Amazing work on this one :) love it and sounds great in-game

02. Ambient

Close At Heart

maybe heared something before sleep ? 


!🦦

心臓のすぐちかくの

Ambient music by Paul Landry. - Lemuria
Get downloads ▼ www.newagemusicplanet.com/new-age-store
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Seven

Lemuria

▼ Downloads

Lemuria by Paul Landry

⬇️Free Download hypeddit.com/paullandry/fallingbacktoearth1
Half Light pt. 1 is an atmospheric ambient piece based around synth textures, a drone. Special SoundCloud edit

Composed and performed by Paul Landry
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► Our YouTube www.youtube.com/watch?v=69grI5mfQJw

© 2018 Sound Tree Records

Hinterland

Hinterland pt 1

Downloads

Half Light Pt 1

From the soft, digital murmur of notation software and the absence of physical instruments, The FURICO Music Team (FMT) emerges, not as a band, but as a motion. A pendulum. A thought experiment materialized in waveform. 

Founded in Japan and composed of members TM and TI, FMT is less a musical group than a conceptual unit for sonic construction, deconstruction, and transformation. Describing their works as Auditory Art, FMT doesn’t simply make music; they create what they call "Auditory Art," where sound is both the medium and the inquiry. Every note is born in a digital void, composed entirely through notation software and production tools, unbound by fingers or fretboards. It’s a practice that reveals new sonic geometries and emotional architectures built in impossible spaces. 

Their latest album, Le Cube Dans Mon Rêve (The Cube in My Dream), is a speculative sonic response to Cubism, not its visual representations, but its method. Its disassembly. Its ghostly logic. The origin spark was a quietly buried drawing by a guest collaborator, Chiaki Tamura, a torn, reassembled work titled Temps et Regard (Time and Gaze), which became both a mirror and a catalyst for TM’s reexamination of Cubist thought in sound. 
As TM reflects, "Music history seemingly skipped a Cubist movement. While visual arts progressed through Fauvism, Cubism, Expressionism, and Futurism before reaching abstraction, music moved almost directly from Impressionism to dodecaphony, as developed by Arnold Schönberg and others."  What if that missing chapter had existed? What if sound could be prismatic? What if musical time, like a shattered face in a Braque or a bottle in a Picasso, could be reassembled, fragmented, and out of order? 

The album unfolds in the exact order of its creation, beginning with Cube 1: Le Déclencheur (Trigger), a foundational piece inspired by Cézanne’s visual innovations and imagined as a kind of "Neo-Impressionism" in sound, using tonal ambiguity and rhythmic displacement to suggest fragmented perception. Originally intended as part of a suite with Cube 2: Les Tentatives (Attempts), a geometric deconstruction of the first, these two works became the seed from which the remaining tracks organically emerged, each one reflecting a new facet of the same conceptual object as it is turned, refracted, and glimpsed from shifting angles. 

Though FMT’s work is forward-leaning, it resonates with the subtle futurism and ambient sophistication threaded through Japan’s proto-electronic history. Their music evokes, not imitates, the spatial elegance of Interior, the crystalline classicism of Satsuki Shibano, the fluid bass geographies of Motohiko Hamase, and the generative logic that once launched YMO into myth. These references aren’t about genre, but rather a shared instinct to reshape sound into unfamiliar, emotional forms. FMT extends this lineage not by homage, but by dismantling its language to sculpt new, imagined architectures. 

But this is no academic exercise. FMT’s palette is strange and delicate, sometimes cool and distant, sometimes tenderly off-balance. Sounds echo without sources. Rhythms that seem to emerge in rehearsal. Voices, or echoes of them, drift in and out like fleeting thoughts. It's music composed not to replicate Cubism, but to dream it, to simulate its psychological weight as well as its form. As the album's subtitle implies, Le Cube Dans Mon Rêve is Cubism remembered as it never was: a dream fragment of a movement music never had.

The FURICO Music Team - Cube 6: L'Avant Et L'Arrière (Le Cube Dans Mon Rêve, 2025)

Hayama Ambient 044

A new synth based ambient piece from Hungarian multi instrumentalist Szintra


Washed Away by Rain

available on all streaming platforms, thank you

love sequence

cricket decay

Atmospheric spacescapes from ambient soundsmith Nairb One

Callisto

KITCHEN. LABEL is proud to present Jewels, the debut album from Tokyo-based composer Ryuuta Takaki, emerging from a new chapter in the city’s alternative wave. His music opens realms of mysticism, memory, and imagination, unfolding like radiant mosaics that echo symbolic traditions, Eastern esotericism, and a neo-Orientalist dreamworld. Takaki shapes music that moves between sacred stillness and ornate intensity. Though his creative path once passed through experimental hip hop and electronica, he has since dissolved into a borderless language that feels timeless and unbound. Jewels stands as ambient music presented not just as sound, but as an object of weight, mystery, and sensuality.

Jewels draws its initial spark from the perfumed visions of Symbolist painter Gustave Moreau and the Kegon (Huayan) cosmology, which sees the universe as a vast net of interrelations where radiant jewels shimmer at every intersection. Takaki translates this philosophy into music, building a work that reveals how the smallest resonance can reflect the entire whole.

It begins with “Chrysalis”, a fragile awakening where tones drift like wings opening in first light, before spiraling into the kaleidoscopic “Funnel and Infinite Reflections.” “Kegon” follows as a conceptual anchor, a meditation on fractal harmony where tones layer into infinite patterns that echo the Buddhist vision of interconnectedness. The title track, “Jewels,” shimmers with solemn clarity, glinting and fading like starlight across water. Later, in “Sunken Cathedral,” Takaki submerges the listener into an aquatic reverie where sacred and profane dissolve into one. “Gilded Veins” pulses with lustrous textures, like living currents coursing through stone, before the closing “Celestial Tuning” offers a shimmering epilogue, as if suspended over valleys of drifting clouds, opening onto a horizon of distant citadels.

Beyond its unfolding narrative arc, musically, Takaki’s work at moments suggests the dreamlike, kaleidoscopic qualities of Susumu Yokota meeting a Narada-esque new age landscape. Conceptually, his exploration resonates with Jon Hassell’s “Fourth World” vision, dissolving cultural boundaries of East and West into a single continuum, though always expressed through his own intimate and ornamental language.

Jewels reveals itself as a cosmology in miniature: a living network of harmonies, reflection, and becoming. In Takaki’s vision, every sound becomes a jewel — radiant, infinite, and alive — turning the album into a mandala of sound where resonance and reflection unfold without end.
The album will be released on 24 October on Compact Disc and digital formats, with mastering by Chihei Hatakeyama.



Ryuuta Takaki - Jewels (Jewels)

🔗 Listen & support:
Spotify · Bandcamp · YouTube · more → linktr.ee/amb1Matt3r

🎧 Music for:
sleep · deep focus · meditation · inner drift · slow time · space dreaming

📎 Tags:
#ambient #drone #granular #spacemusic #sleepmusic #darkambient #soundscape

Recurring Dreams

BackRooms VR
store.steampowered.com/app/1922060/B…tual_Reality/
Steam: risingzero1
Discord: LunaNightZ#5638

BRVR Level Theta [2025 Remake]

Loveless

2025-10_coastal-ambience_79BPM_03m23s_CK.WIP

4(E+D)4(ER=EPR)

(HEADPHONES RECOMMENDED)
Musician For Woo Studios (A VR Game Company)
Start: SEPTEMBER 27 2009
End: Music Is Forever
VR Chat: LunaNightZ
Steam: https://steamcommunity.com/id/LunaNightZ
Discord: LunaNightZ#5638
--------------------------------------
 I've grown up with the fascination of music.  I Create Music Varying From  House,Trance,Techno,Calm,And More Mostly With A Bgm/ Videogame feel To It.Have fun and please comment And Like It Really Shows What you guys like!
Enjoy my tunes !

I repost the music I personally like. I'm not promoting anything other than the music I like. As well as listening to music, which includes activities such as searching for new music, I dance to music. In (personal) fact, a significant amount of the music I like could be categorized as dance music. However, I also experience a mix of positive effects whilst listening to what could be called 'chill-out' or 'ambient' music. Furthermore, occasionally, I will 'dip' into my previous (past) catalogue of favorite music tracks. I was born in 1971, so I have been influenced by the music that was produced in  the 70's, 80's, 90's, etc. Although, now is my favorite time of music (now is all there is)



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BRVR Level Theta [2025 Remake]

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