitars, bass, vocals and keyboards by Robert Grigg.

Commit

This music is the soundtrack to the film "L'aranya teixeix llum" (The Spider Weaves the Light).

It is therefore advisable to watch the film directly on YouTube, as the images and music complement each other, forming a superior whole (unfortunately, SoundCloud does not allow films), so it is better to watch the film than just the music:

https://youtu.be/qCwEE9YSpgE?si=YLXvYaRxxbW1Uosd

This is a locally produced film centered on the Ripoll River, a small river that runs through the outskirts of Sabadell, a city near Barcelona (Spain). It is a short film (13') with a documentary approach but with a "artistic" style. We made it together with Nativitat Ayala and it is based on a poetic text written by her (with the same name as the film). She was primarily responsible for the plot idea and the script. I was in charge of the technical aspects (filming and editing) and, of course, also the musical composition.

The overall intention of this film was to highlight this river and its natural and wild environment, which is still preserved today and is currently in danger given the latest proposals to modify its industrial and tertiary uses by the City Council (which are not at all appreciated by most of the opposition and citizen movements).

Also, in the first part of the film, we sought to emphasize that the harsh conditions that the working women endured in the warehouses of the old factories of the last century are also part of the history of this river.

Thus, in this first part, we sought to create, both with the images and the music, a more somber and despondent atmosphere, which gradually transitions to greater luminosity and serenity, eventually achieving, in the final section, a liberating effect by showing that the natural and wild nature of the river ultimately prevails (at least for the time being). And all of this using a "poetic-artistic language" and modest and simple technical means.

Below are two PDF files, in English and Spanish, that explain the characteristics of the music:

In English:
https://drive.google.com/file/d/1v3DmQEQuOaz4SPXjXkHfyO_RhxSJiIVr/view?usp=sharing

En español:
https://drive.google.com/file/d/1nHrU8rSyndgxS0izdofu8tQoiJcrJ_Xs/view?usp=sharing



The film's soundtrack

Song by Beats Working UK taken from their most recent album 'Perspection'.
Written, arranged & produced by John Hardman for Swamp Music Productions.
John H - Vocals/guitars/keys
(c)(p) Swamp Music UK & Swamp Records UK for all territories

Solar Midi Drone V0.2 00216000

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