<@richurd>make <$OCIALMEEDIAA> @<GREAT> <AGAAAYIN………>

sik blips is there a meaning or hidden messages innit?

my dewd "eww"\ ooo / these tunes go hard man

currently in progress
~~~
demos
ooo ooo ooo

Pin Pisk

fromthelordera_2

sa_0tarM_1

pOS_19clearshh

sa_147e1

sa_cl158a2

Robe rehearsal 181017

I've Never Been Able To Wedge My Smiles And My Panic Attacks

R. Schwarz - Winter IIVIIXXIVXVXVI

AVA 79 (release date March 6 2020)
C 26, edition of 55, incl. digital download

https://audiovisualsatmosphere.bandcamp.com/

II Die Wetterfahne
VI Wasserflut
IX Irrlicht
XIV Der Greise Kopf
XV Die Krähe
XVI Letzte Hoffnung

XIV Der Greise Kopf

before the version on gab002, just doodling around

162-170Nethirnet vers2

Short excerpt of a 40 minutes live improv 
15 October 2019 @ Les Instants Chavirés
Sharing the bill with Kate Carr, a concert produced by La Fabrique Agitée
https://www.instantschavires.com/kate-carrvalerie-vivancos/

Valerie Vivancos Live Instants Chavirés  15 Oct 2019 (excerpt)

Simon Whetham - (R)ASSEMBLE - YARMONICS 2020

a quick test of the nlc dp filter (headphones recommended):

a bunch of chopped up noodles from a doepfer system stuck inside a squid salmple, the mix of which is randomly addressed, reduced, and crushed, then sent to the dpf, and plays alongside a main sine noodle from an a-143-9. the diode half of the dpf has a high-ish q setting (which is kinda tame compared to other filters) and a low cut off, and later is modulated by a low rate of digital noise from the a-117 and a sine lfo from a second a-143-9. the transistor side (which has no input and is internally fed by the diode side via photo-couplers) has a maxed out q  and an even lower cut off, and its cv2 is randomly assigned the 2 oscillators section from the a-117 808 source via a switch, which gives it that wild feedback sound. the output of the dpf is monitored from the sum output, and a tiny bit of reverb is added in ableton.

this filter is very  touchy, and depending on how its built, can have a very narrow range on control (as mine does,) and the transistor ladder only really gets fired up if the diode ladder is hot enough (mine uses MCT9001 photo-couplers,) so you can get all these really interesting 'edge of breakup' sounds, to use the dirt-pedal/guitar amp parlance of the day...and its quite nice if you can dial it in, but it does takes some patience.

it also gets *real* bonkers when you start swapping the q path and monitoring different outputs...but i haven't really figured out how to bend any of that to my will yet...

Untitled XV

Night Foundation - Hold That Thought

From Yfory comp
https://elmc.bandcamp.com/album/yfory

sa_0tarM_1

ooo

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