So I found a crapton of old tracks on a dying usb disk.

I rescued a lot of bmx files of it and miraculously, most of them play with the latest re-iterations jeskola buzz without crashing on load or noisebursting the shit out of my ears; While they did that, or not work at all with the old "new" buzz, overloader and all that frankenstein setup i had.

This one is from 2000, a collaboration with Th0ke. Howdy, dude!

I kind of played around with this one a bit, moved stuff around and removed some crap...

Enjoy!

TQrk ("Resurrected" 2000 Mix)

Moonwerk - Ahuna Mons

Moonwerk - Oblivion

The "Dark Like Hell" remix is a free bonus track on the Bandcamp version of the album. 

‘Watching the world go by’ contains 14 very diverse tracks with many influences. From techno to doomcore, IDM to Acid, and even some industrial parts... A mind blowing trip spread over two chapters is OUT NOW on Spirit of Progress.

Album Previews: youtu.be/UEojn_gtwWs

Written & produced by D. Cardella & C. Cardella
Remix by Dark Like Hell
Mastering by Da Goose Music 
Design by Electronic Mind Expansion

Electronic Mind Expansion - The Everlasting Synth (Dark Like Hell Remix)

Edit 2016-07-19: I decided I need to give a name to the song. I tried a song name generator with my own single work, but the results were ridiculously shallow. So I went into the history to get some ideas. It's 90's here, right? So I've been told. Communism changed? No, political or such words don't sound like a good idea. Referring to communism in either good or bad is too far fetched. I need it to be shallow enough, with style. Even if the style is shallow. Techno, acid, Germany, The Wall, Berlin. Central Europe. Dance culture. Synthez-vous. The Wall. The sound. Germany. France! In French! That's it. And it's true: it's after the Berlin Wall.  Coincidentally, I got my first computer in 1989.

---
One day I had an idea of a goa dance hook. Soon I found it nice idea to create something called goa dance. Then it felt nice to produce something beautiful. I get connected with Philip Glass and Koyaanisqatsi with the synths having a bit of vintage sound, and with the minimalism, which dance music often represents, or re-phrases. I also feel the melody having a kind of French mode, which fits fine with my pseudo-French alias. I just need the accordion player... There are many ways to branch from here, like ambient. 

Unfortunately, this is unfinished, but after tweaking details for several hours, I thought I might as well make this public. Primarily this is for myself to be able to listen to on mobile, but also I hope to find some dance/trance/rave people to understand this :)

Son rétrospective après que le mur de Berlin

Don’t miss DANSOR’s mood maker neither her set at Pumpui Stage. See you on the dancefloor…

DANSOR, real name Anett Kulcsar, is fast cementing herself as one of Holland’s hotly tipped artists. Founder of Comport Records, the Hungarian-born producer has released on the likes of Tulipa and Nervous, and is also the former winner of Pete Tong’s Bedroom Bedlam and Dave Clarke’s ADE Demolition panel. An established live act as well as a DJ, Dansor’s performances have graced Sziget Festival, Ozora Festival and Balaton Sound, not to mention an inventive appearance at Amsterdam Dance Event where she performed her debut album ‘Theory Of Love’ live alongside jazz musicians.
Born and raised in Budapest, Hungary, she grew up listening to Duran Duran, Depeche Mode and Kraftwerk before moving to the Netherlands in 1997 – a switch that would play a significant role in intensifying her relationship with all things house and techno. Throwing herself into the scene, she found home in the work of electronic acts such as Art Of Noise, Leftfield, Front 242 and clubs such as “Feketelyuk” (Black Hole) and “Zöldség-Gyümölcs” (Fruits and Vegetables), not to mention the acid house parties that sprung up during the time.

Acquiring a taste for illegal raves in her home of Budapest, she later left due to the country’s economic situation to make her way to the Netherlands in search of a new lease of life. It was here where she bought her first set of decks and also made friends with Dutch producer Georgio Schultz who pushed her towards installing Cubase on her Atari computer. She would later establish her ‘WomenWaves’ parties in her adopted town of Haarlem, followed by ‘Budapest Delight’, ‘HOTCHPOTCH’ and ‘BLEND’ nights in Amsterdam.

Soon after the Dansor project was born during the final semester of her Media Technology studies in the ‘00s. A live act that could be controlled without the need to stand behind a laptop, it didn’t immediately set pulses racing – with even the lady herself admitting that it was way ahead of its time. What it did prove beyond any doubt, however, is that Dansor is a producer not intent on taking the traditional route.

Such avant-garde approaches course throughout her productions too. Unsurprisingly, then, they’ve been picked up by a host of seminal worldly imprints including Little Mountain, This Is Recordings, Nervous Records and Tulipa. This is replicated in similar vogue via her Comport Records, which she helms alongside Soundbalance and Von Smir, that also plays host to her intricate sound by incorporating elements from house to techno to dub, jazz/funk, italo disco, new wave and indie.

Dansor has released a selection of singles from the long player, including remixes from Just Her (Him_self_Her), Thomas Gandey, Zoë Xenia, Sezer Uysal, Jiggler (Channel X] and Animal Picnic. These have gained support from the likes of DJ Mag, Complex, Electronic Groove, Ibiza Voice, When We Dip and her remix of Digitaria ‘Useless Fantasies’ even picked up support from Rolling Stone.

Dropping her debut album at the start of 2016, ‘Theory of Love’ garnered a glowing print review in DJ Mag, radio support from the likes of BBC Radio 6 Music’s Nemone, John Digweed and Jonty Skrufff, not to mention topping the Beatport charts with the release hitting no.1 in Breaks, no.14 Electronica, no.18 Deep House, no.23 in the Tech House – resulting in an overall Top 100 appearance at no.93. Now, with her live set evolving and Comport Records maturing, 2016 looks to be the most propitious year yet for this bright and promising individual.

Website: http://dansor.net/
Comport Records: http://www.comportrecords.com/wp/
SoundCloud: https://soundcloud.com/dansor

TQrk ("Resurrected" 2000 Mix)

zephiris

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