Full tracklist: https://bleep.com/bleep-mix-310-rafael-anton-irisarri

Tracking a personal and pivotal moment in his life, Rafael Anton Irisarri’s fateful album A Fragile Geography has shifted meanings from grief to resilience in the ten years since it was released. Irisarri’s mix for Bleep taps back into those initial feelings changed by time, highlighting glistening blankets of sound, gauzy chord sweeps, and romantic bittersweet swells amidst the swathes of blasting, folding harmonic noise. Ryuichi Sakamoto’s dreamily puffing organ chords waltz towards the swaying pendulum of piano on Bohren & Der Club Of Gore’s ‘Maximum Black’, revealing a jazz backing of noir drum shuffles. Mabe Fratti’s voice is soft and billowy like a cloud of perfume on her rework of ‘Hiatus’, dispersed by the privately reflective noise of Ethel Cain’s ‘Onanist’, both airily cushioning and sharply confronting.

“I made this mix for Bleep to celebrate the tenth anniversary and reissue of my album "A Fragile Geography". I structured the mix to mirror how grief moves through us. It's a haze of fragmented memories and emotions, drifting like smoke through dimly lit rooms with memory stained walls. Each song feels like a whispered thought, a fogged-up mirror, or a letter never sent. Some tracks feel soft and distant, while others hit a little harder. Grief doesn’t scream here; it sighs, loops, and lingers. Tape hiss, faint piano, distant voices, and time dissolved strings shape the sound. I wanted this mix to feel like memory itself: flickering, fading, and returning. Remember, forget, and remember all over again.” - Rafael Anton Irisarri

Bleep Mix #310 - Rafael Anton Irisarri

a track by Marco Lucchi reworked by Mean Flow

Mean Flow & Marco Lucchi - piano (and keyboards) sketch

02 The Eternal Return Of The Same-Marco Lucchi,Siegfried Grundmann RMX

INTERVIEW + TRACKLIST >  https://inverted-audio.com/mix/intrusion

When Stephen Hitchell released The Seduction of Silence in 2009 under his Intrusion alias, the double-CD immediately established itself as a landmark in the dub techno continuum. Across deep, glacial chords, cavernous bass and hypnotic atmospheres, Hitchell expanded the Berlin/Detroit lineage into something spiritual and introspective – a meditative art form rooted in emotion, texture and stillness rather than club-function alone.

Sixteen years on, The Seduction of Silence returns in its most definitive form, with both Part 1 and Part 2 now finally available on vinyl for the first time. Remastered and cut by Stefan Betke (POLE), the records unlock new depth and dimensionality, offering a fully immersive experience for both longstanding admirers and new listeners.

Part 1 traces the genesis of Intrusion, sparked by Hitchell’s rediscovery of a Sequential Circuits Prophet 2000 sampler containing fragments of his ’90s experiments. Revived during a period of transition – long hours in record distribution, a move to Chicago’s lakeside, impending fatherhood – those sounds became the foundation for weighty yet introspective dub, heard vividly in Montego Bay and Intrusion Dub.

Part 2 carries a more expansive, improvisational feel, influenced by the late Phillip C. Hertz, Hitchell’s colleague at Crosstalk Distribution. Recorded through live jams and experimental sessions, this chapter drifts into deeper ambient-dub territory, paying tribute to collaboration, community and the fluidity of sound.

Together, both parts form a deeply personal document of life, art and devotion to sound. Alongside this feature, Hitchell shares a live recording from his New York debut at Public Records in July 2025, hosted by Zen/Echo – an intimate Intrusion performance in full analog drift.

BUY PART 1: https://inverted-audio.store/products/intrusion-the-seduction-of-silence-remastered
BUY PART 2: https://inverted-audio.store/products/intrusion-the-seduction-of-silence-part-2-remastered
SHOP ALL ECHOSPACE  DETROIT: https://inverted-audio.store/collections/vendors?q=echospace%20%5Bdetroit%5D

IA MIX 395 Intrusion

This episode features music made by Naviar's community inspired by Tanaka Hiroaki’s poem “whenever we meet / it’s raining / green walnuts”.

Tracklist:

Marco Lucchi · It's raining https://soundcloud.com/musichevirtuali/its-raining-naviar-haiku-616
Ray Cobley · Green Walnut Time https://soundcloud.com/ray_cobley/green-walnut-time
Jimmy Lem · An All-Encompassing Cold Perfume https://soundcloud.com/blisterpop/an-all-encompassing-cold-perfume-naviarhaiku616
Stan Magendanz · green walnuts https://soundcloud.com/stan_magendanz/green-walnuts-naviarhaiku616
cryxuss · green walnuts https://soundcloud.com/cryxuss/green-walnuts-naviarhaiku616
Snowman Lost His Head · We meet https://soundcloud.com/snowmanlosthishead/we-meet-naviarhaiku616

Credits:

music intro: “This ruined house”by Tuonela
voice intro: Ian Joyce
cover image: Micah Hallahan

Naviar Broadcast is a radio programme curated by Naviar, broadcasted on Resonance Extra every Wednesday at 7pm UK time. Thirty minutes of experimental music made in response to a weekly assigned haiku poem.

To have your music featured on the show, you'll have to participate in the Haiku music challenge: https://www.naviarrecords.com/about/naviar-haiku

Support the show: https://www.naviarrecords.com/support-us/

Naviar Broadcast #386 – Whenever we meet – Wednesday 5th November 2025

fractal/offal n*1

fractal/offal n*2

1985 - Toccata

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LIV || distance || Zero Wait State || 2012 ||

This is the Station containing audio samples of the following bands:
Zero Wait State
TWYS
Zero Wait enSemble
TWYXU 
Paus:enD  

LIV || distance || Zero Wait State || 2012 ||

Zero Wait State

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