One does not simply walk into Mordor! Gotta shuffle in like a boss to this song.

Techno

A great philosopher (Samuel Johnson, not Ebeneezer Goode) once wrote… “our brightest blazes of gladness are commonly kindled by unexpected sparks”. While it would be a stretch to suggest the Drumcode artist roster are closet philosophy fans, once one begins to unravel the tale that led to Jel Ford remixing the 2012 Alan Fitzpatrick hit ‘For An Endless Night’ and it is impossible to escape the unexpected enterprise and spirit of surprise that are at the heart of this exciting collaboration. 

As fans of Adam Beyer’s label will testify, the two Drumcode names have more in common than just a label stable, they also share common ground with the peak-time melodic sound that has delivered many of the labels most memorable output. Ford being a much more recent addition than Fitzpatrick, whose history with the seminal Swedish imprint stretches back to 2009, however Ford’s history within techno goes back even further having released multiple EP’s through the early noughties on vintage UK techno labels including Dave Angel’s Rotation Records, Billy Nasty’s Tortured Records, Primate Recordings and Ford’s own Jericho imprint. 

It is within this shared passion for uplifting synths and big room melodies that the ‘unexpected spark’ of creativity that led to Ford remixing Fitzpatrick can be found. An long-time admirer of Fitzpatrick’s work, Ford had developed an idea for his alternative version and secretly worked on the remix long before any discussion of the project had taken place. Once given the draft version, Fitzpatrick immediately endorsed the remix, excited to have an updated version to breath new life into what had become a familiar staple of his sets for the past two years. Parts were swapped and the end result being the barnstorming end-of-night monster presented here. A track that will be familiar with many having been the subject of much social-media furor since it first surfaced back in Autumn 2014. 

Alan Fitzpatrick - For An Endless Night (Jel Ford Remix) - Drumcode - DC140

Fast rolling techno with upbeat melodic elements

Four AM | Techno | Track Preview

1ØØ1 - Interface (Mellon Place Records)

Hot on the heels of the A-Sides Volume 5 compilation, Enrico Sangiuliano makes his return to Drumcode with his highly anticipated EP ‘Moon Rocks’. The heavy hitting four track EP shines a light on Sangiuliano’s tight, thundering production skills. The hoover heavy lead track ‘Moon Rocks’ is packed with booming percussion, intricate synths and brooding crescendos. The EP encapsulates Sangiuliano’s wide spectrum of sounds ranging from the fat bass line of ‘Moon Rocks’ to the more delicate harmonies shown within the ‘Dutch Kiss’ mixes whilst ‘Ghettoblaster’ sits somewhere in between.

Enrico Sangiuliano - Moon Rocks - Drumcode - DC160

Sam Paganini makes his return to Drumcode after his chart topping album ‘Satellite’ with a four track, pounding EP. ‘The Beat’, is crammed with thudding drums, reverberated vocals and floaty synth lines. The EP, packed with tantalising synths and explosive drops, will ignite any dance floor.  

Sam Paganini - The Beat (ft. Zøe)- Drumcode - DC162

Highlighting sets everywhere from Awakenings during ADE to Spazio 900 in Rome, the tracks are hard-hitting master studies in industrial-edged techno.  ‘Future’ is a chunky stomper perfect for the winter warehouse party season, as multi-layered synths and effects rub shoulders with heavy-set drums to ensure this one hits its target.

Adam Beyer Vs Dense & Pika - Future - Drumcode - DC166

Amelie Lens Join the label with the forces of another fresh face on the label, Farrago. This record is the modern method for representing simplicity and elegance. Concrete connaisseur François X finalize all with his brilliant Remix.

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Buy the 12" Worldwide or in these online shops all over the world:

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Digital: bit.ly/2eHPPkM

B1. Amelie Lens & Farrago - Purge

Ramiro Lopez drops the electrifying follow up to his ‘Pretending’ EP from May this year. 

For almost a decade, Spain’s Ramiro Lopez has established himself as one his country’s leading proponents of techno, with strong releases across labels that include Suara, Intec, Octopus Recordings and Bedrock. He first debuted on Drumcode in 2016 with the rousing collaborative track ‘Clap Your Hands’ that ranked among one of the label’s standout tracks for the year. With one Drumcode release already under his belt in 2017 and a new label project Odd Recordings with fellow DC cohort Arjun Vagale recently launched, he’s enjoying another strong year.

His return to the label comes in the form of ‘Being Alone’, a powerful trio of cuts, all of which featured in Adam Beyer’s Awakenings Festival Day 1 performance. The title track is a multi-layered weapon, propelled by a dizzying vocal, swirling synth effects and pin-sharp percussion that build toward a smooth classy finish. ‘Dark Science’ is an effective stomper brought to life by a bell chime hookline and undulating synth melody ensuring its peak-time prowess. ‘Der Raum’ rounds out the EP, highlighted by Lopez’s deft drum work, proceeded by a driving, euphoric climax.

Ramiro Lopez - Being Alone - Drumcode - DC181

Spektre are back on home turf once again, with a sinister two-tracker.

'Carnival Of Souls' sets the scene with the relentless bang of their trademark heavy kick drum. Opening with a dark and eerie atmosphere that appropriately matches the title, the lead synths develop into uplifting euphoria, as the tracks mood transforms in the breakdown.

Second of the two original tracks 'Land Of Strays' has a building tension with fluttering synths. The powerful vocal also lifts the track and provides great contrast with the growling tones of the ominous bassline. Undeniably a peak time cut of dancefloor focused techno, this is a spark to light anyone's fire.

Track three is SAMA's remix of 'Carnival Of Souls' which is a refined version of the original with the addition of his own grinding bass stabs and thinned kick drum to allow more focus on the synth parts. Keeping all of the originals energy, it has all of the same charm but with added depth for those who like things a touch deeper.

Finishing the EP is D-Unity's remix of 'Land Of Strays' and stripping away many of the originals synths it's a percussion lead alternate version. Using the vocal and only short bursts of synths, this darker version has more ferocity to it, and will no doubt be a favourite with those who play a harder style of techno.

Carnival of Souls (SAMA Remix)

Buy on Beatport

Carnival Of Souls (SAMA Remix)

Mac Book? I Mac? Big Mac? NO, it's UMEK delivering the finely designed and great tasting techno for release number 30 on Filth on Acid. This 3 course techno meal with just main courses served by the Slovenian producer, who was already turning tables when the whole Filth on Acid crew was still in diapers, is ready to eat your dancefloor for breakfast, lunch and dinner. Are you ready NOW? This is FILTH on ACID..

Get Here

UMEK - Amnesiac (Original Mix)

Enter Mordor

Enter Mordor - Reflekt Records - RLK 004

Techno stalwarts Heiko Laux & Joel Mull return to Drumcode for their first outing since 2016.

Friends and collaborators for over a decade, Heiko Laux and Joel Mull continue their fruitful partnership with a searing four-piece work. ‘Centipede’ is a thematic follow-up to ‘Rooter’, their last atmosphere-heavy production that dropped on Laux’s Kanzleramt imprint in 2017. A year earlier they teamed up for the vinyl-only ‘Munch’ EP on Drumcode Limited that explored subterranean techno grooves. 

Their latest work was created during an extended stay at Mull’s home in Stockholm while Laux was visiting for a show. The evocative ‘Contour’ brings the EP into focus, as delicate strings set an atmospheric tone. The title track ‘Centipede’ follows, a track tailor-made for deep Sunday afternoon rave explorations as a menacing riff runs throughout. ‘Bullet Ant’ is driven by industrial percussion and brain-bending synth effects that dip in and out throughout the muscular work. ‘Centipede’ (Morph) follows on from its namesake, teasing out some space and introducing melody to the palette for a deep late-night impact.

Enter Mordor - Reflekt Records - RLK 004

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